法国巴黎圣母院

Principles of Gothic structure were defined and promulgated by the nineteenth-century French architect Viollet-le-Duc, drawing on his experience restoring such large cathedrals as those of Amiens [8] and Notre-Dame, Paris.

原则的哥特式结构进行了界定，并颁布了十九世纪法国建筑设计师viollet -乐德，借鉴他的经验，恢复，如此庞大的参观大教堂，因为那些亚眠[ 8 ]和圣母院，巴黎大学。

The distress of the people, the laborers without bread, the last Prince de Conde engulfed in the shadows, Brussels expelling the Nassaus as Paris did the Bourbons, Belgium offering herself to a French Prince and giving herself to an English Prince, the Russian hatred of Nicolas, behind us the demons of the South, Ferdinand in Spain, Miguel in Portugal, the earth quaking in Italy, Metternich extending his hand over Bologna, France treating Austria sharply at Ancona, at the North no one knew what sinister sound of the hammer nailing up Poland in her coffin, irritated glances watching France narrowly all over Europe, England, a suspected ally, ready to give a push to that which was tottering and to hurl herself on that which should fall, the peerage sheltering itself behind Beccaria to refuse four heads to the law, the fleurs -de -lys erased from the King's carriage, the cross torn from Notre Dame, Lafayette lessened, Laffitte ruined, Benjamin Constant dead in indigence, Casimir Perier dead in the exhaustion of his power; political and social malady breaking out simultaneously in the two capitals of the kingdom, the one in the city of thought, the other in the city of toil; at Paris civil war, at Lyons servile war; in the two cities, the same glare of the furnace; a crater-like crimson on the brow of the people; the South rendered fanatic, the West troubled, the Duchesse de Berry in la Vendee, plots, conspiracies, risings, cholera, added the sombre roar of tumult of events to the sombre roar of ideas.

人民的疾苦，没有面包的劳动人民，最后一个孔代亲王的横死②，仿效驱逐波旁家族的巴黎而驱逐纳索家族的布鲁塞尔，自愿归附一个法兰西亲王而终被交给一个英格兰亲王的比利时，尼古拉的俄罗斯仇恨，站在我们背后的两个南方魔鬼西班牙的斐迪南和葡萄牙的米格尔，意大利的地震，把手伸向博洛尼亚的梅特涅，在安科纳以强硬手段对付奥地利的法兰西，从北方传来把波兰钉进棺材的那阵无限悲凉的锤子声音，整个欧洲瞪眼望着法国的那种愤激目光，随时准备趁火打劫、落井下石的不可靠的盟国英格兰，躲在贝卡里亚背后拒绝向法律交出四颗人头的贵族院，从国王车子上刮掉的百合花，从圣母院拔去的十字架，物化了的拉斐德，破产了的拉菲特，死于贫困的班加曼·贡斯当，死于力竭的卡齐米尔·佩里埃，在这王国的两个都市中棗一个思想的城市，一个劳动的城市棗同时发生的政治病和社会病，巴黎的民权战争，里昂的奴役战争，两个城市中的同一种烈焰，出现在人民额头上的那种类似火山爆发的紫光，狂烈的南方，动荡的西方，待在旺代的德·贝里公爵夫人，阴谋，颠覆活动，暴乱，霍乱，这些都在种种思潮的纷争之上增添了种种事变的纷起。①在法国一八三○年革命中，拉斐德是自由保王派，波林尼雅克是被推翻的查理十世王朝的内阁大臣。②孔代，波旁家族的一个支系，一八三○年孔代亲王被人吊死在野外，未破案。

Notre Dame is the heart of Paris and the heart of France.

圣母院是巴黎的心，也是法国的心。

Notre Dame is the heart of Paris and the heart of .

圣母院是巴黎的中心，也是法国的中心。

Notre Dame is the heart of Paris the heart of France.

圣母院是巴黎的中心，也是8tt t 8。 com 法国的中心。

Notre Dame is the heart of Paris and the heart of France.

圣母院是巴黎的中心，也是法国的中心。

The Chorus returned to Europe in 2003 to perform at St. Peter's Basilica and Chiesa Santa Maria Maggiore and La Madeleine Church, Notre Dame Cathedral and Chartres Cathedral.

2003年，合唱团重返欧洲，在意大利圣彼得大教堂、米兰圣马丽亚格拉兹教堂以及法国的玛德莲教堂、巴黎圣母院、沙特尔大教堂。

General de Gaulle, now universally recognized as the leader of the French people, drove in triumph to Notre Dame for the Te Deum of thanksgiving.

已被公认为法国人民领袖的戴高乐将军凯旋而归，来到了巴黎圣母院接受市民的感恩赞美诗。

Stand in the square in front of the cathedral Here, you are standing in the center of France All distances are measured from the front of Notre Dame Every road in France leads to her front door All French kings and leaders have journeyed here to commemorate important occasions and give thanks Notre Dame is the heart of Paris and the heart of France

站在教堂前面的广场。在这里，你即处于法国的正中心。所有的距离皆是以圣母院前门开始计算。法国的每一条路都通往它的前门。所有的法国国王或统治者都曾经旅游到此来纪念重要的节日或感恩。圣母院是巴黎的中心，也是法国的中心。

The park is arranged according to the five continantal maps and gathers 109 famous minatural landscapes from 40 countries including different constructures such as Egytian Pyramid, Franch La Tour Eiffel, NOTRE-Dame, American White House, US Capitol, Lincoln Memorial, Australian Sydney Opera and so on, and Italy-style and Japanese-style gardens.

公园整体布局按照五大洲版图划分景区，以世界上40个国家的 109处著名古迹名胜的微缩景点为主体，荟萃了世界上最著名的埃及金字塔、法国埃菲尔铁塔、巴黎圣母院、美国白宫、国会大厦、林肯纪念堂、澳大利亚悉尼歌剧院等建筑，以及意大利式、日本式花园等。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。