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While one-sided religious and philosophical works, such as the Upanishads, placed emphasis on renunciation, the dharma texts argued that the householder who maintains his sacred fire, procreates children, and performs his ritual duties well also earns religious merit.

一方面是宗教和哲学方面的作品,例如《奥义书》过份强调弃绝,而律法的文献却争论说居士维持他的圣火,生儿育女和认真地履行宗教责任也会赢得宗教的价值。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分:一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因;简要介绍了中国传统民居室内陈设艺术的发展过程;着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析,总结出其设计理念集中体现在五个方面,即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚;另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨,并提出了自己的见解,即每个时代对传统文化的继承都应该呈现出自己的特色,当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓,又要充分考虑当代审美观念、原则和方法的融入。21世纪,室内设计大力提倡人文关怀,具体到室内陈设艺术设计上,应该向生态化、个性化、舒适化和文化层面发展;吸收传统文化元素装饰当代居室空间,要有效地把握空间意境,使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&,进而追求&形神兼备&的艺术效果。

The occident tradition philosophy and natural law's morality affect environmental ethics, incarnate it's value, change from anthropocentric、anti-anthropocentric to sustainable development ethics on the human whole behalves, build up the Environmental Ethics on the Field of Vision of Chinese Ecology Civilization, embody ultimate aim, pay attention to protect Environment and try to look for the better relationship between human and nature.

中西方传统哲学以及自然法的道德观对环境伦理观产生的影响,使得环境伦理观在环境法中体现了价值。从全人类的整体利益和长远利益出发,环境伦理观形成从人类中心主义、非人类中心主义到可持续发展环境伦理观的转变。在生态文明视野下,可持续发展的生态文明观体现了环境资源法的终极目的,关注人对自然环境的尊重和保护,关注人与自然关系的和谐发展。

In traditional Chits there existed the "not disputed" legal value orientation production reason is not merely because traditional China has pursued harmonious philosophy culture tradition, a more direct came from economic agent the political factor and the law itself then.

传统中国存在着&无讼&法律传统,&无讼&法律传统的价值取向的产生原因不仅仅是传统中国有着追求和谐的哲学文化传统,其实西方法律也有着对和谐价值的追求,更为直接的原因来自当时的经济因素、政治因素和法本身的因素。

Socrates also created the Socratic Method , or elenchus , a type of pedagogy used to this day in philosophical teaching, in which a series of questions are asked not only to draw individual answers, but to encourage fundamental insight into the issue at hand.

苏格拉底还创造了苏格拉底问答法,这是一种在哲学教学中沿用至今的教育学。在这种教育学中,通过对一系列的问题的提问,我们不仅能探究出个体答案,而且能够洞察到整个事件的基本原理。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上,本文以意象分析法为贯穿全文的主要方法,通过对意象的具体分析来****凉山诗群的诗歌世界;在诗人的选择上以其作品的影响力及意义为标准,选择了这一诗群的七位诗人展开论述,他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加;在论述过程上,笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索,着重探讨了这一诗群创作的三个主要倾向和三个主要领域,前者详论,后者略述,具体表现在对前三位诗人的论述以诗人论的形式详细展开,探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向,即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构,对后四位诗人的论述则以主题的方式展开,探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索;在文章结构上,全文主要分为两大板块,一是对各位诗人创作的具体意象分析,二是在前文分析的基础上进行理论的整合,以此将前面散珠似的论述贯穿成一个有机整体;在结论上,我们通过整合得出:1、凉山诗人群新时期以来诗歌创作的大致发展脉络:在母族文化的基质之上的多元诗艺探索,其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态;2、新时期彝族凉山诗人群汉语诗歌创作的特点,即民族文化意识的深层自觉,对诗性的关注和探索;3、新时期彝族凉山诗人群汉语诗歌创作的缺陷,即情感意蕴的雷同和创作格局的狭小。

But from the essence of this event, we can find that the event of the debate on the Buddhist doctrine in Taiwan has the same tempo with the Buddhist events in other countries, or even with other non-Buddhist religious events. That is to say, the focus of both the Taiwanese Buddhist event and the global Buddhist academia is the same in nature. It is even exactly the same core question on exploring the truth of the universe in the global philosophical academia.

但是,就事件发生的本质加以考察,则可以发现:发生在台湾的这件佛教法义论辩事件,其实正与全球其他国家的佛教事件,或者其他宗教事件有著相同的脉动;也就是说台湾的佛教事件与全球佛学学术界所探讨的焦点,本质上是相同的,甚至是与全球哲学学术界探讨宇宙真相的核心问题完全相同。

It would suit his purpose to speak often of the fatalism of the Pharisees, and to represent them as a philosophical sect like the Stoics.

这将适合他的目的往往说话的宿命论的法利赛,并代表他们作为一个哲学节一样

In order to make up applicable blank of faulty liability and non-faulty liability, Affected by rational philosophy and natural law, and based on legal ideas of impartiality and justice, fare liability came into being.

为了弥补过错责任和无过错责任的适用空白,在理性哲学和自然法的影响下,公平责任基于法律的公平和正义理念产生了。

In order to make up applicable blank of faulty liability and non-faulty liability,Affected by raˉtional philosophy and natural law,and based on legal ideas of impartiality and justice,fare liability came into being.

为了弥补过错责任和无过错责任的适用空白,在理性哲学和自然法的影响下,公平责任基于法律的公平和正义理念产生了。

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With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务,乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐,因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。

Closes the eye, the deep breathing, all no longer are the dreams as if......

关闭眼睛,深呼吸,一切不再是梦想,犹如。。。。。。