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The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军,他们从不同的角度,以各自不同的方式,展示了中国现代社会中的一幅幅人生图景:张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态;刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态;谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑,提倡人的精神解放和主体意志的彰显;刘震云以近乎残忍的描写,揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲;张炜强调一种内在真情与良知的表达,认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的,就是人在心灵深处为自己和他人保存的那一份真情与良知;潘军从复归自我和维护个性尊严的角度,把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军,他们从不同的角度,以各自不同的方式,展示了中国现代社会中的一幅幅人生图景:张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态;刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态;谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑,提倡人的精神解放和主体意志的彰显;刘震云以近乎残忍的描写,揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲;张炜强调一种内在真情与良知的表达,认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的,就是人在心灵深处为自己和他人保存的那一份真情与良知;潘军从复归自我和维护个性尊严的角度,把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora, numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

50它的普遍性,它的民主的平等性,以及保持着它自身求平的本质。用墨卡托投影法在地图上所标示出的浩淼的海洋;太平洋中巽他海沟那超过八千噚的不可测的深度;永不消停、后浪推前浪地冲刷着海岸线每一部位的波涛以及水面上的微粒子;水的单位粒子的独立性;海洋变幻莫测;根据液体静力学,风平浪静时它纹丝不动;根据液体动力学,小潮大潮时它便涨了起来。暴风雨后一片沉寂;北极圈与南极圈冰冠地带的不毛性以及对气候及贸易的影响;跟地球上的陆地相比占三对一优势;它在亚赤道带南回归线以南的整个区域延伸无数平方海里的绝对权威;其在原始海盆里数千万年以来所保持的稳定性;它那橙红色海床;它那把包括数百万吨贵金属在内的可溶解物质加以溶解,并使之保持在溶解状态的性能;它对半岛和有下陷趋势的岬角所产生的缓慢的浸蚀作用;其冲积层;其重量、容积与浓度;它在咸水湖、高山湖里的静谧;其色调因热带、温带和寒带而变为或浓或淡;与陆上的湖泊、溪流及支流汇合后注入海洋的河川,还有横跨大洋的潮流所构成的运输网。沿着赤道下面的水路自北向南的湾流;海震、水龙卷、自流井、喷泉、湍流、漩涡、河水暴涨、倾盆大雨、海啸、流域、分水岭、间歇泉、大瀑布、漩流、海漩、洪水、泛滥、暴雨等滥施淫威;环绕陆地的上层土壤那漫长的曲线;源泉的奥秘可用探矿杖来占卜或用湿度测定器来揭示;阿什汤大门的墙壁上的洞、空气的饱和与露水的蒸发能够证明那潜在的湿度;水的成分单纯,是氢二、氧一的化合物;水的疗效;水的死海里的浮力;它在小溪、涧谷、水坝的缝隙、船舷的裂口所显示的顽强的浸透性;它那清除污垢、解渴、灭火、滋养植物的性能;作为模范和典型,它的可靠性;它变化多端:雾、霭、云、雨、麦、雪、雹;并在坚固的消防龙头上发挥出压力;而且千姿百态:湖泊、湖岔、内海、海湾、海岬、环礁湖、环状珊瑚岛、多岛海、海峡、峡江、明奇、潮汐港湾、港湾;冰河、冰山、浮动冰原显示出它是何等坚硬;在运转水车、水轮机、发电机、发电厂、漂白作坊、鞣皮厂、打麻厂时,它又是那样驯顺;它在运河、可航行的河川、浮船坞和干船坞所起的作用;潮汐的动力化或利用水路的落差使它得以发挥潜力;海底那些成群的动物和植物虽然并非名副其实地栖息在地球上,论数目却占地球上生物的一大半;水无所不在,占人体的百分之九十;在沼泽地、闹瘟疫的湿地、馊了的花露水以及月亏期那淤积污浊的水塘子,水所散发的恶臭充满了毒气。

It was not wet yet cold and dark and flooded a road This road is digesting the old one You can hear the sound of gravel, cement and water wagon tracks which the wind wasn't quick enough to smooth away a corpse frozen by snow, and a car leaving with happy songs The most faithful year, or two years its biggest sore is that it's not been hurt The molds on the road are home for magpies In the distance, the sea overflows by itself like people who live outside life vaguely derailing Time will make them very poor and prove that great pique can be disaster to them, though that's not happened yet I've walked along this road, it was once occupied by grass and dirty snow Where there's now a lamp post, I used to loiter.

它不是湿的却是冷而黑的将一条道路淹没这条道路,正在消化着原来的道路你会听到一些沙石的声音,一些水泥和水风来不及吹走的车辙一块积雪冻僵的尸体,还有一辆汽车满载快乐而去的歌声最忠诚的一年,或两年它最大的伤害是没有受到伤害道路上的霉斑,是喜鹊的家园远处的海水空自泛滥那只是生活以外之人一次不着边际的出轨时间会让它们一贫如洗并证明巨大的怨气于他们是灾难,但没有发出来我走过的这条道路,曾被青草或肮脏的雪们占领落脚之地如今站立着灯柱。

The paper consists of following contents:(1)starting with a historicalreview of the use-of-force,this paper reveals a paradoxical evolvementof the two trends in use-of-force,compares the absolutization andinfinity with controllability and finity of the use-of-force,and clarifiesnew characteristics of the use-of-force in post-Cold War era;(2)bysystematically analyzing the era background from the viewpoints ofeconomic globalization,political multipole,military high tech,national separatism and the hegemonism,the paper clarifies factorslimiting and stimulating the use-of-force;(3)by analyzing the lawbackground mainly from the viewpoint of international laws,the paperespecially centralizes the discussion on restrictions made by moderninternational laws on the use-of-force and their limits,dissects thechallenges brought up by the high tech war to international laws;(4)the use-of-force by UN and other regional international organization;(5)refuting the theory of"humanitarian intervention"advocated bythe USA and certain western countries,the paper expatiates the rightrelations between human rights and sovereignty,and demonstrates therightness of the sovereignties and UN;(6)the basic guidelines of theuse-of-force in the post-Cold War era.

分别从经济全球化、政治多极化、军事高技术化以及民族分离主义的泛滥、霸权主义的恶性膨胀等方面系统分析冷战后武力使用的时代背景,揭示出冷战后时代同时存在的限制、约束武力使用的因素,以及诱发、刺激武力使用的因素。(3)主要从国际法的角度分析武力使用的法律背景,着重探讨现代国际法对武力使用的规范和制约作用以及这种作用的有限性,同时剖析现代高技术战争对国际法提出的挑战。(4)主要探讨联合国以及区域性国际组织在冷战后使用武力的实践以及存在的问题。(5)驳斥以美国为首的某些西方国家所鼓吹的&人道主义干涉&论,阐述人权与主权的正确关系,论证主权国家和联合国并没有过时,不能用非人道手段解决人道主义问题。(6)系统提出了冷战后国家间使用武力应遵守的基本准则。

In order to promote the development of digital music market and effectively keep piratic music within limits, Talent Online Music Warning and Protecting Center, found under the guidance of governmental organization of copyright management and under the support of the concerning music association, by shenzhen talent trademark office which is subordinated to Shenzhen Talent intellectual property Law office.

为了促进数字音乐市场的发展,有效地遏制盗版音乐的泛滥,精英在线数字音乐预警保护中心是在政府版权管理部门的指导下以及有关音乐协会的大力支持下,由隶属于精英知识产权机构的深圳市精英商标事务所利用网络高科技的技术手段,精心搭建的提供网络数字音乐作品&预警信息、维权服务、运营管理&全方位、一站式、快捷的专业服务平台。

Usually the first sub-system for the watershed scientists, experts and hydrologists topography of the object of concern, where the physical environment, energy in the form of negative entropy flow into the system; the second sub-system for the hydraulic engineer with the rivers and landscape Jurists of the object of common concern, at the same time the ancient flood plain and river valley sludge for formation of Jurists and the concerns of sedimentologists; the third sub-systems related to geology and ocean engineering, and the alluvial fan, alluvial plain, delta morphology, internal structure and stratigraphy is characterized by geology and geomorphology of the issues of common concern, where the material flow in the form of energy output into the environment.

通常第一亚系统为流域科学家、地貌学家和水文学家所关心的对象,在这里环境中的物质、能量以负熵流的形式进入系统;第二亚系统为水力与河道整治工程师和地貌学家共同关心的对象,同时泛滥平原上的古河道及河谷淤积物又为地层学家和沉积学家所关注;第三亚系统关系到地质学和海洋工程,而冲积扇、冲积平原、三角洲的形态、内部结构和地层特点是地质学和地貌学共同关心的课题,在这里物质能量以流的形式输出到环境中去。

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推荐网络例句

I didn't watch TV last night, because it .

昨晚我没有看电视,因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来,在北京的很多小区里,电梯液晶电视被撤了下来。

I'm running my simile to an extreme.

我比喻得过头了。