没有门的

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话："在我有急事时谁突然抓住了我的衣襟？"

We are not covering silent films in this course. We will begin with the first talking motion picture, The Jazz Singer, released in 1927. The next week, we'll be looking at The Gold Diggers of 1933, a piece that is very representative of the escapist trend in films released during the depression. Some of the films we will be watching will probably be new to you, like Frank Capra's Why We Fight. Others you might have already seen on TV like Rebel without A Cause starring James Deane, or Stanley Cooper's Doctor's Strange Love. However, I hope you see even familiar film with new eye. In the last three weeks of the course, we will be watching films from the 1980s and you'll choose one of them as a subject for an extensive written critique.

这门课不讲无声电影，我们将从1927年放映的第一部有声电影＇爵士歌手＇开始，下周我们也将观看1933年放映的＇掘金人＇，一部非常能表现萧条时期逃避注意的电影，有一些电影对你们来说可能很新奇，象Frank Capra的＇为什么我们会打架＇，别的你们可能在电视上已经看过了，象James Deane主演的＇没有目标的反抗＇或Stanley Cooper的＇医生的怪癖＇，但是我希望你们对即使很熟悉的电影，也采取一种崭新的观点去看，在本课程的最后三周内，我们会观看一些80年代的影片，同时你们需要从中选出一部电影作为撰写深入评论的对象。

We are not covering silent films in this course. We will begin with the first talking motion picture, The Jazz Singer, released in 1927. The next week, we'll be looking at The Gold Diggers of 1933, a piece that is very representative of the escapist trend in films released during the depression. Some of the films we will be watching will probably be new to you, like Frank Capra's Why We Fight. Others you might have already seen on TV like Rebel without A Cause starring James Deane, or Stanley Cooper's Doctor's Strange Love. However, I hope you see even familiar film with new eye.

这门课不讲无声电影，我们将从1927年放映的第一部有声电影＇爵士歌手＇开始，下周我们也将观看1933年放映的＇掘金人＇，一部非常能表现萧条时期逃避注意的电影，有一些电影对你们来说可能很新奇，象F rank Capra 的＇为什么我们会打架＇，别的你们可能在电视上已经看过了，象 James Deane 主演的＇没有目标的反抗＇或 Stanley Cooper 的＇医生的怪癖＇，但是我希望你们对即使很熟悉的电影，也采取一种崭新的观点去看，在本课程的最后三周内，我们会观看一些80年代的影片，同时你们需要从中选出一部电影作为撰写深入评论的对象。

Certainly,--and we make no attempt to dissimulate the fact,-- the observing physiologist would have beheld an irremediable misery; he would, perchance, have pitied this sick man, of the law's making; but he would not have even essayed any treatment; he would have turned aside his gaze from the caverns of which he would have caught a glimpse within this soul, and, like Dante at the portals of hell, he would have effaced from this existence the word which the finger of God has, nevertheless, inscribed upon the brow of every man,--hope.

当然，我们也并不想隐瞒，这位作为观察者的生理学家也许会在这种场合，看出一种无可挽救的惨局，他也许会替那个被法律伤害了的人叫屈，可是他却连医治的方法也没有想过，他也许会掉转头，不望那个人心上的伤口，他并且会象那个掉头不望地狱门的但丁，把上帝写在每个人前额上的"希望"二字从这个人的生命中拭去。

The poet that beautified the sect that was otherwise inferior to the rest says yet excellently well: 'It is a pleasure to stand upon the shore and to see ships tossed upon the sea; a pleasure to stand in the window of a castle and to see a battle and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth '(a hill not to be commanded, and where the air is always clear and serene;) 'and to see the errors, and wanderings, and mists, and tempests, in the vale below;' so always, that this prospect be with pity, and not with swelling, or pride.

一个名列最次的学派，却出了一位光照学门的杰出诗人；下面的话他说得非常精彩："站在海岸看颠簸在海面上的船只是一种快乐，站在城堡的窗口看下面一场冒险的战斗也是一种快乐；但占据真理的优势，审视谬误与疑虑，如同站在一个空气始终清新宁静、没有硝烟、而且不会被人占领的山头，俯看山谷里的迷雾与风暴，——这是无以伦比的快乐。"不过你任何时候都应该带着怜悯而不是吹嘘或骄傲。

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话：&在我有急事时谁突然抓住了我的衣襟？&

To know this I should not need to look farther than to the shanties which everywhere border our railroads, that last improvement in civilization; where I see in my daily walks human beings living in sties, and all winter with an open door, for the sake of light,without any visible, often imaginable, wood-pile, and the forms of both old and young are permanently contracted by the long habit of shrinking from cold and misery, and the development of all their limbs and faculties is checked.

要明白这一点，不必看得太远，只消看看铁路旁边，到处都有棚屋，这些是文明中最没有改进的了；我每天散步，看到那里的人住在肮脏的棚子里面，整个冬天，门总是开着的，为的是放进光线来，也看不到什么火堆，那只存在于他们的想象中，而老少的躯体，由于长久地怕冷受苦而蜷缩，便永久地变了形，他们的四肢和官能的发展也就停顿了。

Yet in exacting of his followers a life of severe simplicity, Buddha did not go to the extremes of fanaticism that characterized so many of the Brahmin ascetics.

然而，在严格的他的追随者的生活，严重的简单，佛陀没有去的极端狂热的特点，使许多婆罗门修行。

In the chimney stood a pair of firedogs of iron, ornamented above with two garlanded vases, and flutings which had formerly been silvered with silver leaf, which was a sort of episcopal luxury; above the chimney-piece hung a crucifix of copper, with the silver worn off, fixed on a background of threadbare velvet in a wooden frame from which the gilding had fallen; near the glass door a large table with an inkstand, loaded with a confusion of papers and with huge volumes; before the table an arm-chair of straw; in front of the bed a prie-Dieu, borrowed from the oratory.

在床里的阴暗处，帷的后面，还摆着梳妆用具，残留着他旧时在繁华社会中做人的那些漂亮习气；两扇门，一扇靠近壁炉，通经堂，一扇靠近书橱，通餐室；那书橱是一个大玻璃橱，装满了书；壁炉的木框，描上了仿大理石的花纹，炉里通常是没有火的；壁炉里有一对铁炉篦，篦的两端装饰着两个瓶，瓶上绕着花串和槽形直条花纹，并贴过银箔，那是主教等级的一种奢侈品；上面，在通常挂镜子的地方，有一个银色已褪的铜十字架，钉在一块破旧的黑线上，装在一个金色暗敝的木框里。

For the soul not only truly exists of itself and essentially as the form of the human body, as is said in the canon of our predecessor of happy memory, pope Clement V, promulgated in the general council of Vienne, but it is also immortal; and further, for the enormous number of bodies into which it is infused individually, it can and ought to be and is multiplied.

对於没有灵魂的唯一真正的存在本身基本上是形式的人体，这是说，在教会我们的前任快乐记忆，教皇克莱门特五，颁布总理事会维埃纳，但它也是不朽的；并进一步，对於大量的机构纳入它单独注入，它可以而且应该是成倍增加。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。