没有情感的

When I am busy at work I just don't have the head space or emotional energy to cope with doing anything else.

但我忙於工作时，我就没有思考的空间或者情感力量去解决其他事情。

It is very difficult to write about Leonardo without emotions and the use of superlatives.

这是非常困难的写列奥纳多没有情感和使用最高级形容词。

It is often not recognized as an illness and people who have it may suffer needlessly for years.

由于双相情感障碍经常不被人们认为是一种疾病，患者可能会没有必要的为之受苦多年。

Experienced emotional setback, stone of home of net amuse oneself to " kill celestial being " leading role of the men and women in the novel is about to control by content, more yearning without peacockish true affection, so he decides to riding a bike, from Beijing all the way south next to Fuzhou riding.

经历了感情挫折，网游玩家石头对于《诛仙》小说中男女主角不被物欲左右，没有虚荣的真挚情感更加向往，所以他决定骑着自行车，从北京一路南下骑到福州。

I can't have sensibility because I am a puppet.

我没有任何的情感因为我是一个傀儡。

She suddenly longed for simple days of emotional unavailability and not one-night stands.

她渴望简单的日子，没有情感和一夜激情。

I'd be asoul without apurpose.

我的情感将没有了根基；我将是一张没有表情的脸，一颗停止跳动的心。

In the modern painting, it abandons all the uncreative copy of the nature and the pure purchase of the unloving, and uses the original simple emotional form of painting to call up the eternal and pure emotion of the human race.

现代绘画中摒弃一切没有创造性的对自然的照抄和没有生命力的单纯的形式追求，用有着原始的朴素情感意味的绘画形式必将唤起人类永恒的、纯洁和高尚的感情。

Though some emotions are romantic, the gentleness ties up the 绵, necessarily that is a love without final outcome, destining and choosing to give up.

尽管某些情感浪漫，温柔缠绵，必定那是一场没有结局的爱恋，注定要选择放弃。

This world, with no suffering or pain also lacks love, familial or otherwise, and it is this lack of emotion that Huxley suggests would be so dissatisfying.

这个世界没有磨难、没有痛苦，也缺乏爱和家庭的温暖等。正是由于情感的匮乏，在赫胥黎看来，是非常令人难过的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。