波普

Einstein' s relativity, Freudism and Marxism, which are called the three main trends in modern western, made a great impact on the whole Popper' s philosophy system.

波普尔科学哲学中的反归纳法、证伪原则、知识增长的动态模式和批判的理性论是其政治哲学的方法论基础。

However, the company was actually founded by three men: Josef Popp, Max Friz, and Camillo Castiglioni.

不过，该公司实际上是由三名男子：约瑟夫波普，最高Friz和卡米洛尼。

Gaudiness is not only an aesthetic style, but also linked with the changes of economy, politics, culture and value orientation.

以波普设计为代表的艳俗风格，不仅是一种审美风格，更与社会的经济、政治、文化、价值取向的转向紧密相连。

Starting in terms of plural method, this paper points out the limitations of rational methods, and take an analysis on the significance of non-rational method. It introduces the 'trial and error method' of Popper, the 'radiative thinking' of Kuhn, the 'Gestalt psychology' of Wittgenstein and some other methods in science innovation.

本文从多元方法论的角度入手，指出理性方法的局限性，并对科学研究中非理性方法的重要性做了分析，重点介绍了波普尔的"试错法"、库恩的"发散式思维"和维特根斯坦的"格式塔心理学"及其他在科学创新中使用的非理性方法。

The technology was developed from the cumulative knowledge of scientific pioneers such as Samuel Hahnemann, Wilhelm Reich, Nicola Tesla, Winfried Otto Schumann, George Lakhowski, Fritz Popp, Alexander Lowen and others.

这项技术是从累积知识的科学先驱，如塞缪尔哈内曼，威廉帝国，尼古拉特斯拉，教练奥托舒曼，乔治Lakhowski ，弗里茨波普，亚历山大Lowen等。

Warhol's early Pop Art, from 1960 to early 1962, consisted of hand-painted canvases and drawings.

沃霍尔从1960年到1962年早期的波普艺术，是以手工的绘制方式完成的。

In addition to his instrumental skills, Dizzy's beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.

除了他的乐器技能，晕眩的贝雷帽，角边眼镜，他跑去唱歌，他的弯曲角，兜脸颊和善良的个性，他光在普及波普至关重要。他公顷

In these photographs we find a lot of iconography which is related to Warhol's early Pop Art images.

在这些照片中，我们找到了大量的标志性的画面，都和沃霍尔早期的波普艺术影响有着关联。

This thesis focused on Wang Guangyi's Great Criticism series and Political Pop, tried to observe the symbolic-context artistic milieu and the iconology of the propaganda posters symbols of this work, along with their effects on the development of Chinese contemporary art.

论文以王广义《大批判》系列与政治波普为研究对象，探究其符号脉络的艺文背景与样版画符号的置换意义，和对中国当代艺术发展进程的影响。

Factually, what Gombrich was interested in is to describe how a painter turns a 3D object to a 2D painting with the 3D illusion by means of his or her eyes, with the support from various theories of modern psychology, sociology and philosophy (e.g., the visual prevision theory of Gibson, falsificationism of Popper, iconology of Erwin Panofsky, etc.), after the research on a great number of works, artists and related classics and literature.

其实，贡布里希的兴趣是在各种现代心理学、社会学与哲学的支持下(吉布森的视觉预知理论、波普尔的证伪主义、潘诺夫斯基的图像学等等)，通过对大量作品、艺术家与相关的经典和文献的研究来仔细描述人是如何用自己的眼睛这个器官，把一件处在三维当中的物体转变成二维上的平面绘画的，而这平面上的二维又具有三维空间的错觉感。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。