法则

Then, when you've applied these 8 color rules to your existing decor on paper and found a brilliant color scheme that is going to work by experimenting on paper, apply it to the room itself.

然后，对你纸上现有的装饰格调运用以上8中颜色法则，找出最有才的色彩方案并在纸上进行实验，最后将这个最佳色彩方案运用到你的房间装修中。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Spontaneously and immediately, the system also can control the swing of the plate following the input of the handle and reach the desired position within 0.3 second.

依据这样的能力，我们设计了两个系统功能：一、智慧型人机互动球平台游戏，包含「人机互动」（如：X轴自动Y轴手动或X轴手动Y轴自动）、「人与人互动」等，而此部份已证实能达到预期之目标；二、球位置的平衡控制，此是要控制球停止於所欲的位置，由於所需的控制法则相当复杂，本研究只进行至可验证架构的可行性，而控制法则的研究，则待未来的学弟来进行。

In this paper we reviewed recent researches on-3/2 self-thinning law,-4/3 self-thinning law, isometric scaling of biomass-density and effects of environments on B-D relationship. It suggested that B-D relationship under stress environment and mechanisms of B-D relationship needed further studies.

根据国内外文献，综述了-3/2自疏法则、-4/3自疏法则、质量－密度的等速比例关系和环境对密度调控规律的影响等方面的研究，指出密度调控的机制以及胁迫条件下的密度调控及其应用是未来研究的趋势。

In accordance with one of four kinds of the application type for Augmented Reality development till now, it's that Tangible Augmented Reality integrates Non-store Vending Machine display panel design. We discussed the research of Tangible Augmented Reality which possibility of interface and operation interaction development in the application of Non-store vending machine. In this research, we stood on tangible principle and rule of design to process the instruction of Tangible Augmented Reality, and adopted the theory of User Graphics Interface to process the design of Graphic vision and interface, simulation and testing of the system, and evaluation of the interface by scale rule of Usability Engineering.

针对扩增实境发展至今的应用四大类型之一，以触碰式扩增实境结合无人店铺之自动贩卖机操作面板设计，探讨触碰式扩增实境在无人店铺之自动贩卖机应用中，界面与操作互动发展上的可行性之研究，在研究上依据触碰式原理与设计法则来进行触碰式扩增实境系统的建构，采用图形使用者界面理论进行图像视觉与介面的设计，进行系统模拟与验证并应用可用性工程尺度法则进行介面的评估。

But in general, grandmasters work from rules of thumb.

但是，通常而言，这些宗师们（现在还要加上&深思&这个程序）基本上只会按照所谓&拇指法则& [1]或者说一般法则来行事。

Scientists don't usually produce dogmas; that is nominally the province of religions, and even the briefest study of history will suggest that, in addition to admitting of no contradiction, dogmas tend to be accompanied by lots of other fun things, such as inquisitions and wars.

科学家很少制造什么&法则&，那是宗教领域的概念。即使是最简单的简史也会告诉你：除了不容顶嘴以外，&法则&更常跟另外一些有意思的东西联系在一块儿，比如说宗教裁判所比如说战乱。

Positivists and idealists have made great play with the fact that many laws of Nature, as formulated by scientists, have turned out to be inexact, and all may do so.

科学家所提出的许多自然法则都已被证明是不准确的，而且所有自然法则亦可能如此。

As for most laws there are exceptions, but these have been synthesised from years of psychological research and hold true much of the time.

虽然对于大多数的法则而言，难免会有例外的情况，但这些法则都是经多年来心理学研究成果综合而成的，因而具有相当的可信度。

The Art of Memory is the effort to align one's mind with the harmony of the Universe, following the rules which the Divine Mind created for it.

掌握记忆之术必须使人的头脑对应于宇宙的和谐，宇宙的和谐依据一定的法则，而那法则是由神的头脑创造的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。