没有阴影的

Our reason is always deceived by fickle shadows ; nothing can fix the finite between the two Infinites , which both enclose and fly from it.

我们的理性总是被变化无常的阴影所欺骗，没有什么能把两种无限之间相互包含又相互逃避的有限固定下来。

All that tempest, all that cloud, that war, then that peace? All that darkness did not trouble for a moment the light of that immense Eye before which a grub skipping from one blade of grass to another equals the eagle soaring from belfry to belfry on the towers of Notre Dame.

那一切风云，那样的战斗，又继以那种和平，那一切阴影，都丝毫不曾惊扰那只遍瞩一切的慧眼，在它看来，一只小蚜虫从这片叶子跳到那片叶子和一只鹰从圣母院的这个钟楼飞到那个钟楼之间，是并没有什么区别的。

Becky resumed her picture inspections with Alfred, but as the minutes dragged along and no Tom came to suffer, her triumph began to cloud and she lost interest; gravity and absentmindedness followed, and then melancholy; two or three times she pricked up her ear at a footstep, but it was a false hope; no Tom came.

贝基继续和阿尔费雷德看画书，时间一分一秒地过去，她想看汤姆的笑话，可汤姆却没有来，她那得意的心里不免蒙上一层阴影，于是她不再沾沾自喜了，继之而来的是心情沉重。

Traditional computer graphics, with no indirect lighting of any kind, would by default look like this; here's a scene lit with a single shadow-casting directional light

传统的计算机图像，是没有任何间接照射光线的，一般看起来就如下图所示；这个场景由直射灯光照明，产生单个的阴影。

Portrait, my mother, painted years ago when her forehead was white, and there was no shadow in the dazzling Venetian glass of her gaze.

我深爱这名美丽少女的画像，她是我的母亲，绘制于多年前当时她的前额白皙无瑕如同威尼斯玻璃般闪亮，没有一丝阴影在她双眸中。

I love the beautiful young girl of this portrait, my mother, painted years ago when her forehead was white, and there was no shadow in the dazzling Venetian glass of her gaze.

Emile Nelligan 1879-1941 我深爱这名美丽少女的画像，她是我的母亲，绘制于多年前当时她的前额白皙无瑕如同威尼斯玻璃般闪亮，没有一丝阴影在她双眸中。

Before Two Portraits of My MotherI love the beautiful young girl of this portrait, my mother, painted years ago when her forehead was white, and there was no shadow in the dazzling Venetian glass of her gaze.

我深爱这名美丽少女的画像，她是我的母亲，绘制于多年前当时她的前额白皙无瑕如同威尼斯玻璃般闪亮，没有一丝阴影在她双眸中。

Before Two Portraits of My Mother I love the beautiful young girl of this portrait, my mother, painted years ago when her forehead was white, and there was no shadow in the dazzling Venetian glass of her gaze.

我深爱这名美丽少女的画像，她是我的母亲，绘制于多年前当时她的前额白皙无瑕如同威尼斯玻璃般闪亮，没有一丝阴影在她双眸中。

Before Two Portraits of My Mother I love the beautiful young girl of this portrait, my mother, painted years ago when her forehead was white, and there was no shadow in the dazzling Venetian glass of her gaze.

Emile Nelligan (1879-1941)我深爱这名漂亮少女的画像，她是我的母亲，绘制于多年前当时她的前额白皙无瑕如同威尼斯玻璃般闪亮，没有一丝阴影在她双眸中。

Before Two Portraits of My Mother —Emile Nelligan (1879-1941) I love the beautiful young girl of this portrait, my mother, painted years ago when her forehead was white, and there was no shadow in the dazzling Venetian glass of her gaze.

两幅母亲肖像前—艾米里·奈利根(1879-1941)我深爱这名美丽少女的画像，她是我的母亲，绘制于多年前当时她的前额白皙无瑕如同威尼斯玻璃般闪亮，没有一丝阴影在她双眸中。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。