没有代表的

Not accomplishing the above tasks may mean that you become the object of intolerant treatment from any group you are prejudiced against.

不完成以上的任务也许代表你变成对自己有偏见的任何人都没有耐性对待。

Local hospital logs show that 19 police officers or Alameda County Sheriff's deputies were treated for minor injuries; none were hospitalized.

当地医院的记录显示，19名警官和阿拉米达县警局代表们受轻伤的待遇；没有人住院治疗。

Article 27 Upon expiration of the assigned land, the grantee have applied for renewal, but the grantee have rejected the application according to the article 24 of the contract, the right to the use of the land and the ownership of the above-ground buildings and other attached objects thereon shall be withdrawalled by the assigner on behalf of State without compensation, but the assigner should compensate the grantee according to the residual value of the above-ground buildings and other attached objects thereon.

第二十七条土地出让期限届满，受让人提出续期申请而出让人根据本合同第二十四条之规定没有批准续期的，土地使用权由出让人代表国家无偿收回，但对于地上建筑物及其他附着物，出让人应当根据收回时地上建筑物、其他附着物的残余价值给予受让人相应补偿。

Mars is currently moving through a fairly weak place in your chart, your twelfth house, signifying that you are not quite ready to move ahead with vigor.

火星目前正在穿越你的一个相当脆弱的宫位——第12宫，代表着你还没有准备好要充满活力地向前迈进。

An element which is out of the consideration of classical economics is "information structure".

而传统经济学一直没有考虑到的一个因素是信息结构，它代表了信息资源在经济个体中的分布情况。

At the 1948 London Olympics, Micheline of France did not come into much notice.

於1948年伦敦奥运会，身材瘦小的奥斯特迈耶尔代表法国参加比赛并没有引起太多人的注意。

The negotiator did not elaborate, and it was not immediately clear if he was referring to a counterproposal.

这位谈判代表没有具体说明，而且不能立即弄清楚他是否指的是一项对立的提议。

The provincial chapter, composed of the provincial, the superiors of houses containing at least twelve nuns, and a delegate from each provincial house has no office, according to common law, but to depute two sisters to the general chapter.

省委章组成的，由省，上级的房子至少包含12名尼姑，并代表由各省府没有办公室，根据普通法，但depute两姐妹一般的篇章。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Meditation Alone/ firefly译 The Moon Is Mine The moon is mine And the sundries I home mail It's thin, cool and dark Like me under an unlucky star Who stay out straying, with a sadly sorrowful look When facing it You should feel esteem--in my opinion Also you could Weep when looking at it, and Be put in a tight spot, or Behold a man in it coming out Lay Open the Loneliness Lay open the loneliness, perhaps There be no loneliness Under the alone lamp, in the empty room The whole world's dyed orange with rays Everything represents nothing As someone been far away The deserted heart still misses Only lonely is still lonely Wine for one, when wine round three times for one Think of the drip drops, the fallen leaves, and Some time, some seasons, some persons, some Sundries when warm Like I lay open the loneliness Then nothing to keep lonely The Tree All the leaves in this tree fall Its loneliness falls into a face It's limpid and bright Where the sun shines There are blares of colored glaze Exclaim occasionally, or profoundly Stride one's line of sight, such height and weald Straying there --Why there is no wild Divide the Rain Drips Divide the dense rain drip Then you may see decaying scene-- A man in the sun walking with vigorous strides In the shallow puddle Immerges half his nose, spraying Continuous ripples It's simply a groundless guess at daytime Or rather a dream, yet that's it And that I see Sun's weak, and see The sun and water turns to be blank in the air Nov.

16th， 2007 原诗：《独想》《那些月光是我的》那些月光是我的是我寄给家里的物什它薄薄的，凉凉的，暗暗的就像我的薄命流浪在外，神情悲悯你们面对它应该感到高贵——这是我的想法你们也可以看着它流泪，看着它一筹莫展，或者看着一个人从里面走出来《把孤独摊开》把孤独摊开，或许就没有孤独了在孤灯下，空屋里万物都染着桔色的光万事都不代表什么就像远去了一个人心中空荡荡的，却总有惦念但孤独还是孤独的一个人的酒，一个人酒过三巡想想窗檐的滴水，想想落叶，想想一些时间，一些季节，一些人物，一些那时感到有温度的物什就如同把孤独摊开了没什么可继续孤独的《这棵树》这棵树落光了叶子它的孤独就成了一张脸它清澈与明亮太阳光照的地方，全然是时空中一簇琉璃的光泽偶尔让人惊叹，偶尔骨感地跨入人的视线，那样的旷野和高度停留在那里——为什么没有荒芜《把雨点分开》把稠密的雨点分开就可以看到颓废的景观——一个刚在太阳下健步如飞的男人在浅水坑中浸入了一半的鼻子，喷着连续不断的涟漪这只是我白日的一个臆念有点梦，但就是这样我才看到了阳光的软弱，看到了阳光和雨水原来就是一场空中之茫

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐