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水墨画

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On the beach when we took off his shoes and bare feet of the same towards the coast, far from the sea up the sand and soft tread and Shibuya, where Kennedy was occasionally broken stone and Beja to the feet, through this "deep shallow kick kick "of the beach, came to the coast, from sea water near the beach and the beach is just a different, affected by sea erosion as a result of long-term, so flat like a huge ink paintings of the paper, see both want to get trampled in the above its smooth feel, afraid of their own footprints printed on the above, the destruction of the picture.

在沙滩时我们都不约而同的脱下鞋子光着脚奔向海边,距离海水远的沙子踩上去又软又涩,在那儿偶尔还会被坚石和碎贝扎到脚,走过这段"深一脚浅一脚"的海滩,来到海边,离海水近的沙滩和刚才的沙滩又是有着天壤之别,由于长期受海水冲刷,所以平坦得像一张巨大的画水墨画的宣纸,看上去既想在上面踩几脚感受一下它的平滑,又怕把自己的脚印印在上面,破坏了这天造地设的"画卷"。

Pieces of works, the Asia-Pacific Museum of California. 1989 should be invited by the University, Ohio fen to conduct academic exchanges and organized individual exhibitions. In July 1990 in Nepal's capital Kathmandu, large-scale exhibition held at the Museum. October 1990 New Delhi, India Baha'i Museum exhibition,"Chenming," a collection. On three occasions since 1991 in Florida, where Bo and other three cities held personal exhibitions. 1992 work,"Spring Bamboo" is Queen of the Netherlands Beja Therese collection. In Sydney, Australia in 1993, organized by city, the first Asia-Pacific Chinese ink painting contest winners, work "snowy's Island," a collection. In October 1994 the National Museum of the Netherlands invited to organize large-scale solo exhibition in December 1994 in Rotterdam invited Chinese literary weeks personal exhibition was held. 1995 Chinese Culture Week was mayor of Amsterdam, the Netherlands named after a famous Chinese artist. 1996 has been Noto City, He Luolin root City,拉登维斯林City, is an ink-Wei City, Amstelveen invited to organize large-scale exhibition city.

1986年起多幅作品被美国加州亚太博物馆收藏。1989年应美国俄亥俄州芬来大学邀请进行学术交流并举办个人画展。1990年7月在尼泊尔首都加德满都博物馆举行大型个展。1990年10月在印度新德里巴哈伊博物馆举行个展,《晨鸣》被收藏。1991年起先后三次在佛罗里达州、里勃等三城市举办个人画展。1992年作品《春竹》被荷兰女王贝雅特丽丝收藏。1993年在澳洲雪梨市举办的,首届亚太地区中国水墨画大赛获奖,作品《雪原之洲》被收藏。1994年10月被邀于荷兰国家博物馆举办大型个人画展,1994年12月在鹿特丹中国文体周特邀举行个人画展。1995年阿姆斯特丹中国文化周被市长命名为荷兰著名中国艺术家。1996年先后曾被乃登市、荷罗林根市、拉登维斯林市、乃墨卫市、阿姆斯特芬市邀请举办大型个展。

Here, the Chinese response to line-as calligraphic form and motion as much as in ink painting-is very precise.

在这里,中国是对线条的回应-比如像书法形式或是水墨画中的运动-是非常精确的。

"Chanson de matin", melody from Pujiang folk song "mowing Song," short, concise, is a light brush and ink.

《晨歌》,旋律出自蒲江民歌《割草歌》,短小、精练,是一幅清淡的水墨画

His transposing of traditional ink painting techniques and composition onto canvas meant the retention of large areas of white, unpainted ground, and a fluid use of the line, without recourse to the classical perspective and chiaroscuro of traditional western academic painting.

他将传统的水墨画作法和创作转换到油画画布上,表现为保留了大片的留白、没有画出的质地和线条的流畅运用,而不借助于西方学院派的经典性透视法和明暗法的绘画技巧。

This paper presents a novel colorization algorithm for Chinese ink paintings. Our algorithm can colorize the grey drawings of Chinese ink paintings and remain their important feature appearance.

本文提出一个有效的著色演算法,能将原本具有水墨渲染的灰阶中国水墨画予以著色,转变成蕴含丰富色彩变化的彩色水墨画,并且保留原始画中大量留白的特性。

Therefore, what I try to concentrate on is producing works, based on traditional Korean subject matters, India ink painting techniques and the five primary colors mentioned above, that contain both the flexible spiritual depth and dynamic structural scales of India ink painting, and is acquiring the aesthetic grandeur of the traditional styles of painting and what a modern painting should be.

因此,我试图在我的创作中,以韩国的传统题材为基础,将东方的水墨画技巧和上述5种主要色彩融合,使得作品即包含水墨画灵动深广的气韵,又富有传统绘画的华丽风格,还包含现代绘画应有的审美元素。

Pen and ink, as an important element in Chinese ink painting and performance tools, in ink in the aesthetic effect is caused by other tools can not be replaced.

笔墨作为中国水墨画的一个重要元素及表现工具,在水墨画中所造成的美感效应是其它工具所无法替代的。

Chinese ink painting through observation of the characteristics of in-depth analysis, investigate the current non-photorealistic graphics technology development, as well as a deeper understanding of the current graphics hardware knowledge, this paper presents the use of programmable graphics hardware to deal with real-time three-dimensional model is converted to ink the effect of non-photorealistic graphics rendering method and ink to do a variety of research, as well as splash-ink style animation and keyframe animation research.

详细说明:通过对中国水墨画特点的深入观察分析,调查当前非真实感图形学技术发展以及深入了解了当前图形处理硬件的相关知识后,本论文提出了利用可编程图形处理硬件将三维模型实时转换为水墨画效果非真实感图形的渲染方法,并做了多种水墨风格的研究以及泼墨动画和关键帧动画的研究。

We design and develop a simulation system for Chinese ink wash drawing with the combination of our simulating research on Chinese painting and techniques of Object-Oriented software engineering, which is real-time, easy to use and extensible.

本文通过对水墨画仿真技术的研究,结合面向对象的软件工程中面向对象的分析、设计和实现等技术设计并开发出一套使用压感笔可以进行实时绘制、易使用、易维护、可扩充性良好的水墨画仿真绘制系统。

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