没有情感的

Hornbeam Tree -- of cool beauty, cares for its looks and condition, good taste, is not egoistic, makes life as comfortable as possible, leads a reasonable and disciplined life, looks for kindness and acknowledgment in an emotional partner, dreams of unusual lovers, is seldom happy with its feelings, mistrusts most people, is never sure of its decisions, very conscientious.

形象出色，有酷酷的外表，在意自己的外表和条件，品位出众，不自私自利，懂得为自己安排舒适的生活，有理有序，期待从感情丰富的伴侣那里得到关爱和认同，梦想得到不同寻常的情人，对情感很挑剔，对大多数人不信任，对自己的决定总是没有把握，但有责任心。

At this time, the human being is not considering the animal right and sensibility, while changing the relationship from equality to imparity by self-assertion.

此时的人类并没有去考虑动物的权利、动物的情感，而是自作主张把平等的关系变为不平等。

To describe them as bad excess whether of explicit sex, violence or emotion, or as bad perversions, whether of masochism or sadism, is not to address their function as cultural problem-solving.

把它们描述成不健康的放肆——无论是直白的性、暴力或是情感，或者说它们是糟糕的变态——无论是受虐狂或是施虐狂，这样做都没有说出它们对解决文化问题的作用。

Usually modest in scale these works have little time for bombast or monumentality, preferring to explore by accumulating increments a kaleidoscopic array of everyday wonders and commonplace feelings such as loneliness, tenderness, frustration, fear and hope.

这些作品的大小适中，她没有时间创作夸张的巨大作品。这些作品倾向通过堆积每日的奇迹和普通的情感例如孤独，柔情，挫折，恐惧和希望来进行探索。

Musicality here is very important. When the feelings of working people overflow, their songs are always rhymed.

音乐性还是重要的，劳动人民在情感奔放的时候，唱出的总是有韵的，我还没有读过工农兵写的无韵的诗。

Watch a good teacher and you will see that he does not sit still before his class: he stands the whole time he is teaching; he walks about; using his arms, hands and fingers to help him in his explanations, and face to express feelings. Listen to him, you will hear the loudness, the quality and musical note of his voice always changing according to what he is talking about.

观察一位优秀的老师，你会发现，他没有纹丝不动地坐在教室前，在他讲课的时候，会一直站着，四处走动，运用手臂、双手和手指来帮助他解释，勇于表达情感；仔细听他说，你将听见他的声音会随着他所讲的内容变化声调、音色和节奏。

I regret bitterly The years of loving you in both Your presence and absence, regret The law, the vocation That forbid me to keep you, the sea A sheet of glass, the sun-bleached Beauty of the Greek ships: how Could I have power if I had no wish To transform you: as You loved my body, As you found there Passion we held above All other gifts, in that single moment Over honor and hope, over Loyalty, in the name of that bond I refuse you Such feeling for your wife As will let you Rest with her, I refuse you Sleep again If I cannot have you.

我非常遗憾爱你的这些年不管你在与不在，遗憾那法律，那神召阻止我持有你，大海一块玻璃板，太阳漂白的希腊船美神；如何我能有魔力假如我没有意愿将你改变：虽然你爱我的身体，虽然那时你发现我们所拥有的激情在一切礼物之上，在那独特瞬间超越荣誉和希望，超越忠诚，以那结合的名义我拒绝你因你妻子而有的这般情感会让你同她度过余年，我拒绝你再次上床如果我不能有你。

Ms Gerwig has been crowned "the queen of mumblecore", the nickname for very low-budget films featuring 20-something non-professionals improvising talky chronicles of contemporary romance, angst and drift.

呢喃核流派的电影特点是由超低预算制片、关注20岁左右年轻人的情感生活、即兴创作的剧本、非专业演员出演。杰威被授予"呢喃核电影皇后"的称号，而且她没有获得任何的头衔，就跳进了好莱坞的圈子里。

Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped-for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry.

我还没有回答完，内心便已开始感到舒畅和喜悦了，那是一种前所未有的奇怪的自由感和胜利感，无形的束缚似乎己被冲破，我争得了始料未及的自由，这种情感不是无故泛起的，因为里德太太看来慌了神，活儿从她的膝头滑落，她举起双手，身子前后摇晃着，甚至连脸也扭曲了，她仿佛要哭出来了。

They interweave together each other, tend to changing constantly, power and shape , they fine long hair sometimes flow , sometimes congeal and stop , erupt sometimes irregular, disappear sometimes," some such things change like lights of forest like that in feeling of us, it hand in again and the overlapping:" Gather into certain form again when they have not offsetted and concealed each other, but this kind of form in often resolving, or break out in the fierce conflict for the passion, or become changed beyond recognition in this kind of conflict , all these things blend subjective reality make up man we call that inalienably for an organic whole " The inherent life " Thing promptly emotions human so-called.

它们相互交织在一起，不断地改变着趋向，强弱和形态，它们毫无规律地时而流动，时而凝止，时而爆发，时而消失，&这样一些东西在我们的感受中就象森林中的灯火那样地变化不定，相互交又和重迭&当它们没有相互抵消和掩盖时便又聚成一定的形状，但这种形状又在时时的分解着，或是在激烈的冲突中爆发为激情，或是在这种冲突中变得面目全非，所有这些交融为一体不可分割地主观现实就组成丁我们称之为&内在生命&的东西即所谓人类情感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。