民族

But because the cultural background have a foothold and the cultural attitude hold by two authors is different, and two works come to a certain height and depth in expressing race history and ethoses, making two work magic powers each.

但由于两位作家所立足的文化背景和所持的文化态度不同，并且两部作品在表现民族历史和民族精神方面都达到了一定的高度和深度，使得两部作品各具魅力。

But the plays complex view of Black self－esteem and human solidarity as compatible is no more famous,well－considered ideal of ethnic self－awareness coexisting with human unity,or Fanons emphasis on an ideal internationalism that also accommodates national identities and roles.

但该剧有关黑人自尊可与人类团结相融合这一复杂观点，丝毫都不比杜波伊斯的理想或法侬的强调来得更为矛盾：杜波伊斯提出的著名的、深思熟虑的理想是，民族的自觉可以和人类大同共存；法侬则对理想的国际主义进行了强调，而这一理想的国际主义同样也能兼容民族身份与角色。

But the play"s complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois" famous , well-considered ideal of ethnic self-awareness coexisting with human unity , or Fanons emphasis on an ideal internationalism that also accommodates national identities and roles.

但该剧有关黑人自尊可与人类团结相融合这一复杂观点，丝毫都不比杜波伊斯的理想或法侬的强调来得更为&矛盾&：杜波伊斯提出的著名的、深思熟虑的理想是，民族的自觉可以和人类大同共存；法侬则对理想的国际主义进行了强调，而这一理想的国际主义同样也能兼容民族身份与角色。

But the plays complex view of Black self-esteem and human solidarity as compatible is no more "contradictory" than Du Bois famous,well-considered ideal of ethnic self-awareness coexisting with human unity,or Fanons emphasis on an ideal internationalism that also accommodates national identities and roles.

但该剧有关黑人自尊可与人类团结相融合这一复杂观点，丝毫都不比杜波伊斯的理想或法侬的强调来得更为&矛盾&：杜波伊斯提出的著名的、深思熟虑的理想是，民族的自觉可以和人类大同共存；法侬则对理想的国际主义进行了强调，而这一理想的国际主义同样也能兼容民族身份与角色。

On the other hand, I feel sorry that the Chinese people are likely going to become the fiercest nation in the world.

我爱我们的民族，但我不得不哀叹，中国人可能是世界上最可怕的民族。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

In the process of west great development, those folk literature works and arts are easily abused and distorted.

全球化是一把双刃剑，它能带来民族文化的繁荣，也可能导致民族文化的消亡。

Literature materials, analysis, Induction analysis methods in the implementation of the "new physical education and health curriculum standards," how to use background nation Folk Sports curriculum resources This ethnic regions and less developed areas of the school physical education curriculum with special value and significance.

中文摘要：运用文献材料法、分析法、归纳法等方法研究分析了在实施《体育与健康新课程标准》背景下如何利用民族、民间体育课程资源，这对民族地区和欠发达地区的学校体育教学具有特殊的课程价值和意义。

Meanwhile, we hold that the national characteristics of Erhu and Erhu art are the product of the synthetical influence of several factors such as the linguistic characteristics, aesthetic conceptions and the folk music of our nation. They have the characteristics of uniqueness, transmission and integration, which are embodied in the following three aspects: the generation and the characteristics of Erhu in itself, the music language of Erhu music compositions and its performance skills.

并认为，二胡和二胡艺术的民族性特征是我国民族的语言特点、审美观念及民族民间音乐等多方面因素综合影响下的产物，具有其独特性、传承性与融合性，具体表现在：二胡的产生及其自身的特点；二胡音乐作品的音乐语言；二胡的演奏手法三方面。

Folk music mixes the nation of rich and colorful to have the ethical musical instrument of characteristic alone, the nation that decided our country makes loud music work greatly changes a feature.

丰富多彩的民族民间音乐和独具特色的民族乐器，在很大程度上决定了我国交响音乐作品的民族化特征。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失