民族的

We can't be with easy self-sufficient and self-confident in the judgment mode of "the more is of a race, the more is of a world". And we will never consider it as high as to climb when get into the exchanges and have a conversation in the modern world. National art has to be with open and contemporary character, be able to face the grand humanities background and appreciate the contemporary aesthetic standard. Meanwhile, it can dig the contemporary significance of the race and region life. The art can represent the contemporary Chinese culture, as well as that of the world.

这样，既不可以在"越是民族的就越是世界的"的判断模式中轻易地自足自信，也决不应该将进入现代世界的交流、对话视为高不可攀之事，而是要求我们的民族艺术必须应具备当代性和开放性，亦即能够面对宏阔的人文背景，理解当代人的审美标准，对于民族性、地域性生活作当代意义的开掘，并能够站在当代中国文化乃至世界的高度去表现。

Golden age/show one's cards/to turn over a new leaf/he laughs best who laughs last/necessity is the mother of invention/we never know the worth of water till the well is dry/sing different songs on different mountains/so long as i remain a bonze,i go on tolling the bell/all crows are equally black,and all wolves eat meat/without stepping outside his gate,the scholar know all the wide world's affairs/a long road tests a horse's strength and a long task proves a man's heart/burn one's boats/walls have ears/go through fire and water/man proposes,and god disposes/plain sailing/fish in troubled waters

语言既是人类交流思想的工具，也是人类主观世界反客观世界的媒体。翻译是译者对作者所认识事物的再认识和再表达。这种再认识和再表达常常是从不同角度按照译语民族的习惯方式进行的。所以，译作中出现与原语表达的不同是在所难免的。源，译语中的词语不同，其文化内涵也不同，从而反应出两个民族认识事物的思维方式，角度，习惯的差异。

But the play's complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois' famous,well-conside red ideal of ethnic self-awareness coexisting with human unity,or Fanon' s emphasis on an ideal internationalism that also accommodates national iden tities and roles.

但该剧有关黑人自尊可与人类团结相融合这一复杂观点，丝毫都不比杜波伊斯的理想或法侬的强调来得更为&矛盾&：杜波伊斯提出的著名的、深思熟虑的理想是，民族的自觉可以和人类大同共存；法侬则对理想的国际主义进行了强调，而这一理想的国际主义同样也能兼容民族身份与角色。

It eulogizes the never- endingspirit of the Chinese nationis strive and promotes the great unity of the Chinese nation.

本文从&中国&一词的含义、中华民族的起源、华夏族到汉族的历史演变以及历史上几次大的民族融合四方面探究华夏族的起源以及汉民族的由来；同时，以此为视点，揭示中华民族形成、发展、强大的历史发展过程，以及华夏族和汉族与其它少数民族不断融合的历史规律。

In cartoon cartoon design domain, because domestic regarding thisindustrial technical force and resources limited, therefore is beingat the development phase the cartoon cartoon design to be supposed tojoin the Chinese character typeface design part in the work, uses inthe foreign propaganda to promote this national the cartoon cartoonenterprise, I thought in the unintentional imitation overseas work thetypeface design element inundates to the national card with theanimation enterprise development is disadvantageous.

在卡通漫画设计领域，由于国内对于该产业的技术力量和资源有限，所以正处于发展阶段的卡通漫画设计更应该在作品中加入汉字字体设计部分，用于对外宣传推广本民族的卡通漫画事业，我认为有意无意的模仿国外作品中的字体设计元素对民族卡漫和动画事业的发展不利。

Overpopulation brought a bitter struggle for existence; internal wars and nomadic invasion sapped the people's vitality; a primitive written language, monopolized by a bailiff class of scholars, prevented the popularization of culture and successive Asiatic despotisms made impossible political growth and condemned them to economic backwardness.

人口过密引起了残酷的生存斗争；内战和游牧民族入侵使民族的元气大伤；为士大夫阶级所垄断的方块字妨碍了文化的普及；累世相传的亚细亚专制政体扼杀了政治的进步，造成了经济的落后。

But the plays complex view of Black self－esteem and human solidarity as compatible is no more famous,well－considered ideal of ethnic self－awareness coexisting with human unity,or Fanons emphasis on an ideal internationalism that also accommodates national identities and roles.

但该剧有关黑人自尊可与人类团结相融合这一复杂观点，丝毫都不比杜波伊斯的理想或法侬的强调来得更为矛盾：杜波伊斯提出的著名的、深思熟虑的理想是，民族的自觉可以和人类大同共存；法侬则对理想的国际主义进行了强调，而这一理想的国际主义同样也能兼容民族身份与角色。

But the play"s complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois" famous , well-considered ideal of ethnic self-awareness coexisting with human unity , or Fanons emphasis on an ideal internationalism that also accommodates national identities and roles.

但该剧有关黑人自尊可与人类团结相融合这一复杂观点，丝毫都不比杜波伊斯的理想或法侬的强调来得更为&矛盾&：杜波伊斯提出的著名的、深思熟虑的理想是，民族的自觉可以和人类大同共存；法侬则对理想的国际主义进行了强调，而这一理想的国际主义同样也能兼容民族身份与角色。

But the plays complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois famous,well-considered ideal of ethnic self-awareness coexisting with human unity,or Fanons emphasis on an ideal internationalism that also accommodates national identities and roles.

但该剧有关黑人自尊可与人类团结相融合这一复杂观点，丝毫都不比杜波伊斯的理想或法侬的强调来得更为&矛盾&：杜波伊斯提出的著名的、深思熟虑的理想是，民族的自觉可以和人类大同共存；法侬则对理想的国际主义进行了强调，而这一理想的国际主义同样也能兼容民族身份与角色。

Meanwhile, we hold that the national characteristics of Erhu and Erhu art are the product of the synthetical influence of several factors such as the linguistic characteristics, aesthetic conceptions and the folk music of our nation. They have the characteristics of uniqueness, transmission and integration, which are embodied in the following three aspects: the generation and the characteristics of Erhu in itself, the music language of Erhu music compositions and its performance skills.

并认为，二胡和二胡艺术的民族性特征是我国民族的语言特点、审美观念及民族民间音乐等多方面因素综合影响下的产物，具有其独特性、传承性与融合性，具体表现在：二胡的产生及其自身的特点；二胡音乐作品的音乐语言；二胡的演奏手法三方面。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了