民族

The overall development of tourism diplomacy has brought about benefits and merits in many fields: first is contributing the nation's economy with bordering area getting more prosperous, and with the ability of foreign investment introduction improved, etc., second is showing the naiton's good image including powerful image, civilized image, friendship image and security image, etc., third is improving the outside environment of the nation, such as attracting the worldwide attention, raising up the international position of its people, upgrading the financial services internationally, and making practical Chinese language much more international, etc., fourth is transmitting national culture into the world, for example, doing more promotional activities and strengthening protectional measures on it, etc., fifth is solidifying the sino-foreign civilian friendships, including better mutual understandings between various peoples and cultural exchanges between different regions and countries.

旅游外交的全面发展为国家带来诸多方面的利益和优势：一是壮大国家的经济实力，比如说：繁荣边疆地区经济、提升对外引资能力等；二是展示国家美好形象，包括实力形象、文明形象、友好形象、安全形象等；三是改善国家外部环境，具体体现为：引起广泛的国际关注、提高国人的国际地位、提升金融服务的国际水平、促进实用汉语的国家化等；四是传播民族文化，例如：扩大民族文化的对外宣传、加强民族文化的合理利用与保护等；五是加强中外民间友好，比如说：增进不同民族和人民之间的相互了解，扩大不同国家和地域之间的文化交流等。

Organs of self－government have the right to handle local financial, economic, cultural and educational affairs.

民族区域自治地方根据《中华人民共和国民族区域自治法》行使各种自治权利，有权依照当地民族的政治、经济和文化的特点，制定自治条例和单行条例；在不违背宪法和法律的原则下，有权采取特殊政策和灵活措施；上级国家机关的决议、决定、命令、指示，如有不适合民族区域自治地方实际情况的，自治机关可以报请批准变通执行或停止执行；自治机关有自主地管理本地方财政、经济、文化、教育事业的自治权利。

They are Song and Dance Ensemble, Mongolian Drama Troupe, Ethnic Symphony Orchestra, Mongolian Youth Chorus, Mongolian Ensemble, Wild Horse Horse-head Fiddle Ensemble, Center for Films and TV Plays, Stage Art Production Center, Artistic Creation Center and Performance and Exchange Center.

内容： 内蒙古民族歌舞剧院内设歌舞团、蒙古剧团、民族交响乐团、蒙古族青年合唱团、蒙古乐团、野马马头琴乐团、影视剧中心、舞美制作中心、艺术创作中心、演出交流中心等12个职能机构，有国家一级演员51人、国家二级演员140人，主要任务是从事民族歌舞和蒙古剧的创作和演出，促进交响乐、蒙古族合唱艺术和以马头琴为代表的民乐等各类民族艺术的全面繁荣和发展。

Technique development, basic facilities improvement and cost decline make "globalization" communication possible. 4. Globalization of communication technique aggravates the "unfairness" of international communication and leads to its different layers, classes and unbalanced distribution. 5. The end of "cold war" deconstructs the opposite between the East and the West, but not ends the difference between the South and the North and the "civilization conflict". 6. The population redistribution makes the traditional nations and countries in the relevant areas unstable and influences the original national cultural identity. 7."Globalization" communication deepens the alertness of national elite intellectuals, which makes them strengthen their sense of mission to keep and guard the spiritual home of national traditional culture (including traditional belief, value, cultural pattern and so on) that will be possibly subverted and maliciously remade. 8. The combination of "direction" and "strategy", or the speciousness makes big trans-national media corporations sweep away all obstacles and occupy the markets in the developing countries, in which have appeared the phenomenon of "narrations of traditional cultures tending to similarities". 9."Global village": myth or reality? 10. The difference of culture and ideology often causes the different understanding and value judgement to the contents of trans-national communication.

第一部分将中国国家电视文化安全问题放到"全球化"的大背景中加以考量，分别从以下18个维度展开论述：1、全球化语境与我们的抉择；2、与"全球化"同样历史悠久的"国际传播"；3、技术的进步和相关基础设施的广泛建立并不断完善以及使用成本的持续下降，使得"全球化"传播成了可能；4、传播技术的全球化，加剧了国际传播的"不平等"，导致了国际传播的层级性和不均衡分布；5、"冷战"的终结解构了东西对立，但却并未终结南北差异和"文明的冲突"；6、人口的重新分布使得相关区域的传统意义上的民族国家面临潜在的不稳定，并有可能影响到原来各个国家已经定型的民族文化认同；7、"全球化"传播加深了民族国家精英知识分子的戒心，"守望民族传统文化的精神家园"的使命感使得他们开始关注核心的"传统文化"（具体包括传统的信仰、价值观、文化模式等）的有可能被颠覆或被恶意改造；8、"方向"与"策略"的有机结合，使得大型跨国传媒公司所向披靡，在发展中国家屡屡得手，很多国家出现了"祖母的同质化"现象；9、"地球村"：神话还是现实？

Since the situation of the education of traditional sports items is still pretty weak at present, we must adopt proper teaching methods according to the characters of traditional sports items of nationalities, keeping fit, competition, entertainment, regions, and suitableness.

在众多的民族传统体育走进高校的前提下，针对高校民族传统体育教学质量还很薄弱这一环节，根据民族传统体育项目的健身性、竞争性、娱乐性、地域性、广适性等特点，筛选出适合普遍在高校开展和推广的民族传统体育项目。

The conclusion sums up the evolvement characteristic of the two national mythology : the mythical culture of Mongolia is influenced by Buddhism mythology deeply, and the ancient mythology of the Manchu is influenced by other national mythical culture less that is still keeping original natural style. The taleization and epic characteristic of Mongol mythology is obvious. The Manchu mythology, as each clan of clan oracle, mythology, refreshing song, is mainly kept by the form of teaching orally generation by generation. Swan fairy maiden tale obtains different development in two nationalities. In the mythology of two national Shamanism, the worship form of hawk and vulture and the production of Shaman is derives from the common faith—Shamanism.

结论归纳总结了两个民族神话发展演变的特征，即蒙古族神话文化深受佛教神话影响，满族古神话受其他民族神话文化影响相对较少仍保留着原始自然的风格；蒙古族神话故事化、史诗化特征明显，满族神话作为各氏族部落神谕神话神歌主要通过世代萨满口耳相传的形式保留下来；天鹅仙女神话故事在两个民族中得到不同层次的发展；两个民族萨满神话中鹰鹫崇拜的形态和萨满产生母题来源于共同信仰的萨满教。

The better understanding and extracting from different culture, we could syncretize the international design ideas with ours, then the positive cycle...

民族符号并不简单的等同于传统装饰符号、图案，它是民族精神和民族文化的外在体现，是民族特性系统化的体现。

Among the diverse musical instruments in China, those from the ethnic minorities also hold an important position, such as northwest orchestras that perform On Illi Muqam, the southwest Lusheng orchestras that use various kinds of Lusheng (reed-pipe wind instrument), and north orchestras that use horse-head stringed instrument, traditional Chinese four-stringed fiddle, Chinese trichord sanxian and so on.

建国以来随着民族音乐事业的发展，陆续建立了一些新型的民族乐队，这些乐队体现了历史上保留下来的优良传统，具有鲜明的音响、音色的独特性和施展民族风格演技的可能性，它的优势已十分明显，新型民族乐队与古代民间乐队一样，继续发挥重要和良好的作用。

Among the diverse musical instruments in China, those from the ethnic minorities also hold an important position, such as northwest orchestras that perform On Illi Muqam, the southwest Lusheng orchestras that use various kinds of Lusheng (reed-pipe wind instrument), and north orchestras that use horse-head stringed instrument , traditional Chinese four-stringed fiddle, Chinese trichord sanxian and so on.

建国以来随著民族音乐事业的发展，陆续建立了一些新型的民族乐队，这些乐队体现了历史上保留下来的优良传统，具有鲜明的音响、音色的独特性和施展民族风格演技的可能性，它的优势已十分明显，新型民族乐队与古代民间乐队一样，继续发挥重要和良好的作用。

The paper is a result of investigation and research of the regular costumes worn by ethnic groups in northern Thailand with the focus on the dress of the Akha people.

在泰国北部山地民族中，不同的民族或者同一民族在不同的历史时期和不同地域文化下呈现出差异性，其民族服饰文化方面具有各自不同的文化内涵和外延，集中体现在服饰视觉语言的多样性和审美文化的差异性上。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失