没有负担的

If we do not do these things, we will be left with two unacceptable choices–(1) relegating crippled and brain-damaged victims of medical negligence to monetary recoveries for their life of suffering that would not even pay for one week of salary of an Enron executive or our president's four years at prep school, or (2) allowing insurance companies to reap profits from good and caring doctors and hospitals in such huge sums that these health care providers will no longer be able to afford to render the type of care that the system should seek to obtain.

如果我们没有做这些事情，我们将只剩下两个令人无法接受的选择，（ 1 ）降级瘫痪和脑损伤的受害者医疗疏忽货币回收率为他们生活的痛苦，甚至不支付一周的工资安然公司执行或我们总统的四年在预备学校，或（ 2 ）允许保险公司获得良好的利润和照顾的医生和医院在这种巨额资金，这些医疗服务提供者将不再能够负担得起，使类型的护理该系统应设法获得。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

A "generation balance" drawn up by Bernd Raffelhüschen and Stefan Moog for the Market Economy Foundation in Berlin weighs the cost of today's spending commitments for tomorrow's taxpayers. The debt of the public sector was 65% of GDP in 2007; adding in unfunded future costs of pensions, health care and other schemes, the state's implicit debt jumps to 250% of GDP.

柏林市场经济基金会的Bernd Raffelhüschen和Stefan Moog所制定的"代代平衡"计划评估了目前政府为未来纳税人支出的成本。2007年公共事业的赤字达GDP的65%；本来就没有资金来源的养老金，医保和其他项目的成本负担更加沉重，国家背后的债务已悄然跃至GDP的250%。

On the basis of the concept that cigarette smoke creates a molecular field of injury throughout the respiratory tract, this study explores oncogenic pathway deregulation in cytologically normal proximal airway epithelial cells of smokers at risk for lung cancer.

这是一个在肺癌早期发现领域的关键性的敲门砖，因为目前还没有方法来辨识出那些在吸烟者中的占10-20%的会生肺癌的人，而美国的当前和以前的吸烟者有9000万人之多。总的来说，这些发现可能帮助解决巨大的且在不断增长的公共卫生方面的与肺癌有关的负担问题。

And, my members from Lee Teuk to Kyuhyun, because of the last incident, I felt like I was a burden to my members but I have done it again to them so I can't even look at them.

还有，成员们，从李特哥开始到奎贤结束，因为上次的事情，给成员们造成了负担，很抱歉，但是这一次又成为了更加沉重的包袱了，现在连见成员的脸都没有了，对于像家族一样的成员们，给你们带来这样的苦痛的我，真的很讨厌这样的自己，相信我，支持我的sm家族们，真的很对不起，对于所有的人，真心的再一次低头向你们道歉

But when most opeople are working harder for less,when others cannot work at all, when the cost of health care devastates families and theatens to bankrupt our enterprises,great and small,when fear of crime robs law--abiding citizens of their freedom and when millions of poor children cannot even imagine the lives we are calling them to lead ---we have not made change our friend.

但是，当多数人的工作增加而收入减少的时候，当其他人根本不能工作的时候，当医疗开支给家庭造成沉重负担并给我们的企业造成破产威胁的时候，当遵纪守法的公民因为惧怕犯罪活动而失去行动自由的时候，当千百万贫穷的儿童甚至无法想象我们呼唤他们过的那种生活的时候，我们则没有把变革作为朋友。

Even those to whom his great strength had been a burden, those whom he had overshadowed, admitted when he had departed from the scene and they were faced with other orators and demagogues, that never again would they see a character of such precious moderation and such eminent humility; and that power which in their envy they had described as autocracy and tyranny, seemed to them now the very cornerstone of the survival of the State.

即使那些把他的力量看作是一种负担，被他所埋没的人现在也承认，当他们摆脱了他而遇到其他对手或煽动者的时候，他们再也没有遇到过如此珍贵的温和和如此卓越的人道了。他们曾经所描述的独裁专制的权力现在看起来却成了国家生存所必不可少的基石。

Hence are such burdens, as that they make it mortal sin, even without offense to others, to do manual labor on holy-days, a mortal sin to omit the Canonical Hours, that certain foods defile the conscience that fastings are works which appease God that sin in a reserved case cannot be forgiven but by the authority of him who reserved it; whereas the Canons themselves speak only of the reserving of the ecclesiastical penalty, and not of the reserving of the guilt.

因此，这样的负担，因为它们使致命的单仲偕，即使没有冒犯他人，这样做的体力劳动对圣地-天，一个致命的罪过省略典型时，某些食品defile的良心，这是fastings工程安抚上帝单仲偕认为，在保留的情况下，不能原谅的，而是由他的权威，谁保留它，而炮，自己发言，不仅保留该教会的刑罚，而不是保留的罪恶感。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。