水彩画

In my opinion, there are many many people do not understand, watercolor painting, watercolor as the watercolor look, is that the picture or painting and similar, I aquarelle in China with Chinese characteristics and popularization of watercolor.

在我看来，还有很多很多的人，还不理解水彩，把水彩当做国画来看待，把水彩说成是和国画类似的画种或者画法，我不禁感叹水彩画在中国推广普及以及形成中国特色水彩画的的艰难。

As to his painting contribution, accomplishment and influence, I have made three conclusions according to my research results and various allegations from others. 1. He actively promoted art of the aquarelle; raised the position of aquarelle in the painting circle.2. He insisted on taking local subject as the core of painting, therefore, he has left the precious historical records of the native scenery .3. He actively endeavored to hold painting exhibitions, encouraged the international cultural interchange and expanded the vision of the painters and the public at southern Taiwan.

有关其贡献、成就及影响，笔者就各家所论及个人研究所得提出三项论点：一为积极推展水彩画艺术，提高水彩画於画坛的地位；二为坚持以乡土题材为其创作主轴，不仅引领出一股乡土写实风，更为逐渐消逝的乡土景物留下珍贵的历史纪录；三为积极推展画会活动，促进国际文化交流，扩展南台湾画家及一般民众的视野。

In previous versions of Corel Painter Essentials, the Watercolor brushes were referred to as Digital Watercolor.

在以前版本的Corel Painter的精华，被刷的水彩画被称为数码水彩画。

In short, in order to make full development, and have a foothold in the world, Chinese water color painting should not only enhance the connotation of its language, but expand its denotative content.

总之，中国水彩画要发展，要立足于世界，不仅要加强水彩画语言内涵，也要拓展它的外延氛围。

The watercolor painting is the picture which widely popularizes, as the independent drawing form, It passed through the certain historical process, in the world the first watercolor painting stems from the German painter Dueler's hand, but becoming the independent picture and receiving the prosperous development is in England, until now already some 300 years history.

内容摘要：水彩画是个广为普及的画种，作为独立的绘画形式，其形成经过了一定的历史过程，世界上第一幅水彩画是出自于德国画家丢勒之手，但成为独立画种并兴盛发展是在英国，至今已有四百年的历史了。

Do you like the quality of gouache in paintings?

你喜欢水彩画吗？你喜欢水彩画吗？

Secondly, by surveying the history of watercolor both in China and western countries,the thesis treats the ontic language in a historic and developmental view.

二。从中西水彩画的历史沿革着手，以历史的、发展的眼光看待水彩画本体语言。

By dealing with the definition of watercolor, thehistory of watercolor, the ontic language of watercolor, the richness of watercolor language,the thesis points out the nature of fault of ontology and reveals its negative influences inpractice in the hope of further prosper and development in watercolor in China.

本文通过对水彩画概念的界定、水彩画的历史沿革、水彩画的本体语言、水彩画语言丰富性的论述，指出"本体论"观点的错误实质，揭示其在实践中的负面影响，以求中国水彩画的进一步的繁荣与发展。

From the Western watercolor more than 100 years ago was introduced to China, the creation of "Chinese watercolor" The long-cherished wish of several generations of watercolorist common goal should now be said to be very polished look, and Mr. Luo Zonghai sui generis watercolor is one of a microcosm of his creative trajectory reflects a Chinese watercolor painting at home to stay.

从西洋水彩画一百多年前传入中国起，创立"中国水彩画"的夙愿就是几代水彩画家共同奋斗目标，现在应该说是初具面貌了，罗宗海先生自成一格的水彩画就是其中的一个缩影，他的创作轨迹，体现了一个中国水彩画家的康庄大道。

Fashion of Watercolour Painting and the Sustainability of Its Development

从水彩画的本体语言以及水彩画发展的历史来看，过多地强调本体语言将成为水彩画发展的桎梏。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。