法位

Others still simply look back to the days of Eddy Merckx, nicknamed "the cannibal," who was perpetually on the attack and refused to willingly concede "courtesy" stage wins to breakaway groups (or Bernard Hinault, praised despite his famously bad temperament), and see this controversy as a case of severe over-sensitivity and infantilism by Simeoni, as well as yellow journalism by the Italian press.

法国报纸Le Monde也是，它质疑阿姆斯特朗和医生兼教练米歇尔·法拉利的关系，此人因非法销售药物和运动欺诈在2004年被一个意大利法庭判罪。阿姆斯特朗解释说他与法拉利的非经常性的联系不超出咨询关于高海拔训练的内容和食谱。另一位赛手，意大利的Filippo Simeoni，承认自己使用了法拉利开的非法药品。

As she was the most bashful and modest of existing beings (the moon Goddess was said the Goddess of Chastity), she cast him a deep sleep, that she might kiss him unseen and undiscovered even by him she loved: every night she visited the beautiful shepherd, whom Jupitor endowed with perpetual youth, and every night she loved him better than the night before...

因为月神是非常美丽又非常端庄，但又是非常怕羞的贞洁女神，于是她就施法让这位牧羊青年酣睡，这样她就可以不让人看见时来亲吻他。月神每天晚上都如此来亲吻这位酣睡的牧羊青年，而且她对这位永远年轻的牧羊青年的爱情与日俱增。。。。。。。

Complex formation titration, oxidimetry and precipitation titration were compared.

对配位滴定法，氧化还原滴定法和沉淀滴定法进行了比较。

Not be to state science is metric can use a Chinese character with the one digit that has statistical meaning number, for example: The pagoda tree is disconcerted beach? two kinds of commodity. 4 above (contain 4) number, use 3 phrasing, the span of 1/4 case leaves for nothing between section and section.

不是表示科学计量和有统计意义数字的一位数可以用汉字，例如：一本教材，两种商品等。4位以上(含4位)的数字，采用三位分节法，节和节之间空开1/4格的间距。

The close loop equation is used for the positional posture analysis of the output piece of space 3-RPS parallel mechanism and the forward displacement of the mechanism is educed to acquire the positional posture of output piece.

应用闭合回路方程法对空间3-RPS并联机构的输出件的位姿进行分析，推导出该机构的运动学正解，获得了输出件的位姿，给出该机构位姿分析的数值仿真实例。

This paper solves the stress intensity factors K_1 in fracture mechanics with the techniques of photoelasticity and dislocation.

用光弹性法和位错法两种方法求解工程断裂力学中的应力强度因子K1，通过实验法和数值解法所得结果相比较，可得其解值与实际均基本吻合，满足工程实际要求。

Chapter one is "Introduction". On the basis of summarizing the history of the study of the pictophonetic characters, we suppose some theoretical principle, such as the principle of the correspondence between the form and the meaning of the individual graph of Chinese characters, the principle of the total graphs of Chinese characters being a character-formation system, and the principle of the optimum development of the character -formation system in the history, and som analytic methods, such as the methods of structrue-function analysis, form-position analysis and meaning factor analysis, in the study of the pictophonetic characters. Chapter two is titled"General knwledge of the pictophonetic character." We discuss their origins, nature and some standards of distingnishing them, introduce the knowledge about the editions of SHUO WEN JIE ZI, analyse the functions of the modules of pictophonetic characters in detail, discuss concretely the function of phonetic graphs showing origins and pronunciations, the function of meaning graphs showing meanings and analogies, and the function of distinguishment when the two kinds of graphs are conbined. Chapter three is"The system of meaning graphs of Xiao Zhuan system."After we describe the structure of the meaning graph system, the relations between meaning graphs, the distributions of the function of meaning graphs showing meanings, and the frequency of all this kind of graphs, we get a table of all meaning graphs, a table of the frequency. Chapter four is"The system of phonetic graphs of Xiao Zhuan system."We describe the structure of the phonetic graph system, the relations between phonetic graphs, and between their function showing origins and their function showing pronunciations, and their frequency, then we get ageneral table of phonetic graphs and table of their frequency. Chapter five is "conclusion". We think that systematical methodology is useful in describing and analysing the formation system of Chinese characters. The methodology is adaptable in describing the formation system of modern Chinese characters as well as the historical character systems, adaptable in describing horizontally as well as comparing vertically. Only when we finish the systematical vertical compare on the base of systematical horizontal decription, could we know the true history of the system of Chinese characters, recover the rule of the system's development, and supply the theoretical supports for the scientifical arrangement of modern Chinese characters.

第一部分—绪论，在总结形声字研究历史状况的基础上，提出了研究形声系统的理论原则和分析方法，即汉字个体字符形义统一的思想，汉字字符集合构形系统的思想，汉字构形系统历史演变系统优化的思想等三项理论原则和结构功能分析法，形位分析法，义素分析法等三种分析方法，还扼要地介绍了具体的工作程序和论文的主要内容；第二部分—形声字概述，论述了形声字的来源、性质和鉴别标准，介绍了对《说文解字》正篆形声字说解中的传抄讹误，版本异文，说解错误校勘和考证的经过，详细分析了形声字构件的功能，具体讨论了声符的示源功能与示音功能，义符的示意功能与类化功能以及声符与义符组合中的相互区别功能；第三部分—小篆字系的义符系统，从义符系统的构成、义符间的相互关系，义符示意功能的分布及义符的构字频度等不同侧面，对义符系统进行了全面的描写，产生了义符总表、义符间意义关系总表和义符构字频度总表；第四部分—小篆字系形声字的声符系统，从声符系统的构成、声符间的相互关系，声符的示源功能与示音功能的关系以及声符的构字频度等不同侧面，对声符系统进行了全面描写，产生了声符总表和声符构字频度总表；第五部分—结束语，在全面测查小篆字系形声字的基础上，对研究汉字的方法和现代汉字发展方向的问题提出了一些看法，认为系统论的方法是描写和分析汉字构形系统行之有效的方法，系统论方法，不仅适用于历史上文字系统的描写，也适用于现代汉字构形系统的描写，不仅适用了断代描写，也适用于历史比较，只有在对汉字断代系统描写的基础上进行系统的历史比较，才能认清汉字系统历史演变的真相，揭示汉字系统发展的客观规律，为科学地整理现代汉字提供理论上的依据。

Numbers are written using positional notation, in which the digits are arranged in succession, the position of each digit has a place value, and the number is equal to the sum of the products of each digit by its place value.

数字被使用在位置记法，这些位置被安排连续的数字，每一个位置都有自己的位值且位值等於每个数字按照本身位值的和。

One or more digits,produced in connection with an arithmetic operation on one digit place of two or more numeral s in positional notation,that are forwarded to another digit place for processing there.

以按位记数法表示的两个或多个数在一个数字位上进行算术运算所产生的一位或多位数，该数被传送到另一个位上以进行处理。

One or more digit s,produced in connection with an arithmetic operation on one digit place of two or more numerals in positional notation,that are forwarded to another digit place for processing there.

以按位记数法表示的两个或多个数在一个数字位上进行算术运算所产生的一位或多位数，该数被传送到另一个位上以进行处理。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。