民族上

Coming from different countries and nationalities, residents in Second Life retain their cultural and national identification by creating objects of their particular style.

由于SL里的人来自现实中不同国家与民族，因此人们通过确立营造物的风格来获得文化与民族上的认同感。

In both of these countries, those who seek ethnically and religiously pure nationhood increasingly dominate politics.

在所有这些国家中，那些寻求一个在民族上和宗教上单一化的国家的人越来越多地操纵着政治。

On the basis of analysing and summarizing the situationchanges of the growth and decline of national and ethnic issues on international level, caused by thegeopolitical contention among imperial hegemonist powers, andon the domestic level withnin multi—ethnic states all overthe world during the 20th century,this article demostrates inan all—round waythe characteristics of national and ethnicissues through the discussion on the enlightment that weshould gain from the situation changes of the growth anddecline of national and ethnic issues; puts forward the newviewpoint that national and ethnic issues also possesscharacteristics ofuniversality and internationality besidesthose of their protracted nature, complex nature andimportance,and emphaticlly analyses the essential distinctionbetween the internationality nature and the"internationalization" of ethnic issues.

知识词典世界民族京1～12A849民族研究郝时远20002000本文对20世纪世界范围内国际层面的民族问题、帝国霸权的地缘政治争夺所引发的民族问题以及国内层面的民族问题的消长态势进行了分析和归纳，并通过世纪之交世界民族问题的消长态势留给人们的启示，就全面认识民族问题的特点进行了论证，在传统的民族问题的长期性、复杂性和重要性特点基础上，提出了民族问题还具有普遍性和国际性特点的新观点，分析了民族问题的国际性与民族问题"国际化"的本质区别。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

After the establishment of Republic of China, the signification of Collection of nations was paid more attention to. For the expression of national relationship, there were different version such as nation monogenism and nation Assimilation, all are emphasized the monogenism and assimilation in genesis. In later 1930's, nation amalgamation became the main expression which focused on the amalgation of nations as well as the eguality. All the expression influenced each other and founded Chinese history and culture. Chinese nation has become the public cognition.

民国成立后，中华民族为"各民族总体"的含义被重视，民族关系表述上，有"民族一元说"和"民族同化说"等方式，强调中国各民族起源上的一致性和外族与汉族的同化。1930年代后，"民族融合"成为主要表述方式，注重中国各民族历史上的融合以及现实中的平等关系，他们互相影响，共同创造了中国的历史和文化，"中华民族"成为全民族的认同。

The national spirit is in nationality"s common language, the common region, in the economic life foundation has, the shape together becomes, And displays in the national culture the common psychological quality, is nationality"s psychological characteristic, the cultural tradition and the energetic complex compound which realizes from me, Is the national members to this nationalitys ideal, the goal and the future self-approval, Is realizes this national ideal, the goal and the future tremendous spiritual strength.

民族精神是在民族的共同语言、共同地域、共同经济生活的基础上产生、形成并表现于民族文化上的共同心理素质，是民族的心理特征、文化传统和自我意识的精神综合体，是民族成员对本民族的理想、目标和前途的自我认同，是实现本民族理想、目标和前途的巨大精神力量。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发，对其民族风格的形成与发展进行系统的梳理；进而在第二章中，从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因；第三章是对美、日、欧、中影视动画的同质性因素进行比较，论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征；第四章中外影视动画民族风格的异质性因素比较是本文的重点，也是论文的难点，这一章涉及到许多影视动画本体性的层面，拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较；最后一章是论文的总结，从全球化的视野下来认识中国影视动画，理论研究的最终目的是要为实践创作服务的，因而，论文更主要的是通过比较分析，从中获得一些借鉴性意见，找出中国影视动画和其他国家之间的差距，更好的学习国外影视动画先进的发展经验，以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

It is well understood here, that by the words Venice, England, we designate not the peoples, but social structures; the oligarchies superposed on nations, and not the nations themselves.

当然，我们在这里提到了威尼斯和英格兰，我们所指的不是那些民族，而是那些社会结构，指高踞在那些民族上面的寡头政治，不是那些民族本身。

The historical meanings of earlier Arab national movement are that: First, the rising of nationalism in Arab world pioneers a new routine different from traditional one; Second, the new conception of constructing country causes Arab people to be separated from formulation of religion / empire, and be immersed in construction onrush in neoteric world; Third, the grown-up of nationalism awakens and changes Arabs traditional idea, and adapts them to the new one of national development; Fourth, the thoughts of nationalism rebuilds Arab nation in the background of new era; Fifth, the babyish Pan-Arabism especially in King Era establishes development contrail of Arab world.

早期阿拉伯民族主义运动的历史意义：第一，民族主义在阿拉伯世界的兴起开辟了一条有别于传统的民族发展新路；第二，新型国家构建理念使阿拉伯人逐渐走出宗教／帝国范式，融入近代以来世界范围内的民族国家构建洪流；第三，民族主义的崛起唤醒和改造了阿拉伯人尘封已久的民族自我意识，使其适应新时期民族发展的需求；第四，民族主义思想在新的时代背景下重塑了阿拉伯民族；第五，早期特别是&王政时期&的泛阿拉伯主义运动虽然看起来显得那么稚嫩，但却奠定了阿拉伯世界的发展轨迹：在民族目标上，谋求民族独立或自由成为全民族各阶层的首要共识；在民族统一的问题上，独立的民族国家间的全面合作逐渐取代政治上的统一；在泛阿拉伯主义的另一面旗帜——巴勒斯坦问题上，巴勒斯坦战争预示着武力解决方案的失败，承认以色列、通过和平谈判的方式解决这一问题成为唯一的选择。

Using Flow cytometer,TriTest reagent and Trucount tube(TriTEST/TruCOUNT)to assess absolute counts of CD 3,CD 4 and CD 8T lymphocyte subsets and CD 4/CD 8 ratio and observe T lymphocyte subsets distribution in sex,age,ethnics in the 110 healthy adults(Age∶16-56)in Guangxi.

用流式细胞仪(FACSCalibur，FCS)、三色免疫荧光试剂和绝对计数管(TnTEST/Tru COUNT)，检测 110名广西健康成年人(16～ 5 6岁)静脉全血CD3 、CD4、CD8T淋巴细胞绝对数值和CD4/CD8比值，并观察T淋巴细胞亚群分类计数在性别、年龄和民族上的差别。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。