没有情节的

To produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

Currently the Internet dissemination speed quick, hand over with each other sex strong, and the characteristics for have great capacity, to the structure method of the tradition literature, story details, image means the esthetics enjoys etc. to produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

None of these translations to screen and stage,however,dramatize the anarchy at theconclusion of A Connecticut Yankee,which ends with the violent overthrow of Morgan's three-year-old progressive order and his return to the nineteenth century,where he apparently commits suicide after being labeled a lunatic for his incoherent babblings about drawbridges and battlements.

然则，在所有这些被搬上银幕和舞台的改编作品中，没有任何一部作品能生动地再现《康乃涅克州的美国佬》结尾处的无政府状态。而在原作结尾处所描述的情节是，摩根历时三年之久苦心经营的进步事业被暴力推翻，他又重返于十九世纪，在由于他的那些有关吊桥和城垛的语无伦次的唠叨而被列为疯子之后，显然自杀身亡。

None of these translations to screen and stage,however,dra matize the anarchy at the conclusion of A Connecticut Yankee,which ends with the violent overthrow of Morgan's three-year-old progressive order an d his return to the nineteenth century,where he apparently commits suicide after being labeled a lunatic for his incoherent babblings about drawbridges and battlements.

然则，在所有这些被搬上银幕和舞台的改编作品中，没有任何一部作品能生动地再现《康乃涅克州的美国佬》结尾处的无政府状态。而在原作结尾处所描述的情节是，摩根历时三年之久苦心经营的进步事业被暴力推翻，他又重返于十九世纪，在由于他的那些有关吊桥和城垛的语无伦次的唠叨而被列为疯子之后，显然自杀身亡。

None of these translations to screen and stage,however,dramatize the anarchy at the conclusion of A Connecticut Yankee,which ends with the violent overthrow of Morgans three－year－old progressive order and his return to the nineteenth century,where he apparently commits suicide after being labeled a lunatic for his incoherent babblings about drawbridges and battlements.

然则，在所有这些被搬上银幕和舞台的改编作品中，没有任何一部作品能生动地再现《康乃涅克州的美国佬》结尾处的无政府状态。而在原作结尾处所描述的情节是，摩根历时三年之久苦心经营的进步事业被暴力推翻，他又重返于十九世纪，在由于他的那些有关吊桥和城垛的语无伦次的唠叨而被列为疯子之后，显然自杀身亡。

None of these translations to screen and stage,however,dramatize the anarchy at theconclusion of A Connecticut Yankee,which ends with the violent overthrowof Morgan's three-year-old progressive order and his return to the nineteenth century,where he apparently commits suicide after being labeled a lunatic for his incoherent babblings about drawbridges and battlements.

然则，在所有这些被搬上银幕和舞台的改编作品中，没有任何一部作品能生动地再现《康乃涅克州的美国佬》结尾处的无政府状态。而在原作结尾处所描述的情节是，摩根历时三年之久苦心经营的进步事业被暴力推翻，他又重返于十九世纪，在由于他的那些有关吊桥和城垛的语无伦次的唠叨而被列为疯子之后，显然自杀身亡。

None of these translations to screen and stage, however, dramatize the anarchy at the conclusion of A Connecticut Yankee, which ends with the violent overthrow of Morgan's three-year-old progressive ord er and his return to the nineteenth century, where he apparently commi ts suicide after being labeled a lunatic for his incoherent babblings about drawbridges and battlements.

然则，在所有这些被搬上银幕和舞台的改编作品中，没有任何一部作品能生动地再现《康乃涅克州的美国佬》结尾处的无政府状态。而在原作结尾处所描述的情节是，摩根历时三年之久苦心经营的进步事业被暴力推翻，他又重返于十九世纪，在由于他的那些有关吊桥和城垛的语无伦次的唠叨而被列为疯子之后，显然自杀身亡。

None of these translations to screen and stage,however, dramatize the anarchy at the conclusion of A Connecticut Yankee, which ends with the violent overthrow of Morgan's three-year-old progressivesgroupsand his return to the nineteenth century, where he apparently commits suicide after being labeled a lunatic for his incoherent babblings about drawbridges and battlements.

然则，在所有这些被搬上银幕和舞台的改编作品中，没有任何一部作品能生动地再现《康乃涅克州的美国佬》结尾处的无政府状态。而在原作结尾处所描述的情节是，摩根历时三年之久苦心经营的进步事业被暴力推翻，他又重返于十九世纪，在由于他的那些有关吊桥和城垛的语无伦次的唠叨而被列为疯子之后，显然自杀身亡。

In the circumstances, the use of Pu Yi is to be calm and down-to-earth tone of anger and tell others to heart the fact that, but Pu Yi is more like the performance of the show, there is a smooth track of the hypocrites and rogue; Second,"Thief" of the monks recalled emotion is anger, but he could not recall the content to let others feel the immediate pain and shiver, it should be fine and continue to change the content; again, the American Bar of Hideki Tojo's cross-examination is very A good part of the emotional content also; there is the Japanese defense, defending his words more despicable and crafty, perhaps the effect will be even better ...... like many small role, but there is a general On the problems - not delicate and in-depth, but broad-brush descriptions of performers and the impulse to make sure there is no emotional resonance.

在这个情节上，应该是让溥仪用平静而朴实的语气诉说让别人气愤和窝心的事实，但是溥仪的表现更像是在做秀，有很着迹的伪君子的圆滑和无赖；其次，&小偷&和尚的回忆，情绪激愤是对的，但是他回忆的内容还无法让别人感受到切身的疼痛和颤栗，应该换个内容并且继续细腻；再次，美国律师对东条英机的盘问是很不错的一个部分，有情绪也有内容；还有就是那个日本辩护律师，让他的辩护词更为卑鄙和狡猾一点，也许效果会更好……类似的小角色还有很多，但是都有一个总体上的毛病——没有细腻和深化，只是粗线条的描绘和表演者的冲动肯定是无法让人有情感上的共鸣。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。