波德莱尔

Summaries were made with the emphasis on the compositional style of Debussy's vocal works. This is followed by analysis of the poems and each pieces in Cinq po?

并深入研究德布西的声乐作品风格，以作为《波特莱尔的五首诗》这组作品音乐分析的依据。

This thesis is written in hope of providing information and resources for readers interested Debussy's Cinq po?mes de Baudelaire, as well as performing suggestions for singers.

德布西的歌曲，更清楚地感受波特莱尔诗作所带来的象徵意义，以提供读者加以融会与了解《波特莱尔的五首诗》这组声乐作品。

We're here to memorialize 29 Americans: Carl Acord. Jason Atkins. Christopher Bell. Gregory Steven Brock. Kenneth Allan Chapman. Robert Clark. Charles Timothy Davis. Cory Davis. Michael Lee Elswick. William I. Griffith. Steven Harrah. Edward Dean Jones. Richard K. Lane. William Roosevelt Lynch. Nicholas Darrell McCroskey. Joe Marcum. Ronald Lee Maynor. James E. Mooney. Adam Keith Morgan. Rex L. Mullins. Joshua S. Napper. Howard D. Payne. Dillard Earl Persinger. Joel R. Price. Deward Scott. Gary Quarles. Grover Dale Skeens. Benny Willingham. And Ricky Workman.

我们在这里，怀念29位美国人：卡尔·阿克德、杰森·阿金斯、克里斯多佛·贝尔、格利高里·布洛克、肯尼斯·查普曼、罗伯特·克拉克、查尔斯·蒂莫西·戴维斯、克里·戴维斯、迈克尔·埃尔斯维克、威廉·格里菲斯、史蒂芬·哈拉、爱德华·琼斯、理查德·雷恩、威廉姆·林奇、尼古拉斯·麦考斯基、乔·马克姆、罗纳德·梅尔、詹姆斯·姆尼、亚当·摩根、雷克斯·姆林斯、乔什·纳皮尔、霍华德·佩恩、迪拉德·波辛格、乔尔·普莱斯、迪华德·斯科特、加里·考拉斯、格罗佛·斯金斯、本尼·威灵汉姆、里奇·沃克曼。

It advocates the will to heroize the present, one of view of Baudelaire with regard of the modernity; and the self-criticizing, one idea that is drawn from the developing Kant's critical philosophy.

批判本体论追求现时的差异性和现时的英雄化。现时的差异性来自对康德哲学的解读，现时的英雄化是对波特莱尔的现代性理念的发挥。

Obviously ,he was affected by Baudelaire's Ferocity Flowers .In the choice of poem tastes , Most of his writings are facing to the frightful side of life .and he created many evil imagoes ,such as cadavers、dull bones 、bloodiness, muddiness、hungriness and dead leaves.

其作品很明显的受到了波德莱尔《恶之花》的影响，在诗歌审美对象的选择上，多数的诗都是面向生活中的丑恶面，大量营造死尸、枯骨、血污、寒夜、泥泞、荒漠、死叶等丑恶的意象，带有明显的&以丑为美&、&从恶中发掘美&的美学倾向。

Baudelaire's 19th century literary archetype the flaneur, the 'hero' of modernity who peregrinated the streets of a rapidly changing Paris, was characterised as a 'perfect idler' and 'passionate observer', always standing at a distance from society but inextricable from the teeming masses.

十九世纪文学中，波德莱尔所描述的&游荡者&是现代主义的&英雄&，他漫游在巴黎不断变化的大街小巷，被世人称为一个&完美的游手好闲者&和&激情的观察者&。他与社会保持着距离，可是不能完全脱离社会人群。

Inalienable from the colossal Passagen-werk in his later years, particularly from his thesis paper on Baudelairean studies already in shape, this work has a determining significance for an evaluation on Benjamins thoughts in his later years and even in his entire life.

而且由于它与本雅明后期(约1925年至1940年去世)的宏大计划即&拱廊计划&(Passagen-werk)、尤其是其成形的波德莱尔研究论文密不可分，本文也对评价本雅明的后期乃至生平思想具有着决定意义。

We're here to memorialize 29 Americans: Carl Acord. Jason Atkins. Christopher Bell. Gregory Steven Brock. Kenneth Allan Chapman. Robert Clark. Charles Timothy Davis. Cory Davis. Michael Lee Elswick. William I. Griffith. Steven Harrah. Edward Dean Jones. Richard K. Lane. William Roosevelt Lynch. Nicholas Darrell McCroskey. Joe Marcum. Ronald Lee Maynor. James E. Mooney. Adam Keith Morgan. Rex L. Mullins. Joshua S. Napper. Howard D. Payne. Dillard Earl Persinger. Joel R. Price. Deward Scott. Gary Quarles. Grover Dale Skeens. Benny Willingham. And Ricky Workman.

杂谈我们在这里，怀念29位美国人：卡尔·阿克德、杰森·阿金斯、克里斯多佛·贝尔、格利高里·布洛克、肯尼斯·查普曼、罗伯特·克拉克、查尔斯·蒂莫西·戴维斯、克里·戴维斯、迈克尔·埃尔斯维克、威廉·格里菲斯、史蒂芬·哈拉、爱德华·琼斯、理查德·雷恩、威廉姆·林奇、尼古拉斯·麦考斯基、乔·马克姆、罗纳德·梅尔、詹姆斯·姆尼、亚当·摩根、雷克斯·姆林斯、乔什·纳皮尔、霍华德·佩恩、迪拉德·波辛格、乔尔·普莱斯、迪华德·斯科特、加里·考拉斯、格罗佛·斯金斯、本尼·威灵汉姆、里奇·沃克曼。

As early as 1919, he had been fascinated by Baudelaire's "Artificial Paradises," in which the poet issues warnings against the drug so seductive that they sound like invitations:"You know that hashish always evokes magnificent constructions of light, glorious and splendid visions, cascades of liquid gold."

而早在1919年，他就已经为波德莱尔的《人工天堂》着迷了。在那本书里，诗人对大麻的警告极具诱惑性，仿佛恳切邀请一般：&你知道，大麻总能唤起光的华丽建筑，壮丽辉煌的景象，液体黄金的瀑布。&

And then, the thesis discusses Poe"s stress on imagination and his influence on the formation of Baudelaire"s "Correspondences."

然后论文又讨论了坡对想象力的强调及其实践对波德莱尔&应和论&的形成所起的重要作用。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。