民俗学

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

But the rethink of study method about matter study and event study in folk can improve the folk drama study.

而民俗学由事象研究向整体研究发展的方法论反思与转型，为这方面研究的突破提供了方法上的指导。

With the infiltration of the folklore, religion and anthropology towards the area of drama study, the conception of drama academia changes. Folk drama turns up more and more in the views of the scholars.

随着民俗学、宗教学、文化人类学等学科对戏曲研究领域的渗透，学界的戏曲观念逐渐发生了转移，民间戏曲也愈来愈频繁的出现在众多学者的学术视野之中。

Folk culture and writer literature are interrelated.Mo Yan's novel punishment borrowed the structure and referred to the expressing mode of folk drama so that the content and the form are merged.

作为构成中国传统文化重要组成部分的民间文化与文学的重要关系，在文学和民俗学研究领域已经颇为研究者的重视。

The research on young children's play in kindergarten among the preschooler educational circle is one of them, and the research on children's folk play among the folklore circle is another one.

一是幼儿教育界针对幼儿园内儿童游戏的研究，二是民俗学针对儿童民间游戏的研究。

By applying the methods of national musicology, this work analyzes and dissects the birth, development, prosperity and tatus quo of "Cantonese Music" from the visions of history, sociology and folklore.

本文从历史学、社会学、民俗学等视角，运用民族音乐学的方法，分析、解剖&广东音乐&的产生、发展、繁荣状况，挖掘&广东音乐&作为近代民间乐种所独具的文化性格和艺术精神，进而，从中窥视近代沿海音乐文化的形成、发展、兴盛的脉络和嬗变轨迹，从而获得规律性的认识。

This dissertation is from multi-layer respects such as literature , historiography , philosophy and art studying , folklore , anthropology ,etc., the research approach to draw support from many kinds of relevant disciplines , not merely get deeply to the music characteristic of string instrument development in Tang Dynasty, and mostly carry on profound exposition of the close relation between the literature and music of Tang Dynasty .

本文从文学、史学、哲学和艺术学、民俗学、人类学等多层方面，借助多种相关学科的研究方法，不仅深入到唐代拨弦乐器发展的音乐特点，而且更多的是将唐代文学与音乐之间的密切关系进行深入的阐述、研究。

As one of the main factors of natural environment, land-form effects the folk-customs. It has special significance to unveil the interaction between landform condition and folk-custom issue.

作为自然地理环境中重要组成部分的地貌条件，是影响民俗事象的重要因素之一，揭示地貌条件与民俗事象之间的相互关系，无论对民俗学还是人文地理学的研究，都具有重要意义

Modern folklorists use new technology like social media and the Internet to do their work, Dan Sheehy says.

现代民俗学使用像社会媒体和互联网新技术，做他们的工作，丹希说。

In it, he says it was the usual practice for folklorists to copyright songs that they collected.

在书中，韦斯曼说，民俗学研究者们会依照惯例来获得民乐版权，正是这让这些民乐汇集到了一起。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。