没有味道

Andy once thought he had found a cunning way to attack blandness: add lots and lots of hot peppers."Then almost anything tastes just fine," he said.

马普安一度认为他找到了一个聪明的法子来对付没有味道的菜———加上很多很多的辣椒，"这样几乎什么菜的味道就都很好了。"

It's done?This concoction is odorless ! Now I can fill up the washbowl .

完成了？混合物没有味道，现在我可以把它放进脸盆里。

According to her hometown method, the sparrow's stomach each is stuffed with ground pork and then fried in soy sauce.

我内人说禾花雀炸了吃没有味道，照她家乡的办法，把肉末填在禾花雀肚子里，然后红烧。

Real liberty is as transparent,as odourless and tasteless,as water.

真正的自由就像水一样透明，没有芳香，也没有味道。

No one could imagine eating a piece of pizza without a taste of Oregano added to it.

没有人能想象吃一块比萨饼没有味道的牛至添加到它。

Scentless wisps of straw; a scentless stretch of rocky ground.

没有气味的稻草束；没有味道的一块岩石铺就的地面。

For the analogies and allegories of previous mystics he had no taste, and nothing was farther from him than the wish to penetrate the secrets of Heaven and gaze behind Divine revelation.

为比喻和寓言以往的神秘主义者，他没有味道，并没有远离他比想渗透的秘密天堂与凝视背后的神的启示。

Water shield does not have much taste of its own -- it is all in the cooking broth.

在故乡的春天，几乎天天吃莼菜，它本来没有味道，味道全在于好的汤。

AJ Liebling in 'Between Meals' says of the consumer They have made a triumph of the Delicious apple because it doesn't taste like an apple, and of the Golden Delicious because it doesn't taste like anything.

欧塞尔利埃布林在'从膳食'的消费者说：他们取得了一个胜利的美味的苹果，因为它没有味道的苹果，和金冠，因为它没有什么味道。

AJ Liebling in 'Between Meals' says of the consumer They have made a triumph of the Delicious apple because it doesn't taste like an apple, and of the Golden Delicious because it doesn't taste like anything.

欧塞尔利埃布林在'从膳食'的消费者说：他们取得了胜利，美味的苹果，因为它没有味道的苹果，和金冠，因为它没有什么味道。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。