民歌

This text can is divided into four parts on the structure: The first part, carry on a synopsis to all say to Chinese's folk song; The second part, reorganize to Chinese's folk song of creation and development of piano music work carry on a review; The third part, the represent sex work to is 2《arethusa flower》,《flowing water》carry on detailed analysis in give musical performance; Last one part of head three parts of the foundations up, put forward textual center talk point, is Chinese the confidence problem of the style of piano music work of the folk song change..

本文在结构上可分为四个部分：第一部分，对汉族民歌进行简要概述；第二部分，对汉族民歌改编的钢琴音乐作品的产生与发展进行回顾；第三部分，对两首代表性作品《兰花花》、《流水》在演奏上进行详细分析；最后一部分则在前三部分的基础上，提出本文的中心论点，即为汉族民歌改变钢琴音乐作品的风格把握问题。。

This text with all say to the synopsis of Chinese's folk song, the piano work of "folk song" it reorganizes the review of the process and the piano work of "folk song" of two representatives《arethusa flower》,《flowing water》give musical performance last analysis as sill, end in giving musical performance the style that Chinese's folk song reorganizes a piano work confidence get oneself's conclusion, for how hold the style of the piano work of "folk song" to carry on overall of, many elaborate of angle and generalize.

本文。。。更多以对汉族民歌的简要概述，"民歌"钢琴作品其改编历程的回顾以及两首代表性的"民歌"钢琴作品《兰花花》、《流水》演奏上的分析作为基石，最终在演奏汉族民歌改编钢琴作品的风格把握上得出自己的结论，对于如何把握"民歌"钢琴作品的风格进行全面的、多角度的阐述与概括。

Due to dual attribute of folk-song, research focus should be fixed on its musical element (i.e. tunes and melody) and literary element (i.e. words of folk-song).This thesis lays particular emphasis on the thorough analysis of words as amphibious literature.

正是由于民歌的这一双重属性，因此，我们在对民歌加以研究时，在注重对民歌的音乐因素加以研究的同时，也应重视对其文学因素，即歌词方面的研究。

His advanced idea on folk literature and "enthusiasm for folk songs" have fairly great influence on his poetry creation: first, Huang is good at absorbing the nutrition of the folk songs, thus has poured new vigor to his writing; second, he absorbs the idea of "true affection" in folk songs, and advocates that the writing of poems should express one's aspirations, and be true in emotion and desire; third, the "enthusiasm for folk songs" has entrusted the balladic air to some of his poems.

他进步的民间文学观和&民歌情结&对他的诗歌创作有着较大的影响：一、黄遵宪善于吸取民歌的营养，为自己的创作注入了新的活力；二、他吸取民歌中的&情真&说，主张写诗要情真、意真、抒发我之心声；三、&民歌情结&赋予黄遵宪部分诗篇以民歌风味。

By using documents in Dong'gan language and Chinese as well as on-the-spot investigation materials, this article describes the rules and forms of libretti of Dong'gan folk song, northwest folk songs in China which spread in Mid-Asia, and discusses its libretti forms and combination lanes.

本文利用东干文、汉文民歌文献以及作者的实地调查资料，在描述流传在中亚地区的中国西北民歌——东干民歌的唱词格式和韵律的同时，讨论了东干民歌唱词结构与曲调的结合规律。

Shanxi folk songs of his "Pastoral", people listen to the full flavor territories, rural wind Chun-Hou; and "Fenhe waterhua hua Salala","people said good scenery Shanxi", etc., but also folk songs and the spirit of the times flavors blend to perfection; Shaanxi folk song "animal soul driven", the Tibetan-style "plateau Chunguang", Sichuan strong "Emei Restaurant", have all kinds of folk singing skills to the extreme.

他的山西民歌《牧歌》，让人听来土味十足、乡风淳厚；而《汾河水哗哗啦啦》、《人说山西好风光》等，又把民歌风味与时代精神融汇得恰到好处；陕西民歌《赶牲灵》，西藏风格的《高原春光》、川味浓厚的《峨嵋酒家》，都把各类民歌的演唱技巧推向了极致。

This text with all say to the synopsis of Chinese's folk song, the piano work of "folk song" it reorganizes the review of the process and the piano work of "folk song" of two representatives《arethusa flower》,《flowing water》give musical performance last analysis as sill, end in giving musical performance the style that Chinese's folk song reorganizes a piano work confidence get oneself's conclusion, for how hold the style of the piano work of "folk song" to carry on overall of, many elaborate of angle and generalize.

本文。。。更多以对汉族民歌的简要概述，&民歌&钢琴作品其改编历程的回顾以及两首代表性的&民歌&钢琴作品《兰花花》、《流水》演奏上的分析作为基石，最终在演奏汉族民歌改编钢琴作品的风格把握上得出自己的结论，对于如何把握&民歌&钢琴作品的风格进行全面的、多角度的阐述与概括。

Since the school Sangzhi Chinese folk songs to be included in the intangible cultural heritage, folk songs as they Sangzhi love of the motherland, love of home education materials,"Sangzhi sing the school song" as its theme, carried out a series of activities has been made Good results, Sangzhi to allow students to sing folk songs, Sangzhi love to sing folk songs, from an early age by Sangzhi the influence of culture, so that Sangzhi sing folk songs in the minds of students.

该校自张家界 http：//www.zjjxinxi.com 。桑植民歌被列入中国非物质文化遗产以来，就把桑植民歌作为热爱祖国、热爱家乡的教育题材，以&桑植民歌唱响校园&为主题，开展了一系列活动，取得了良好效果，让学生会唱桑植民歌、爱唱桑植民歌，从小就受到桑植文化的熏陶，让桑植民歌在学生心中唱响。

Chapter 2 mainly stipulated the tune in the folk music through four aspects, including , the art rules of tune , the musical feature of tune , and the emotional feature , also the originality of the tune .

本文第二章通过三个方面的内容对民歌演唱的行腔进行了较为系统的阐述，其中包括：民歌演唱的字音美、民歌演唱的行腔美还有民歌演唱的抒情美。

Folk song has special charm of using "lay-folk poem" language. This paper discusses the characteristics of folk song's language from stylistic perspective in three parts. The first part discusses the concept of folk songs, the context type and its style belonging, confining the researching, analyzing the producing context of folk songs and introducing its style belonging simply. The second part analyzes the characteristics of 'lay-folk poem' language by using a number of examples, which includes the aspects of orallisition of its vocabulary application, the concision and deviation of its grammar, its regular rhetoric technique, the foil word and rhyme. The third part emphasizes the folk songs' function that different from other styles in emotion expressing, aesthetic views and practical aspects.

本文从语体角度分三个部分来探讨民歌语言的特色：第一部分阐述了民歌的定义、民歌语体的语境类型及语体归属，对本文的研究范围做出了界定，对民歌语体语言的生成语境做了分析，对民歌的语体归属做了简单的说明；第二部分从词汇运用的口语化、生活化，语法的简洁性与偏离性，常用的修辞手法，衬词及押韵五个方面来分析民歌语体的&平民诗歌&的特征，通过大量例证突出了民歌语言的特点；第三部分从表情、审美、实用三个方面对民歌的功能作了阐述，突出民歌语体有别于其它语体的特征。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。