民族上

According to the practical situations and the tendency of the current reforms, the article has put forwards some suggests on the basis of analyzing the administrational environments and characteristics.

本文在分析民族乡政府行政环境和管理职能特点的基础上，结合民族乡的实际以及当前国内外政府管理改革的趋势，对民族乡政府管理职能的改革和定位进行了探讨。

As a new branch of modern gymnas-tics, national body mechanics has its unique advantages and characteristics in carrying forward traditional national sports culture.

民族健身操作为现代体操学科中的一个新的分支，在对民族传统体育文化的传承和发扬上独具优势和特色。

On the basis of a systematic collection and analysis of historical materials,the disserta-tion probes into the early appearance of a new mode of commercial legislative thinking in Chi-nese feudal society,the establishment of legal framework by western powers to serve fortheir economic invasion,the legal crisis in the development of Chinese national bourgeoise,the evolution of the commercial legislative thinking of Chinese national bourgeoisie,thecause,process and majar content of establishing commercial legislation by the Qing Dynasty,the Northern warlord and the ruling clique of Kuomingdang,as well as the ideological reasonwhy the Chinese commercial legislation between 1840 and 1930 failed to provide a effectivelegal framework for the modernization of Chinese economy.

本文在系统收集和整理史料的基础上，对中国封建社会内部出现的新型商事立法思想的萌芽，西方列强在华建立服务于其经济侵略的法律框架的活动，民族资产阶级在发展中所遇到的法律危机，民族资产阶级商事立法思想的发展过程（特别是其在清末、民初的发展），清政府、北洋军阀和国民党统治集团制定商法的原因、过程、主要内容，中国1840—1949年间商事立法不能为中国经济现代化提供完备、成熟、有效的制度基础的思想方面的原因等问题进行了尝试性的探索。

These images that need no word expression and logical reasoning, even need no brain-racking search for the archetypes, are a kind of self-cultural sediment. They may have multiple and cultural relations or collisions with a declining national spirit at present, but the paintings themselves not only act as a representation of dominant cultural traits of our nation, but are also my attempts to continue stone inscriptions and brick engravings by those ancient people through knife scraping and line engraving in cold and gray tone, not only a visual sediment of my own obscure emotion, but also a kind of exterior exposition of my personal art spirit.

这些无须用言词、逻辑去表达、推理、甚至去挖空心思搜寻的形象，是自我的某种文化的积淀，或许与时下民族气性衰微与潦落的状况有着多层面的文化上的关联与冲突，但画面本身不仅成为民族强势文化特质的某种形式上的渲染，同时也希籍冷灰色调下的刀刮、线刻能够成为古人碑帖、砖刻痕迹的某种延续，既是自我内心晦涩情绪的视觉沉淀，也是个人艺术精神的某种外化的诠释。

I love how Physical Phil, went outside for Pizza Girl, but of course for only like 10 seconds, but I thought it was really cute about how after she ran in and went to him, but the only reason she was there was because Owen Rowen ordered the pizza, I think he thought if maybe he could save Physical Phil's relationship that maybe he could try to save his.

但是我估计这件事不会这么简单，Janet还会有不少苦头吃才能和Eddie修成正果。对环境恐惧了五年的Phil在众人的鼓励下，终于迈出了走出家门的第一步。虽然他10秒之内便退了回去，但至少他有了第一次的勇气－－正所谓万事开头难。在"匹萨女孩"的帮助下，为了爱情，他终有一天会冲破自己给自己设下的"牢笼"。其实Phil在很大程度上折射了大多数美国人目前的心理－－渴望和世界上其他民族的人交流，但是又惧怕、仇恨、诋毁其他民族的人；渴望关起门来信奉"美国超越世界"的教条，惧怕有朝一日"世界超过美国"。

As a political symbol,it presents a lawful substantive basis for the sustentation of national consiousness and senti...

作为一个政治符号，它为民族意识和民族情感的寄托，为国家在政治上融合各个种族，在文化上高扬主流意识形态提供了合法的实体基础。

According to alternation of reorganized-KMT "s class nature what the Comintern and Sdalin defined and KMT "s authentic class nature, we"ll find the inner coincidence between the three, KMT "s class nature what the Comintern defined, Sdalin"s "Three Stages Theory" and errors of "Left deviation in the Agrarian Revolutionary War. They have the same fault: on the theory of Chinese bourgeoisie. Comintern looked on Kuomintang as an organzation of united front, which cut apart the close relationship between Kuomintang and the boureoisie, and then inevitably led to a long-standing mistaken concept, this is, confusing the large boureoisie with the national boureoisie and the petty boureoisie. Therefore, as the large boureoisie betrayed the revolution, Comintern regarded the national boureoisie and the petty boureoisie as the underminer of the organzation of the united front, and then struck a heavy blow at then.

考察梳理共产国际、斯大林对改组后国民党性质的判定及其变化和国民党的真实阶级性质可知，共产国际对国民党性质的判定、斯大林"三阶段"论和土地革命战争时期中共党内的历次"左"倾错误三者之间，前后相续，一以贯之，具有内容上的共通性和逻辑上的连续性，它们共同的要害是共产国际、斯大林有关中国资产阶级理论的错误，一是共产国际混淆在半封建半殖民地中国的带买办性的大资产阶级与民族资产阶级，二是把民族资产阶级的妥协与革命的两面性机械地认定为革命与反革命的"两段性"，认为中国资产阶级必然要叛变革命。

Thirdly ,few of Chinese people majoring in philosophy have become remarkable philosophers as Heigel ,Kande and so on in the world .

作为对世界和人类根本问题的思考，哲学代表了一个民族在精神上所站立的高度，决定了它能否作为一个优秀民族在世界上发挥作用。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

Bureaucratic pressures and heightened fears of territorial claims against Hungary after the creation of new nation-states in the Balkans forced Tisza to outlaw "national agitation" and to use electoral legerdemain to deprive the minorities of representation.

巴尔干半岛上新的民族国家成立后，官僚机构的压力以及对不断高涨的针对匈牙利领土要求的恐惧，迫使提萨将&民族骚动&视为非法并利用选举上的欺骗手段去剥夺少数民族的代表人进入议会的资格。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。