油漆匠

The term inology by w hich artists w ere described at the tim e suggests their status:"lim ner" w as usually applied to the anonym ous portrait painter up to the 1760's:"painter" characterized anyone w ho could paint a flat surface.

艺术家们当时描述的术语表明了他们的状态，如"画匠"一词通常应用在匿名的肖像画家；直到十七世纪60年代，"油漆匠"刻画了那些能在平的表面刷漆的人。

The painter spent a busman's holiday painting his own house.

这个油漆匠以油漆自己的房屋来度过假日。

The painterspent a busman's holiday painting his own house.

这个油漆匠以油漆自己的房屋来度过假日。

But male master always open and bright optimistic, therefore the painter has worked for several days in there, they discuss very much congenially; The painter also never mentions the male master's disappointment.

可是男主人一向开朗乐观，所以油漆匠在那里工作了几天，他们谈得很投机；油漆匠也从未提起男主人的缺憾。

He's one of the best artists in the kingdom, handpicked for a job of both spiritual and political importance.

油漆匠朋塔维特是建造法老墓的工匠之一，他是王国里最好的艺术家之一，被挑选来参加这个具有精神和政治重要性的工作，这是他毕生的事业，将来由他的儿子继承。

The terminology by which artists weredescribed at the time suggests their status:"limner" was usuallyapplied to the anonymous portrait painter up to the 1760's:"painter"characterized anyone who could paint a flatsurface.

艺术家们当时描述的术语表明了他们的状态，如"画匠"一词通常应用在匿名的肖像画家；直到十七世纪60年代，"油漆匠"刻画了那些能在平的表面刷漆的人。

The terminology by which artists were described at the time suggests their status:"limner" was usually applied to the anonymous portrait painter up to the 1760's:"painter" characterized anyone who could paint a flat surface.

艺术家们当时描述的术语表明了他们的状态，如"画匠"一词通常应用在匿名的肖像画家；直到十七世纪60年代，"油漆匠"刻画了那些能在平的表面刷漆的人。

The terminology by which artists weredescribed at the time suggests their status:"limner" was usuallyapplied to the anonymous portrait painter up to the 1760's:"painter"characterized anyone who could paint a flatsu**ce.

艺术家们当时描述的术语表明了他们的状态，如"画匠"一词通常应用在匿名的肖像画家；直到十七世纪60年代，"油漆匠"刻画了那些能在平的表面刷漆的人。

For example, although you sent painters to do the doors and windows two years ago, the work was not satisfactory and they now need repainting.

例如，尽管你两年前派油漆匠油了门窗，但他们干的活并不令人满意，现在门窗需要重新油漆。

Years later, he retires and turns the business over to his son.

很多年后，老油漆匠把自己的生意交给了他的儿子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。