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By means of the two links of scientific development-conjectures and refutations,Popper constructs the logical morphology of scientific evolution and forms his theory of scientific development model.

波普尔通过科学发展的两个基本环节——猜想与反驳,构建了科学进化的逻辑形态,形成了他的科学发展模式理论。

But, so-called 'refutations' are not the hallmark of empirical failure, as Popper has preached, since all programmes grow in a permanent ocean of anomalies.

波普尔所鼓吹的所谓的"反驳"也不是经验失败的标志,因为所有的纲领永远都是在大量的反常中成长的。

Proceeding from critical rationalism and the dynamic process of analyzing scientific knowledge,Popper reveals that science is a process that involves continual discovery and revolution,thus establishing the methodology "conjectures and refutations".

波普尔从批判理性主义出发,从分析科学知识的动态过程着手,揭示了科学是科学家不断发现、不断革命的过程,从而建立起"猜想与反驳"方法论。

The sexual positions applied repetitiously to the canvas in the way of much Pop Art relate the past as a template for all that happens in the present.

画布上不断重复的性欲姿态以波普艺术连接过去的方式与当下所发生的一切联系起来。

They tend to point to the colourful Pop aesthetics of artists such as Jeff Koons and Takashi Murakami and the rigorous seriality of Damien Hirst.

他们倾向于关注如杰夫·昆斯、村上隆色彩缤纷的波普美学和达米安·赫斯特严苛的连续性。

I am the middle/high art teacher at CISB where soda pop and popular culture are both a major consumption.

作为北京加拿大国际学校的中高年级艺术老师,波普和流行文化是我的一个阐释要点。

In fact in Iorizzo's works there are the Pop Collage,the photographic effects of the solarization, the non-figurative painting lesson,the contemporaneous aesthetic references thatare canalized in an historical continuum as if he would empahasize the Present Without deny the past.

实际上,在Iorizzo的作品中有着波普式的表现方式、摄影底片效果、抽象表现绘画风格以及当代美学特点,它们在历史延续中找到了出口,如同这个世界强调着现在而又没有否认过去。

Therefore, later more and more artists chose to study abroad. They traveled between the East and the West. Chinese contemporary art has won worldwide attention along with China's rapid economic development, as well as the so-called "Sots Art" a wide range of popular artists.

所以后来出国留学的艺术家越来越多,他们往返于中西之间,随着中国经济的迅速发展,以及所谓的"政治波普"艺术家作品的广泛流行,中国当代艺术才开始赢得全世界的瞩目。

On an ideological level, the prescribed role as a revolution-maker and a subverter leaves the artist with hardly any choice but to approach his/her art with a critical and subversive stance. As a result, the obsession with politics nearly has dominated the entire art scene for some time now. Political Pop is rampantly omnipresent. Anything that represents tradition and the authoritarian past is picked out by artists and stockpiled into a ready supply for quick and easy social critiques.

在文化意识形态上,"革命者"和"颠覆者"的宿命让艺术家们不得不以批判和告别的姿态来进行自己的艺术实践,政治性的诉求几乎统辖了一个时期的艺术现象,政治波普大行其道,一切代表传统和集权历史的符号成为艺术家们捡起来进行简单和快速批判的主要资源。

If Popper is right, scientific theories are not only equally unprovable but also equally improbable.

如果波普尔是正确的,那么,科学理论不仅是同样不可证明的,而且是同样不可证伪的。

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