民族

It is easy to sympathize with the national aspirations of such diverse people as the Kurds, Palestinians, Tibetans, Basques, Quebecois, Tamils, Native Americans, and hundreds more, especially in Africa.

这些不同的民族，如：库尔德人，巴勒斯坦人，西藏人，巴斯克人，魁北克人，泰米尔人，印第安人以及数百个民族，尤其是在非洲的民族，都有着建立国家的渴望，这是很容易让人同情的。

On the way, By giving the example as the names of the thing (such as silk silks etc.) with color and the basic colorific phrase associated with it, this text demonstrated a fact that the basic colorific phrases were evolved from the names of the thing that include the color, under the function of the come from the method that is borrowing the thing assumes the color, and expatiated the condition of the basic colorific phrase in Chinese language. Take the synthesize colorific phrase implied compliment or dispraiser as an example, explained the imagism of Chinese thought method how to influence the synthesize the colorific phrase, and do it by taking the food, metals and nature scenery makes the ratio at other Chinese thought method that is take shape to analogy as too. It expatiated the influence that the Han ethnologic culture result in the acceptation of the colorific phrase, pass on analyze the diverse the diverse metaphor meanings of colorific phrase and the opposite phenomenon of acceptation among them of, and the colorific etyma metaphor of "yellow","vermilion","purple","blue","green" and "white", under the premise that distinct the different between themetaphor meanings of colorific phrase and colorific etyma metaphor.

由此本文通过例举有色彩含义的事物专有名称及相应的基本色彩词，分析了基本色彩词是在&借物呈色&思维方式的影响下，由有色彩含义的事物专有名称演变而来的事实，并阐述了汉语基本色彩词的状况；以含有褒扬、贬抑语义的合成色彩词为例说明了汉民族&意向性&思维方式对合成色彩词的影响，以取食物、金属、自然界景物作比的合成色彩词为例说明了汉民族&取象类比&思维方式对合成色彩词的影响；在区分色彩词隐喻意义与色彩语素隐喻意义的基础上，通过分析色彩词的多元隐喻意义及其中的语义对立现象，并分析&黄&、&朱&、&紫&、&青&、&绿&、&白&等色彩语素的隐喻意义，阐述了汉民族文化对色彩词语义的影响。

This paper reviews China's development of professional music, although the technique has been the impact of the modern composer, but China has always been the composer's efforts to follow the traditional Chinese folk music and modern composition of the connotation of the principle of combining technology, especially in traditional Chinese folk tone melody learn the material, has been the performance of the nation as one of the important means style.

回顾我国专业音乐创作的发展，虽然一直受到现代作曲技法的影响，但中国作曲家一直都是努力遵循中国传统民族民间音乐的内涵与现代作曲技术相结合的原则，尤其对于中国传统民族民间旋律音调素材的汲取，一直都是作为表现民族风格的重要手段之一。

In modern times,"Myth" is often signified as nonsense. However, prior research indicates that myth is not a work created by one person in one place at one time. Instead, myth belongs to folk creation, which implies the lifestyle of ethnic members as well as their own belief and thinking modes. The distinction of ethnic cultures is thus revealed.

在许多现代人眼中，神话代表荒诞的无稽之谈，但根据研究，神话非一时、一地、一人之作，它由民间集体创作而成，反映出民族成员的生活型态，蕴含民族特有的信仰与思维模式，形成有别於其他民族的神话特色。

Folk songs,as an important style of folk music,show a nation's history,economy,culture,customs,environment,features and charicteristics,and a mirror of the existence and development of a nation.

民歌是一种重要的民族音乐体裁，它反映了一个民族的历史、经济、文化、风俗、自然环境、精神风貌和性格特征，是一个民族生存和发展的真实写照。

Our country is a multi-ethnic country , the different nation folk custom culture having self , characteristic product having self , has self the characteristic clothes and ornaments , the characteristic religion to offer sacrifices to , recreations such as song and dance , music having self characteristic , there is no little nationality still having self spirits culture.

我国是一个多民族的国家，不同的民族有自己的民俗文化，有自己的特色产品，有自己特色的服饰，特色的宗教祭祀，有自己特色的歌舞、音乐等娱乐活动，有不少的民族还有自己的酒文化。

This dissertation will promote the further researches on Yunnan ethical and folk craftworks. It will play a decisive role in the understanding of the craftwdrk culture and its connotation. It will also expand the influence of the minorities in Yunnan, accelerate the transmission of folk culture, and upgrade the popularity of Yunnan province.

这些工作的开展，有利于今后对云南民族民间工艺进行更为广泛和深入的收集、整理和分析，对于深入认识和了解云南民族民间工艺文化及其内涵，以及对于它的传承、开发和利用等具有重要的作用，对于扩大云南各少数民族的影响力、推动民族民间文化艺术的传播，提升云南省的知名度有一定积极作用。

The reconstruction of the nation-state in Somalia is a systematic multilateral project: the ethnic reconciliation and the restoration of the domestic peace constitute the premise of its realization; the appropriate interventions offered by the international community make up a necessary condition; and the positive involvement of its neighboring countries and the organization of IGAD is also a very important factor.

索马里民族国家的重构是一项需要多边参与的系统工程，要推进索马里民族国家的重构，实现民族和解、恢复国内和平是基本前提，国际社会的合理干预是必要条件，而周边国家和伊加特组织的积极介入也是重要因素。

The complex relationship between ethnic groups and nations makes ethnicity issues as the crucial jeton affecting ethnic relations and nation relations in the world today.

民族与国家的复杂关系决定了民族问题是影响当今世界民族关系、国家关系的重要筹码。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。