民族之特性

Secondly, the 1911 Revolution led by Mir Yat-sen successfully overthrew the Qing Dynasty, buried the system of feudalization lasting in China for more than 2000 years and gave a solid groundwork to the development of the ideas and culture of the neoteric bourgeoisie. In the area of bourgeois marriage, it advocated the slogan of "the equality between the male and female","the freedom of marriage" and "monogamy".

从民间习俗的角度而论，一方面我们可以看到乌鲁木齐地区少数民族婚姻习俗保持着本民族的诸多共性，同时又有许多特性；从乌鲁木齐地区各民族婚姻习俗差异看：皆有不同特点，即便是在诸伊斯兰民族之间，其婚姻习俗也不完全相同，各有独特之处。

Perception is filtered by our cultural mores.interpretation will siverge :the same sting of hesrtbreak inspires a flok singer's melancholy ballad and a rocker's deafening song.harmony is obtained through respect,while firmly grasping personal beliefs.this equation balances one's own passion and embraces individual perspectives.

文化道德观念可以提升我们对事物的理解。面理解通常都具有多样性；同样的悲伤可以创造出民族歌谣或是摇滚乐曲。相互的尊重产生和谐之美，同时兼顾个体的信仰。这样既平衡了自身的情感又包含各自的特性。

He emphasized that we should study the culture from culture side. First,Cai Yuan-pei advocated the interfusion of Chinese and Western culture.

首先，他主张中西文化融合，一方面，通过学习西方文化所长，补己之短；另一方面，要积极向外输出自己的优秀民族文化；其次，他提出"文明之消化"论，强调学习西方文化要从自身特点、需要出发，"吸收"能"消化"之"文明"，并且在学习的同时，要重视保持自己的民族文化特性；再次，他提出了"思想自由、兼容并包"的学术方针，促进了新文化、新思想的蓬勃发展；最后，他将教育、科研当作中国文化建设的重要方面，并大力倡导美育，对中国教育、科研事业的发展，产生了积极、深远的影响。

This article consists of a three-chapter text, a brief instruction and an epilogue: achievements of the research on bel canto and thefolk singing as well as their relation in China were concluded briefly in the introduction. In chapter 1, the origin and characteristicsof bel canto and the folk singing, together with their fusion processin present China was illustratively revealed though historical review. In chapter 2, bel canto and the folk singing are analyzed in technical aspects like breath, vocalization, pronunciation, and resonancetogether with comparison on their similarities and differences.; Chapter three is concerned with the application of bel canto in folk singing and nationalization of bel canto as well as the feasibility oftheir fusion from technical aspect. Moreover, it is illustrated thatthe fusion of these two vocal arts in china not only conform to social development and mass aesthetic requirement, but also has great influence on the education and development of Chinese vocal arts. Epilogue is to express wishes to future Chinese vocal arts based on the trend of multi-culture fusion and innovation.

本文共由三章正文和简短的绪论及结语构成：绪论粗略总结国内关于美声唱法、民族唱法及二者关系的研究已有的成果；第一章尝试通过历史回顾直观展现美声唱法、民族唱法之由来、特性及二者在当代中国对话融合之进程；第二章侧重从呼吸、发声、吐字、共鸣等技巧层面分析美声唱法、民族唱法各自的技巧特点并比较二者之间的异同；第三章除着重探讨美声唱法的民族化、民族唱法的美声化及两者融合共促于技术层面之可行性外，更试图说明此二种声乐艺术的融合发展在中国当前不仅是符合社会发展趋势和大众审美要求，更将对中国声乐艺术的教育和发展具有重要影响；结语则就多元文化融合创新之大趋势表达对未来中国声乐艺术的希望。

Therefore, the history of Rome identifies itself with characteristics of being moralization and nationalism.

最后，罗马历史在历史学家的笔下成为道德教侮的场所和塑造民族精神及特性的源泉，这是罗马史学的特殊之处。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失