沉船

SINCE the economy hit an iceberg in October, America's biggest banks have felt a bit like shipwreck survivors: required to wear lifebelts provided by the government, despite complaints from some that they could have kept afloat on their own.

自去年十月爆发金融海啸以来，美国那些最大的银行就像沉船生还者一样：要求戴上政府发放的救生圈，尽管抱怨之声认为他们本可以自己漂浮。

Kambayashi SINCE the economy hit an iceberg in October, America's biggest banks have felt a bit like shipwreck survivors: required to wear lifebelts provided by the government, despite complaints from some that they could have kept afloat on their own.

自去年十月爆发金融海啸以来，美国那些最大的银行就像沉船生还者一样：要求戴上政府发放的救生圈，尽管抱怨之声认为他们本可以自己漂浮。

Many wrecks already discovered have not been excavated because of lack of funds, leaving them prey to looters.

许多已被发现的沉船还因为缺少资金而未经挖掘，面临着被潜水劫掠者夺走的风险。

Many wrecks already discovered have not been excavated because of lack of funds, leaving them prey to looters.

由于资金问题，很多已经被发现的失事沉船没有被来得及发掘，这就使得文物留给了那些盗物者。

And by all means do not forget that lake standby the leech, a sunken leech tugged neatly off the bottom, is a morsel only the wariest of carp will ignore.

并采取一切手段别忘湖待命的水蛭、水蛭唤醒了沉船底部整理过，是唯一的口粮wariest鲤鱼不理会。

Photo Gallery: Underwater Scenes Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

水下景色场面图集。摄影师埃默里（ Kristof的边界推向了水下摄影超过他的长期职业生涯中，从首创发明的遥控操作车，高强度的照明，和机器人摄影机，以探索沉船像铁达尼号，并拍摄深海生物一样，这些鱼和浮动salps在该鲍伊海山。

Photo Gallery: Underwater Scenes Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景色图片美术馆。摄影师埃默里克里斯托夫已经推进水下摄影的界线在他的长期生涯上，从开拓型发明的远程地操作交通车，高强度光源，和机器人照相机，去探测沉船像泰坦尼克号和深海摄影生物像这些鱼和浮动的樽海鞘在鲍伊海底山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景色图片。摄影师埃默里克里斯托夫推动了边界水下摄影，他长期的职业生涯，从开创性的发明，遥控车辆，高强度照明，摄像机和机器人，以探索沉船比如泰坦尼克号和拍摄深海生物像这些鱼和浮动的樽海鞘在鲍伊海底山。

Photo Gallery: Underwater Scenes Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

摄影师埃默里Kristof的边界推向了水下摄影超过他的长期职业生涯中，从首创发明的遥控操作车，高强度的照明设备，和机器人摄影机，以探索沉船像铁达尼号，并拍摄深海生物一样，这些鱼和浮动salps在该鲍伊海山。

Photographer Emory Kristof has pushed the boundaries of underwater photography over his long career, from pioneering the invention of remotely operated vehicles, high intensity lighting, and robot cameras, to exploring wrecks like the Titanic and shooting deep sea creatures like these fish and floating salps in the Bowie Seamount.

意译：水下景观图片系列。摄影师艾莫里克里什托夫推动水下摄影的分界线，他长期的职业生涯，从开创性的发明遥控操作的车辆，高强度照明，和机器人照相机，探索像失事的泰坦尼克号沉船和拍摄深海生物像这些鱼和浮动樽海鞘在鲍伊的海底山。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。