沉静的

Autumn, is Less of spring days' restlessness and paranoia, more of maturation and tranquility, pretty much like"After seeing the five sacred mountains, ordinary mountains are nothing, After seeing Huangshan, the five mountains are nothing", less feverishness and unpredictability of summer, more calmness and harvest, akin to "One who has seen the ocean thinks nothing of mere rivers".

秋天，了无春的躁动，了无春的狂想，多了一分成熟，多了一丝沉静，有一种黄山归来不看岳的优势；了无夏的狂热，了无夏的未知，多了一分冷静，多了一丝收获，有一种"曾经沧海难为水"的高度。

Wristwatch made solemn silence and dignity Zhaimen construction area of over 300 square metres of the villa, a nearly 40 square metres of a forecourt and more than 100 square metres of backyard, bonsai flowers, exotic Yicao, trees and flowers of fruit trees, Xiuzhu Ramps film, the flow of Woburn Pavilion :: parvis and the backyard garden between screens to create a one screens poetry gives courtyard seems inevitable feeling.

抬手扣开一扇敦厚沉静而又不失庄严的宅门，建筑面积为300多平方米的别墅里，有一个近40平方米的前院和一个100多平方米的后院，盆景花卉、奇石异草、花木果树、修竹斜影、流水榭亭……前院与后院的园林之间，营造了一帘一帘诗意，给人庭院深深深几许的感觉。

Such mutterings back and forth Crawling, creeping, here May not escape from loss, but you Are not an accomplice Despite being the initiator of sanguineous desire You do not know about this secretly planned carinival that breaks after disillusion Vows smash into pieces, besides love Nothing achieves survival Fragments, pave the cobbled road Whether in heaven or in hell, judges Face the rigid silence of those dead After the fall A rolling wave puts on its coat, not a stroke of tear stains

如此往复的呢喃着匍匐，蠕动，在这里未必就可以不失去，但你不是同谋尽管成为血红色欲望的始作俑者你并不清楚，这秘密策划的极度狂欢，幻灭之后起誓接连破碎，除爱情之外亦未能幸免于难瓦解的，铺成了碎石子路无论通向地狱或天堂，审判者都面临着罹难人陨落之后最坚忍的沉静滚动的浪潮穿上外套，划不出一道泪痕

In Forever Sweet , Sun Guojuan becomes more direct. She covers her body with white sugar, symbolising sweetness, and takes photographs in the style of classical portraits, suggesting quietness and sorrow, self-compassion and pain, so as to express middle-aged women's nostalgia for their fading beauty and sweet emotions, but also to question esthetic criteria decreed by men, always for the sole purpose of consuming feminine beauty.

永远甜蜜》孙国娟更为直接地将象征甜蜜的白糖涂满自己的身体，拍成类似古典肖像的照片，沉静而忧伤，自怜而悲哀，表达出中年女性对正在逝去的年轻容貌和甜蜜情感的怀恋，对依然以消费女性美丽为主导的男性化审美的质疑。

His "Camouflage" aims not to present the magic queerness. The direct uncertainty between the characters and the audience seems to reset a sitution similar to life experience; however, the characters' challenging gaze at the audience as well as another kind of meaningful tacitness within prevents us from returning to the magic game. What is the symbolic significance of the peach between the neutral nudities then?

他制造的《障眼法》也并非为了呈现魔术般的诡异，他直截了当在画中人与观者之间制造的悬念，似乎可以还原与生活经验有着相似遭遇的情景，不过剧中人对观者具有挑战性的凝视，以及另一种秘而不宣的沉静，反倒让我们无法回到魔术般游戏本身，在依旧中性呈现的两个裸体人物之间，蟠桃是作为怎样的寓意存在？

In the first place, there is the alternation of night and day, and morning and sunset, and a cool evening following upon a hot day, and a silent and clear dawn presaging a busy morning, and there is nothing better than that.

第一，这里有昼和夜的递变，有早晨和黄昏，凉爽的夜间跟在炎热的白昼的后边，沉静而晴朗的清晨预示着一个事情忙碌的上午：宇宙间真没有一样东西比此更好。

But with the increase of the age, people's taste to the color will turn from the warm colour to the cool colour , it has reflected objectively too youth is overflowing with enthusiasm with the old age's calm steady personality characteristic held .

但随着年龄的增加，人们对颜色的喜好会从暖色转向冷色，它也客观地体现了青春的热情奔放与老年的沉静稳持的性格特征。

Her charm lies also in that air of timeless maternalism, that calm and pacifying presence, which can dispel a man's moments of frustration and anger and restore his failures of will.

她的魅力，还在于她永恒的母性。她的沉静与抚慰能抹去他的挫败与愤怒，恢复他的意志和刚强。

The girl pouts her mouth slightly , her eyesight is pure and as if lost in thought, the all has disclosed the pure young girl's unique astringent feeling, and this forms the distinct contrast with the lust skinny body.

女孩微噘的嘴和单纯、沉静而又若有所思的眼神透露出纯真少女特有的青涩感，与色欲化的骨感身体形成鲜明的对比，显现出一种灵肉分离的意味。

You will be impressed by the stillness of this place as soon as you leave the ant-hill of narrow streets, vendor stalls and rickshaws and carriages fighting for a place on the road behind.

当你一离开狭窄的街道，小摊贩以及人力车和马车在身后的马路上争抢着一个空位的蚁丘之地，你会对这个地方的沉静留下深刻的印象。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。