波普

The theory of Three Worlds based on the indeterminism is the ontological presumption of Popper"s philosophy, and the establishment of Popper"s idea about indeterminism resorts to the belief in Human freedom.

以非决定论为基础的三个世界理论是波普尔哲学的本体论预设，而波普尔非决定论思想的确立又诉诸于对人类自由的信仰。

Mid-20th century Roy Latchstring, who helped start the movement in the 1950s,continues to rule as the king of pop art into the 90s.

早在50年代，罗耶·列克敦斯坦就参与发起波普艺术运动。直到90年代他依然是波普艺术的顶尖级人物。

Popple: My name is Henry Popple.

波普尔：我叫亨利·波普尔。

Popple : This is Henry Popple .

波普尔：我是亨利·波普尔。

This paper summarizes schools of language philosophy in three threads, interprets the classification and nature of philosophical knowledge from the epistemological perspective,and anatomizes such knowledge to find out the feature of conjectures and refutations therein through the application of Karl Popper s schematic theory.

通过波普尔的知识图式理论重点分析了语言哲学知识的猜测与反驳特征，并对波普尔的知识图式作了适当修正，以增强对语言哲学知识来源及性质的解释力。

As Popper\'s student, Imre Lakatos is faithful vanguard and the repudiator of the philosophy of Popper.

作为波普尔的学生，拉卡托斯是波普尔哲学忠实的捍卫者和批判者。

Lure design has changed drastically since the first production of those aforementioned lures, and now we have such poppers as the Berkley Frenzy Popper, Tsunami Talkin Popper, Rapala Skitter Pop and the Lucky Craft G-Splash.

诱惑以来首次大幅改变设计生产上述这些诱惑，现在我们有这样的晚会嵌入式数据库Berkeley狂波普尔海啸talkin波普尔rapalaskitter流行的幸运船77泼。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。

Liu Liguo's works in the mid 90s mainly combined exquisite ancient porcelain bottles with vulgar human hips to create a kind of Chinese-style pop art.He intended to criticize the developing culture of consumption society in the 90s,and at the same time to ironize the phenomenon that the fashionable western pop art had become a vulgar farmer-style art in China.

刘力国在九十年代中期的作品主要是将中国传统代表高雅的古代瓷瓶与恶俗的身体臀部组合在一起，他的观念主要是制造一种中国式的波普艺术，对九十年代正在形成的消费社会的文化进行批判，同时也对时髦的西方波普文化在中国变成一种农民式的低俗波普进行反讽。

Chinese Pop Art in the early 90s, described as Living Pop art, has a clear signification and concept. The Gandy Art (from 1995 and later) however turned into a more formalist art. It lacks an avant-garde approach and has no references to daily life anymore. Also it has a Benthamistic and pragmatistic character: being more business oriented to the Western art market.

中国90年代的波普艺术统属于生活波普。90年代初的生活波普与后来的艳俗艺术有些差异性，前者的意指和观念都很明确，后者却是一种形式主义的东西，缺乏现实生活的参照系，有功利主义和实用主义的倾向。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。