没有情感的

Lenin said,"no one's emotion, he never could someone the pursuit of truth".

列宁说"没有人的情感，就从来没有也不可能有人对真理的追求"。

Lenin said:"No one's emotions, has never been nor can the pursuit of truth."

列宁说过："没有人的情感，就从来没有也不可能有人对真理的追求。"

If you would attain that Truth, if you would become perfect in the knowledge of that Truth, you must go through this process of renunciation, setting aside those things which have no value, putting aside your little knowledge in order to acquire greater knowledge, putting aside your little wisdom in order to acquire greater wisdom; and so when you reach the abode where there is no cloud of doubt, of misjudgement, where there is no question of perverting judgment, or of false thoughts, of false emotions, of fleeting affections, then you are truly in possession of the Truth, then truly are you like myself -the Beloved.

其他人也许鼓励，其他人也许阻挠，但是在只有在你内才有去行走的力量，只有在你内才有决心，只有在你内才有智慧，如果你想获得那真理，如果你想在真理的知识方面变的完美，你必须走过这个弃绝的过程，把那些没有价值的事情放在一旁，把你的小知识放在一旁为了获得更伟大的知识，把你的小智慧放在一旁为了获得那更大的智慧；并且因此当你到达那住所，在那里没有怀疑的，错误判断的乌云，在那里没有滥用判断的，或者错误的想法的，错误的情感的，暂时的喜爱的问题的时候，那么你就真正地拥有了真理，那么你真正地像你自己——挚爱者。

Love unexpressed is just as harmful to you as anger unexpressed. They are both negative emotions.

没有表白的爱恋和没有发泄的愤怒对人一样有害，它们都属于消极情感。

I'd be an emotion without aheart.I'm aface without expression,A heart with no beat.

没有你？我的情感将没有了根基；我将是一张没有表情的脸；一颗停止跳动的心

I'd be an emotion without a heart. I'm aface,without expression, A heart with no beat.

我的情感将没有了根基；我将是一张没有表情的脸，一颗停止跳动的心。

Without you I'd be an emotion without aheart.I'm aface without expression,A heart with no beat.

没有你？我的情感将没有了根基；我将是一张没有表情的脸；一颗停止跳动的心

Without you?Id bean emotion without a heart.Im a face without expression,A heartwith no beat.

没有你？我的情感将没有了根基；我将是一张没有表情的脸；一颗停止跳动的心

Anciently, most researches focused on the history or culture of furniture. And lessinvestigation has been made into studying human''s image and affective expression about form element of furniture. It is difficult to make a good design to meet the consumer''s mental feeling if it is not considered by affective expression theory in furniture design.In this research, we take modern classical furniture as a case to study their emotion image.

以往的研究中，对于家具的研究大多局限在家具的历史与文化上，或者是对家具造型设计的探讨；而较少地探讨家具造型形态元素带给人的心理意象及情感体验，更没有完整的论述家具设计情感化的理论，这使得设计师在进行家具造型设计时无法有效掌握消费者的心理及情感需求，导致设计上的盲目和限制。

If you will try to form a notion of yourself, of the sort of a something that you suspect to inhabit and partially to control your flesh and blood body, you will encounter a walking bundle of superfluities: and when you mentally have put aside the extraneous things—your garments and your members and your body, and your acquired habits and your appetites and your inherited traits and your prejudices, and all other appurtenances which considered separately you recognize to be no integral part of you,—there seems to remain in those pearl-colored brain-cells, wherein is your ultimate lair, very little save a faculty for receiving sensations, of which you know the larger portion to be illusory.

当你在思想上把这些多余物搁置一边——你的衣服、四肢、躯体，你的习惯、口味、遗传特点及偏见，还有其他所有细想之下觉得非必需的附属品——然后你就会发现在人类最后的家园——珍珠色的脑细胞中，几乎就没有留下接收情感的感官了。而你很清楚：大部分的情感不过是幻觉罢了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。