沃森

Olejnik had seen United go close on two occasions by that point - Darron Gibson and Richie Jones producing two good but unsuccessful efforts as the Reds made a lively start at The Lambs, home of non-league Tamworth FC.

奥赖金克看到曼联2次险些敲开本身的大门——吉布森和琼斯2次创造机遇但是都没有进球。曼联在拉姆球场的开局不错。这是业余球队塔姆沃斯的主场。

And if the students in that audience had listened, really listened, to their own music, perhaps they would have found not only the growl of Muddy Waters, the vibrato of Mahalia Jackson and the wail of James Brown somehow embedded there, but the talk of the spirituals, as well.

并且如果学生听了，真的很认真的听了，听了他们自己的音乐，或许他们将会发现不但马迪沃特斯的咆哮、玛哈莉雅杰克森的颤音和詹姆斯布朗的恸哭会莫名的留在脑中，而且精神的对话也是一样──会深埋在记忆中。

His work has been shown in numerous group exhibitions including Sightlines: Recent Work from Los Angeles at Galerie Michael Janssen in Cologne, LA Art Scene: Selected Works from the Frederick R.

他的作品已被证明在许多视线组展览，其中包括：在画廊迈克尔扬森在科隆从洛杉矶最近的工作，洛杉矶艺术景：选定从冯河威斯曼艺术基础工程，在贝弗利山一画什么能做海沃思画廊在洛杉矶。

On May 9th, Dawson and Tarver rematched at the Hard Rock Casino down the strip to just over 1,000 fans, which was actually a great improvement from the 400 or so that came through the turnstiles for their initial encounter in October at the Palms Casino.

5月9日，道森和塔尔沃在哈洛克赌场饭店的重赛，撑死了也就1000观众。不过，相比去年10月的一番战，这已经有很大进步了，当时只有大约400人来到位于帕姆斯赌场的赛场。

We're here to memorialize 29 Americans: Carl Acord. Jason Atkins. Christopher Bell. Gregory Steven Brock. Kenneth Allan Chapman. Robert Clark. Charles Timothy Davis. Cory Davis. Michael Lee Elswick. William I. Griffith. Steven Harrah. Edward Dean Jones. Richard K. Lane. William Roosevelt Lynch. Nicholas Darrell McCroskey. Joe Marcum. Ronald Lee Maynor. James E. Mooney. Adam Keith Morgan. Rex L. Mullins. Joshua S. Napper. Howard D. Payne. Dillard Earl Persinger. Joel R. Price. Deward Scott. Gary Quarles. Grover Dale Skeens. Benny Willingham. And Ricky Workman.

杂谈我们在这里，怀念29位美国人：卡尔·阿克德、杰森·阿金斯、克里斯多佛·贝尔、格利高里·布洛克、肯尼斯·查普曼、罗伯特·克拉克、查尔斯·蒂莫西·戴维斯、克里·戴维斯、迈克尔·埃尔斯维克、威廉·格里菲斯、史蒂芬·哈拉、爱德华·琼斯、理查德·雷恩、威廉姆·林奇、尼古拉斯·麦考斯基、乔·马克姆、罗纳德·梅尔、詹姆斯·姆尼、亚当·摩根、雷克斯·姆林斯、乔什·纳皮尔、霍华德·佩恩、迪拉德·波辛格、乔尔·普莱斯、迪华德·斯科特、加里·考拉斯、格罗佛·斯金斯、本尼·威灵汉姆、里奇·沃克曼。

Now approaching his eighteenth birthday, Dumbledore left Hogwarts in a blaze of glory --- Head Boy, Prefect, Winner of the Barnabus Finkley Prize for Exceptional Spell-Casting, British Youth Representative to the Wizengamot, Gold Medal-Winner for Ground-Breaking Contribution to the International Alchemical Conference in Cairo.

参考网译：眼看就要到他十八岁的生日了，邓布利多带着一系列令人瞠目的光辉荣耀离开了霍格沃茨——全优的学习成绩，学生会主席，巴纳巴斯芬克利特殊贡献奖得主，驻威森加摩的英国青年魔法师代表，在开罗举行的国际炼金术会议上被授予的开拓性贡献奖金奖等等。

Nicholas Wentworth hangs an intravenous solution inside an MH-60S Sea Hawk prior to flying an earthquake victim to the aircraft carrier USS Carl Vinson (CVN 70) on Sunday Jan.

尼古拉斯温特沃斯内挂起了一个MH - 60S型海鹰静脉飞行之前解决地震受害者的航空母舰卡尔文森号（CVN 70）日2010年1月17号在太子港，海地。

At half-past twelve next day Lord Henry Wotton strolled from Curzon Street over to the Albany to call on his uncle, Lord Fermor, a genial if somewhat rough-mannered old bachelor, whom the outside world called selfish because it derived no particular benefit from him, but who was considered generous by Society as he fed the people who amused him.

第二天十二点半，亨利？沃登勋爵从科森街漫步来到阿尔本尼街，拜访他舅舅福默勋爵。他是一个性情随和，举止有些粗俗的老单身汉。外界都说他自私，因为没有从他哪儿捞到什么特别好处。但上流社会却认为他很慷慨，因为他款待着一批使他开心的人。

The adolescent Spacey worked up celebrity impersonations (James Stewart and Johnny Carson were two of his favorites) to try out on the amateur comedy club circuit.

青年斯贝西在非职业喜剧俱乐部常扮演名人(詹姆斯斯特沃和约翰尼卡森是他的最爱)。

The German Parzival by Wolfram von Eschenbach, which adapted at least the holiness of Robert's Grail into the framework of Chretien's story.

沃佛兰·冯·艾森巴赫德国式的《帕西法尔》，至少是把罗伯特的&圣杯&插入了克雷蒂安的故事梗概里面。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。