沾边

Smaltz had followed Starr's playbook in the Espy investigation, spending more than $17 million and indicting everybody he could in an effort to force them to say something damaging against Mike.

斯莫尔茨在埃斯皮的调查案中用的完全是斯塔尔那一套，花费了1700多万美元，凡是沾边的人他都要指控，目的就是强迫他们说出对迈克不利的话。

After broadcasting, narrowcasting, podcasting, screencasting, simulcasting, netcasting, multicasting, Zunecasting, Bluecasting and typecasting I thought, frankly, I was inured to anything ending in casting, but surprisingly I've found one more I'm quite enthused about.

在经受了广播、窄播、网播、屏播、同播、组播等等的狂轰滥炸之后，坦白讲我以为自己对任何跟&播&沾边的词都已无动于衷了，但出乎意料的是我又发现了一个令我激情澎湃的&裤兜播&。

In fact, professional and amateur investors alike are reluctant to buy anything that smacks of risk.

实际上，无论是专业的还是业余的，投资者们都不愿买进任何与风险沾边的东西。

"Cities that recently would have been considered fashion backwaters are now emerging as significant regional hubs."

&过去被认为与时尚毫不沾边的一些城市如今都脱颖而出，成为重要的时尚中心。&

The success of Red versus Blue , Homestar Runner , Happy Tree Friends , and The Show with Zefrank – each of which command audiences in the hundreds of thousands to millions – prove that audiences will find the content which interests them, and share that content with their friends, using the hyperdistribution techniques enabled by the network that ensure these audiences can get what they want – from anyone, anywhere, at any time – with a minimum of difficulty.

Red Versus Blue ， Homestar Runner ， Happy Tree Friends 和 The show with Zefrank 的成功就证明了：观众会找自己感兴趣的内容，和朋友分享，并用超级传播的技术让这些观众得到他们想要的内容。而这一切可以不费多大劲就在任何时间、任何地点、任何人身上做到。而这些产品是完全和专业媒体不沾边的，他们是业余的。

"The Prodigal Son" is a rare inside glimpse of the African Hebrew Israelites, a group of black Americans who claim descent from one of the lost tribes of Israel.

浪子回头》极为罕见地探讨了非裔希伯来以色列定居者的生活。尽管他们声称自己是某支消亡的以色列部落的后裔，可在正统的犹太学者看来，他们就是一群美洲黑人，与犹太人不沾边。40年过去了，这些人在以色列南部成长为一个兴旺发达而又紧密团结的群体。

Danto: Yes, I do think that's important, that when you pick it up and you start reading it you think you're reading about an adult Spanish nobleman in La Mancha etc., and all his hallucinations and fantasies and so forth, and somebody says,'Oh no, this was written by a 19th century Frenchman, a poet, a symbolist poet, and it's really about language, it's not about Spain at all', you'd say,'But I would never have known that', and I'd say,'Well, no, but if you look on the copyright page, you'll see that it's copyrighted 1897'- and so forth, and you'd have to give it a very different interpretation.

丹图：是的，我不认为那是重要的，当你把那本书拿起来开始读的时候，你以为你在读关于一位成年的西班牙拉曼查那地方的绅士的故事等等，以及他的那些走火入魔和异想天开等等，有人就说，&啊不，这是19世纪的一个法国人写的，是个诗人，象征主义诗人，它其实是关于语言的，完全和西班牙不沾边&，你说，&但是，我本来不会知道这个的呀，&我将说，&嗯，你不知道，但是如果你看看版权页，你会看到那是1897年的版权&——如此等等，那你就得对它做一种非常不同的解释了。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失