没有精神的
- 与 没有精神的 相关的网络例句 [注:此内容来源于网络,仅供参考]
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The Father is from none, the Son from the Father alone, and the holy Spirit from both equally, eternally without beginning or end; the Father generating, the Son being born, and the holy Spirit proceeding; consubstantial and coequal, co-omnipotent and coeternal; one principle of all things, creator of all things invisible and visible, spiritual and corporeal; who by his almighty power at the beginning of time created from nothing both spiritual and corporeal creatures, that is to say angelic and earthly, and then created human beings composed as it were of both spirit and body in common.
父亲从没有,儿子的父亲,仅和圣灵从同样,永远没有开始或结束;父生成,出生的儿子,和圣灵的程序;同质和coequal ,共同无所不能, coeternal ;一个原则,所有的事情,创造万物的无形和有形,精神和肉体的,谁是他的全能电源开头的时间都没有创造精神和肉体的生物,也就是说天使和人间,然后创建人组成的,因为它是精神和身体都在共同的。
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But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes
王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态,尽管他不断地用细节去强调时间概念,像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气,但他讲述的这些故事并没有特别的时间背景,它们可能每天都会发生在这个城市的角落里,它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》,你就会发现两个故事的某些细节其实是互相交错的,王家卫用这种捉迷藏式的游戏来造成一种共时性的效果,既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序,从而形成了一种存在主义式的精神意蕴,而王家卫在空间上的运用更是与其时间相得益彰,如果你看了王家卫的作品而感动的话,那绝不是由于整体世界的印象所引发的,而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然
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D its lonely hours and dreary, When we Close the aching sight, Musing sadly, lorn and weary, Trusting that tomorrow's light May reveal a day more cheery; Amid affliction's darker hour, When no hope beguiles our sadness, When Death's hurtling tempests lower, And forever shroud our gladness, While Grief's unrelenting power Goads our stricken hearts to madness; When from friends beloved we're parted, And from scenes our spirits love, And are driven, broken-hearted, O'er a heartless world to rove; When the woes by which we've smarted, Vainly seek to melt or move; When we trust and are deluded, When we love and are denied, When the schemes o'er which we brooded Burst like mist on mountain's side, And, from every hope excluded, We in dark despair abide; Then, and ever, God sustains us, He whose eye no slumber knows, Who controls each throb that pains us, And in mercy sends our woes, And by love severe constrains us To avoid eternal throes.
小时的孤独和凄凉,当我们关闭疼痛视觉,沉思可悲的是,洛恩和厌倦,相信明天的光线可能揭示出一个更愉快的一天;一片痛苦的黑暗时刻,当我们不希望翻滚的波涛上面悲伤,当死亡的飞驰暴风雨低,我们永远裹尸布高兴,虽然悲伤的不懈动力Goads我们灾区的心以疯狂;当从我们可爱的朋友分手,从场面我们的精神的爱,并驱动,伤心,O'er是无情世界的罗夫,当其中我们元气疾苦,妄想寻求融化或移动,当我们的信任和迷惑,当我们爱和被剥夺,当计划o'er 像我们反复思量山区一边薄雾破灭,从每一个希望排除,我们在黑暗的绝望遵守,那么,和以往任何时候都维持我们的上帝,他的眼睛没有沉睡知道,谁控制每一个跳动的痛苦我们,在我们的困境发出慈悲,爱和严重制约我们避免永恒的阵痛。
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Though the Jewish Sabbath was kept on Saturday, Christians are in accord with the spirit of the commandment in keeping Sunday enriching the original idea of the day of rest by including that of the new creation when our Redeemer rose from the dead. How does God provide for our hallowing of this day, and what is His definition of such hallowing?
虽然犹太安息日被关上周六,基督教徒均符合精神的诫命保持周日,丰富了原有的想法一天的休息所包括的新的创造,当我们的救赎主从死里怎么没有上帝提供我们hallowing的这一天,什么是他的定义,例如
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Though the Jewish Sabbath was kept on Saturday, Christians are in accord with the spirit of the commandment in keeping Sunday enriching the original idea of the day of rest by including that of the new creation when our Redeemer rose from the dead. How does God provide for our hallowing of this day, and what is His definition of such hallowing?
虽然犹太安息日被关上周六,基督教徒均符合精神的诫命保持周日,丰富了原有的想法一天的休息所包括的新的创造,当我们的救赎主从死里怎麼没有上帝提供我们hallowing的这一天,什麼是他的定义,例如
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Years ago, Aunt Nel was still slim and fashionable,with her hair highly buned up and a cigarette in mouth, she look elegant and high fashion;uncle Piet was also thinner and more handsome, always sitting straight and smiling in a reserved way, you can feel the stern air of a military officer.20 years ago, Dad kept a small moustache on his mouth popular of that time and always wore a coffee-colored glass, whistling happy melodies every day; Mum was favoring colorful dresses with a thick pad on the shouder typical of the day and a big white-framed glass,covering half of her gentle face. 20 years ago, Aunt Marja and Uncle John were just married, and their wedding ceremony was romantic and beautiful;there was no Rick yet, and Ruud, Tom and Freddy,dressed up in neat suite and shiny shoes, wearing red or black ties and coloful 'corsage' on the chest, became the most handsome and eye-cathing little stars of the wedding...
20年前,大姨Aunt Nel还很苗条很时尚,头发高高盘起,口中经常优雅地叼着一根细长的烟,一副上流社会贵妇人的风范;姨夫Uncle Piet很消瘦很精神,总是西装笔挺,坐姿端正,一副正规军队高级官员的风骨。20年前,R爸爸留的是当时最流行的小胡子,架着一副茶色玻璃眼镜,口中经常吹着欢快的曲调;R妈妈穿的是当时最时髦的垫着厚厚衬肩的红色大花套裙,架的是一副白色边框的超大眼镜,面对镜头,总有点略带羞涩。20年前,最小的阿姨Aunt Marja和Uncle John才刚结婚,两家人齐聚一堂,举行了一场浪漫温馨的婚礼;那时的大家庭里还没有现在的表弟Rick,身着笔挺小西装、脚踏噌亮小皮鞋,系着红黑色小领结、戴着鲜艳小礼花的Ruud、Tom和Freddy三个,成了整个婚礼上最闪亮耀眼的小明星。。。
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One mainreason is that the origin of the current computertechnology was built upon the western system oflanguage and logic, which makes it almost impossiblefor Chinese architects to over take the current ongoingdigital intelligence collectively. Other than that, insubjective level, we tend to pursue the mentalsatisfaction escalating from the void, which is gettingmore embraced in technology evolvement of themodern history. Consequently it is prevalent for us tosing high praise of our tradition and profound easternculture while envisaging the western wave. Low-Techis one of those approaches showing our wisdom ofavoiding the opponent's strength by exaggeratingour own advantages instead.
为什么这种现象没有在中国广泛发生,这里有客观物质条件的原因,当代数字化科技的源动力计算机是建构在西方世界的语言和逻辑体系上的,软件和技术方面的更新,让我们首先要克服语言和思考逻辑上的屏障,在群体层面上达到并超过西方日益创新的数字化技术就显得捉襟见肘;其次,在主观思维上,我们的文化更倾向于务&虚&,追求精神的陶冶和满足,加之技术方面存在欠缺,就更让我们倾向于和西方探讨只有我们才有的东方博大的文化传统,&低技&的策略,应该说体现了一种我们中国人聪明的避实击虚的策略。
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Heal the world make it a better place for you and for me and the entire human race there are people dying if you care enough for the living make a better place for you and for me and the dream we were conceived in will reveal a joyful face and the world we once believed in will shine again in grace then why do we keep strangling life wound this earth, crucify its soul though it's plain to see this world is heavenly be god's glow we could fly so high let our spirits never die in my heart i feel you are all my brothers create a world with no fear together we cry happy tears see the nations turn their swords into plowshares we could really get there if you cared enough for the living make a little space to make a better place ...
拯救世界使它成为一个更美好的地方你和我和整个人类有些人死亡如果您关心足够的生活为您提供更好的地方,对我来说和梦想,我们就被认为将揭示了欢乐的脸和世界我们曾经相信过能再显光芒在恩典那么为什么我们继续扼杀生命伤口这个地球,它的灵魂钉死尽管它显而易见这个世界是天堂是上帝的光芒我们能飞那么高让我们的精神永远不死在我心中,我觉得你是我的兄弟姐妹创建没有恐惧的世界我们一起哭幸福的眼泪看到国家把他们的剑为犁我们真能到达那里如果你足够的照顾生活做一点空间作出一个更好的地方。。。
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Contact found in 80 works will impose upon space and the norm of thinking seems to exist faults and barriers, ahead of fashion conscious consumers continue to derive more imaginative ideas to make their work a kind of weightlessness a sense of unconscious, self-desire expansion and to meet the Gengrang has become such a vague sense of, when hidden, at times, a lot of 80, after describing himself as an artist is not weight of objects, flying freely in the air, floating, this subjective state of consciousness driven by the description of means that the objective mental states, disorders and emptiness, extreme inflation and a good self-concept of a serious departure from the idealism and sense of reality, greatly outstrips reality, a feeling based on fantasy or fantasy thinking.
在我们接触的作品中会无形中发现80后的思维空间与常态似乎存在着断层和隔阂,超前时尚的消费意识不断派生出更有想象力的观念使他们的作品有种无意识的失重感,自我欲望的膨胀和满足更让这样的意识变得虚无飘渺、时隐时现,很多80后艺术家将自己描述成没有重量的物体,在空中自由自在的飞行、飘浮,这种主观意识状态驱使下的描述,意味着客观精神状态的失常和空虚,极度膨胀和自我良好的唯心意识观严重背离了现实,凌驾于现实之上的感觉建立在空想或幻想的思维中。
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Through a systematic outlining and description of the phenomenon that most characters in the narrative works of Musil are without full names, the paper considers that names in the literary works of Musil are of striking implication and the incomplete form of names suggests the demonstration of the mental crisis of characters. In his creations in the late stage, Musil highlighted spiritual exploration, strongly advocated criticizing reality and thought of the possibility to replace the then reality.
通过对穆齐尔的叙事作品里人物多数没有完整的姓名这一不被关注的现象的系统梳理,认为人名在穆齐尔的文学作品里有着非同寻常的意义,而姓名的残缺意味着人物心灵危机的凸现;穆齐尔在其后期创作中着重于精神探索,力主批判现实,并省思取代当下现实的可能性。
- 推荐网络例句
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The split between the two groups can hardly be papered over.
这两个团体间的分歧难以掩饰。
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This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.
这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。
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The new PS20 solar power tower collected sunlight through mirrors known as "heliostats" to produce steam that is converted into electricity by a turbine in Sanlucar la Mayor, Spain, Wednesday.
聚光:照片上是建在西班牙桑路卡拉马尤城的一座新型PS20塔式太阳能电站。被称为&日光反射装置&的镜子将太阳光反射到主塔,然后用聚集的热量产生蒸汽进而通过涡轮机转化为电力