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民族精神

与 民族精神 相关的网络例句 [注:此内容来源于网络,仅供参考]

Language is the spirit of the nation and vice versa. The Sapir-Whorf hypothesis develops Humboldt's ideas to the extreme.

他认为,"一个民族的语言和思维是不可分割的,一个民族的语言就是他们的精神,一个民族的精神就是他们的语言。"

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上,通过作品曲式结构与古典协奏曲典型曲式结构的对比,总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新,展现了肖邦在协奏曲创作的继承和创新精神;旋律上,主要围绕作品旋律的歌唱性和色彩性进行论述,充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征;节奏上,通过对第三乐章的节奏分析,展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏,阐述作品的民族特色,并追溯特征节奏的原形,进一步揭示肖邦创作的民族本质和素材来源;和声上,从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手,分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

Epic is the book recording the memory of Nationality , manifesting the spirit of the Nationality, recording the its history and culture, embodying its esthetic judgment.

史诗是记载"民族记忆"的书,表现着民族的精神、记载着民族的历史文化,体现着民族的审美。

Part two: Main body, expounds the development of the new period fiction"s introduction from, reference to and fusion with western modernistic fiction, of the breakthrough of the original aesthetic norms and of conducting the "modernity" of the new research of fictional style. The development is as follows: beginning from exploring the artistic forms and skills, it self-examines the history, searches for the meaning of life, and calls for the realization of certain "personality", i.e. spiritual freedom; then, adopts the spirits of modernistic literature, searches for and sublates our national traditional culture; cares for the modern people"s specific mental states and makes inquiries for the meaning of life; then, revolutionizes the textual narration, reveals the doubt about the man"s subject exposed in the theme of works, describes directly the problems of the man"s subject itself, inquires the reality and possibility of the subject"s being, and uncovers the complexity of the modernistic central proposition: man"s anxiety and his essence.

本论部分,论述新时期中国文坛对西方现代主义借鉴、吸纳、融合,突破原有的审美规范,进行小说文体新实验的发展历程——即从艺术形式、艺术技巧的探索开始起步,反思历史、探索&人&的意义;在对民族传统文化的寻找与扬弃中,重建民族的&文化&主体,以走向现代世界;关注现代人的精神状况,揭示社会的贫乏、专横、庸俗、虚伪和窒息的一面,寻求生命的意义与价值;通过文本的叙述革命,揭示作品对人这一主体的怀疑,在小说中直接描写&人&本身所存在的问题,以及人自身本质的复杂性;对城市化、世俗化生活的窥望与期冀,对其作品中多元化的欲望进行透视,揭示当今社会中人的现代主义的虚无与后现代式的焦虑,指出其书写的局限与精神提升;论析女性作家&个人化&躯体写作的意义、特色以及女性作家个人化写作的精神困境。

That the magnificent mountains, mountain fold re-embodiment of our awe-inspiring righteousness; it under the temples shaded by pine trees with cypress inscriptions, concentrated essence of civilization, the bright hair; that a heavy bare, Gong Qi spine, struggling to climb Mount Taishan porters, unjust and a symbol of national spirit that we will never surrender?

那气势磅礴的重峦山叠,凝聚着我们的浩然正气;那苍松翠柏掩映下的殿宇碑刻,浓缩着发璀璨文明的精华;那肩负重袒,弓起脊背,奋力攀登的泰山挑夫,不正象征着我们永不屈服的民族精神

In this system there are the theory of "Yuanqi",the dialectical law of "opposing unity of Yin and Yang", the idea of "unity of Heaven and Man" and the national spirit of "constantly str ivi ng to become stronger" and "full of virtues and well-learned". They are the quin tessence of Chinese culture and gems of human civilization.

周易》、老庄哲学中宇宙生成的&元气&学说、&阴阳对立统一&的辩证法则、&天人合一&的思想观念和&自强不息&、&厚德载物&的民族精神,则是中华文化的精髓,也是人类文明的瑰宝。

The Chinese animation creation should insist on the nationalization way, and promote the Chinese animation art which contains national sprit and style, we hope that Chinese animation could regain past glory, and stand rock-firm with the reputation of"Chinese animation school"in the animation art field of the world.

认为中国动画创作应坚定民族化道路,弘扬具有民族精神和风格的中国动画艺术,希望中国动画能重拾往日的辉煌,再以&中国动画学派&的美誉屹立于世界动画艺术之林。

This project is in the Yangma Island traveling resort area overall plan the only large-scale square, enters the island mouth located at Yangma Island, the south side connects directly with the Yangma Island cross-ocean bridge, total area 72000 square meters, square thing long nearly 400 meters, by Tsinghua University postgraduate candidate teacher, China environmental art expert Professor Zhang Qiman designs completes, total investment 32,000,000 Yuan, is mainly take publicizes the national spirit which the Chinese nation well-established traditional culture and brings honor grows continually as the subject, including white fox park, Qin Huangyuan and so on six big scenic areas and horse culture corridors, musical fountain and so on eight big main landscapes.

该项目是养马岛旅游度假区总体规划中唯一的大型广场,位于养马岛的入岛口,南边直接与养马岛跨海大桥相连接,总面积72000平方米,广场东西长近400米,由清华大学博士生导师、中国环境艺术专家张绮曼教授设计完成,总投资3200万元,主要是以宣扬中华民族源远流长的传统文化和弘扬生生不息的民族精神为主题,包括天马苑、秦皇苑等六大景区和马文化长廊、音乐喷泉等八大主要景观。

Much distress regenerates a nation, national catastrophe aroused the ethos with tough and castiron compatriots.

多难兴邦,国家的大难唤起了国人坚韧不屈的民族精神

Later, the ancient Greek Games, gradually expanding the size and become a grand display of national spirit.

后来,古希腊运动会的规模逐渐扩大,并成为显示民族精神的盛会。

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