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He it was who took his bow and faced King Apollo himself for fair Marpessa's sake; her father and mother then named her Alcyone, because her mother had mourned with the plaintive strains of the halcyon-bird when Phoebus Apollo had carried her off.

然而,当暴怒揪住墨勒阿革罗斯――同样的愤怒也会袭扫其他人的心胸,虽然他们较能克制――他,心怀对生母阿尔莎娅的愤怒,躺倒床上,妻子的身边,克勒娥帕特拉,长得风姿绰约,脚型秀美的玛耳裴莎的女儿,玛耳裴莎,欧厄诺斯之女,伊达斯的妻子,当时人世间最强健的壮勇――为了这位脚型秀美的女子,甚至对着福伊波斯·阿波罗拿起过强弓。

I care neither for you nor for your anger; and thus will I do: since Phoebus Apollo is taking Chryseis from me, I shall send her with my ship and my followers, but I shall come to your tent and take your own prize Briseis, that you may learn how much stronger I am than you are, and that another may fear to set himself up as equal or comparable with me.

我不在乎你这个人,也不在乎你的愤怒。不过,你要记住我的警告:既然福伊波斯·阿波罗要取走我的克鲁塞伊丝,我将命令我的伙伴,用我的船只,把她遣送归还。但是,我要亲往你的营棚,带走美貌的布里塞伊丝,你的战礼。这样,你就会知道,和你相比,我的权势该有多么莽烈!此外,倘若另有犯上之人,畏此谅他也就不敢和我抗争,平享我的威严。

Jean Valjean had a canopied bed of antique damask in three colors and a beautiful Persian rug purchased in the Rue du Figuier-Saint-Paul at Mother Gaucher's, put into Cosette's chamber, and, in order to redeem the severity of these magnificent old things, he had amalgamated with this bric-a-brac all the gay and graceful little pieces of furniture suitable to young girls, an etagere, a bookcase filled with gilt-edged books, an inkstand, a blotting-book, paper, a work-table incrusted with mother of pearl, a silver-gilt dressing-case, a toilet service in Japanese porcelain.

冉阿让在珂赛特的卧房里放了一张带一顶古式三色花缎帐幔的床和一条从圣保罗无花果树街戈什妈妈铺子里买来的古老而华丽的波斯地毯,并且,为了冲淡这些精美的古老陈设所引起的严肃气氛,在那些古物之外,他又配置了一整套适合少女的灵巧雅致的小用具:多宝槅、书柜和金边书籍、文具、吸墨纸、嵌螺钿的工作台、银质镀金的针线盒、日本瓷梳妆用具。

Fruit trees and flowers, birds and animals, shimmering tiles, and the gleam and murmur of running water—these are the vibrant and delicate substances from which, like a beautiful carpet, the Islamic garden is woven.Indeed, Islamic carpet design and garden layout go hand in hand.Garden carpets depict in a stylized manner the chahar bagh, or fourfold garden with its intersecting axial watercourses surmounted by a central fountain.In addition, they depict symbolically the vegetation planted in actual gardens:the shade-giving plane tree, identified with the Tuba tree in the Quran; the cypress representing death and eternity; and fruit trees standing for life and fertility.The central cartouche can interpreted as a platform, which in real gardens was often surmounted by a pavilion.These form the basic and timeless design formula of the Islamic garden—one or more quadripartite sections defined by narrow water courses—which has its roots in ancient Persia where the archaeological remains of Achaemenid palaces trace the outlines of pavilions overlooking carved stone channels.

果树和花卉,鸟兽,闪烁瓷砖,以及闪光和杂音的自来水-这些都是充满活力和微妙的物质,像一个美丽的地毯,伊斯兰园林woven.indeed ,伊斯兰地毯设计与园林布局齐头并进hand.garden地毯描绘在程式化地察哈尔巴格,或四倍花园与其相交轴水道克服了由一个中央fountain.in此外,他们还描绘象征性的植物种植在实际花园:耐荫给予平面树,确定与大号树在可兰经;桧代表死亡和永恒;栽果树,站立,生活和fertility.the中央cartouche可以解释为一个平台,而在真正的花园往往是克服由pavilion.these形式基本和永恒的设计公式伊斯兰花园式的一个或一个以上的四方节所界定的狭窄水道-其中有它的根在古代波斯,而考古遗迹的阿契美尼德宫殿追查纲要凉亭俯瞰石刻渠道。

On one occasion zeus suffered a bad headache.all the gods,including apollo,the god of medicine ,had tried uselessly to offer an effective treatment .then the father of gods and men asked hephaestus to open his head.this the god of the fire did.to the wonder of all the olympians,a goddess,well-grown and full-armed,came out of zeus' head.the goddess was giving off light and splendor.

雅典娜 有一次,宙斯得了严重的头痛症。包括药神阿波罗在内的所有山神都试图对他实施一种有效的治疗,但结果都是徒劳的。众神与人类之父宙斯只好要求火神赫斐斯托斯打开他的头颅。火神那样做了。令奥林波斯山诸神惊讶的是:一位体态婀娜、披坚执锐的女神从裂开的头颅中走了出来,光彩照人,仪态万方。

Apollo was the god of music and poetry.he could stir up all feelings.these feelings are expressed in lofty songs.with his lyre of gold and the sweet accents of his godlike voice heled the choir of the muses at olympus.the pleasant music from his lyre was so exciting that stones marched into their places in rhythmic time and of their own will when he helped poseidonbuild up the walls of troy.on one occasion,invited to a contest by the human musician marsyas,he won and then flayed him to death for his pride.on another occasion,he lost out topan at a musical contest and turned the ears of the judge ,king midas, into those of an ass.

他可唤起人们倾注于圣歌中的各种情感。在奥林波斯山上,他手拿金质里拉,用悦耳的音调指挥缪斯的合唱。当他帮助波塞冬建造特洛伊城墙时,里拉奏出的音乐如此动听,以致石头有节奏地、自动地各就其位。有一次他接受凡人音乐家马斯亚斯的挑战参加一次竞赛。战胜对方后,他将对手剥皮致死以惩罚他的狂妄自大。在另外一次音乐比赛中,因输给了潘神,他就将裁判迈尔斯国王的耳朵变成了驴耳朵。阿波罗的儿子俄耳甫斯继承了父亲这方面的才能。

Your persian eye sparkle; your lips, ruby blue Don't speak a sound You, oh so gay, with parisian demands, You can run-around And your view of society screws up my mind Like you'll never know Lead me away, come inside, See my mind in kaleidoscope Somebody called me sebastian Somebody called me sebastian Love me sublime, mangle my mind, do it in style, So we all know, oh yeah!

你的波斯眼在闪烁你的唇是红宝石的蓝色别发出任何声音你如此受宠,符合巴黎人的要求你能闯荡天下你的对社会的看法使我深受影响希望你不会知道带我离开,走进来在万花筒中窥见我的思想某人叫我塞巴斯蒂安某人叫我塞巴斯蒂安极端爱我毁灭我的思想做一切都有格调我们都知道

She has thousands of pattern, the kinds of together the Persian carpets Tibetan carpets blanket chemical fibber carpet Turkey stall the essence of innovative design but in euramerican with avant-garde with keen on the Chinese culture in modern design of the original avant-garde with rich based on the classical beauty encompassed each pattern with her story plot culture color is intriguing. After all, is one of the traditional culture of five thousand five thousand years of wisdom and sweat in.

她有上千种图案,万种风格聚波斯毯藏毯毛毯化纤毯土耳其摊子之精髓设计新颖但不失前卫在具有欧美的风格上带着浓厚的中国文化底蕴在原有的前卫现代图案的基础上透着丰富含蕴的古典美每块图案具有她的文化色彩故事之情节会是你耐人寻味…毕竟是五千年的传统文化之一五千年的智慧和血汗凝聚而成的。

This article discusses the three tremendous cultural variations in Xiyu,analyses the main causes led to the variations and their substance,and argues that the substance of Xiyu culture's variations was the triumph of the Turki and Islamic culture ,the advanced culture keeping forging ahead and based on advanced economy,over the Yilan culture of weak quality, short of a subject ethnic consciousness and being reduced to a declining state;it was also the defeat met with by the Greek, Persi...

本文探讨了西域经历的三大文化巨变,剖析了其主要原因及实质,认为西域文化变异的实质,是以先进经济为基础的进取型先进文化———突厥文化和伊斯兰文化战胜了缺乏主体民族意识、处于沦落状态的伊兰弱质文化,也是具有悠久古文明传统的希腊、波斯、汉文化在西域文化经营的失败。文章最后揭示出一般不被人重视的文化与边疆稳定、文化兴衰与民族命运这类重大问题的关系,对结合现实与历史教训研究中华文化,特别是对建设中华边疆文化的内容与方针等问题提出了对策建议。

In my novel, My Name is Red, when I wrote about the old Persian miniaturists who had drawn the same horse with the same passion for so many years, memorising each stroke, that they could recreate that beautiful horse even with their eyes closed, I knew I was talking about the writing profession, and my own life.

在我的小说《我的名字叫红》中,当我写到那个老波斯画家以一种不变的热情长年画着一模一样的马,一笔一画都能倒背如流,闭着眼睛也能画出那些漂亮的骏马。我知道我在谈论写作的职业化,和我自己的生活。

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