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This paper selects subjects from folklore, cultural anthropology, history, andother perspective to analyse literature, carrying on study by using culture prototype ofcriticism, the western tokenism, spiritual analysis, Chinese poetry and imagery, andother theoretical and research methods. It discusses, in the angle of history and reality,in text and out text, the function and impact of these various animal imagery throughthe specific interpretation and analysis. It also reveals the source of Chinese andforeign cultures and the reality of social resources behind Lu Xun love creating andusing animal imagery, as well as the authors inherent psychological characteristicsand cognitive structure.

论文选题对此从民俗学、文化人类学、历史学等角度观照文学,运用文化原型批评、西方象征主义、精神分析、中国诗学意象等理论与方法进行研究,通过对于种种动物意象历史与现实、文本与文本之外的具体解读与分析,探讨了它们在鲁迅作品中的作用与影响,揭示了鲁迅喜爱营造、运用动物意象其后的中外的文化渊源与现实的社会资源,及作者内在的心理个性与认知结构。

I write this paper mainly using coalescent research methods of historical documents study, comparative study and Folklore Field Work.

笔者撰写这篇论文,采用了历史文献研究法、比较研究法和民俗学田野作业相结合的方法。

In this semester I am taking some major courses. And two of them are my favorite: one is Folkloristic and the other is the History of Foreign Literature.

这个学期有几门专业课,其中有两门我特别喜欢,一门是民俗学研究,一门是外国文学史。

Tuboi Hirofumi was the representative in this period, who reviewed the basic cultural structure study, came up with a brand new theoretical system of folklore culture pluralism, realized the breakthrough from the fixed framework of "post Yanagita Kunio folklore study", and completed the transition to \'post-Yanagita period\'.

在该时期尤其以坪井洋文为代表,对日本的基础文化构造研究展开了检讨,以响亮的声音提出了民俗文化多元论这一崭新的理论体系,从而突破了&柳田民俗学&时代下的固有框架,很好地完成了向&后柳田时代&的过渡。

Against the background of drying farming culture which is characterized by field burning cultivation, Tuboi Hirofumi reflected on "taro New Year" and "the causes of Japanese choosing rice" from the perspective of folklore, reasoned out the existence of farming system, and established the pluralism theory of "rice cake New Year" vs.

在日本学术界对以火田耕种为代表的旱作农耕文化关注的大背景下,坪井洋文从民俗学的学科角度出发,通过对&芋头正月&、&日本人为何选择了稻米&的思考,推论了旱作农耕文化体系的存在,从同等价值的多元论体系确立了&年糕正月&对&芋头正月&、稻作农耕民文化对旱作农耕民文化的民俗文化多元论学说。

Taro New Year, rice growing agriculture vs. dry farming agriculture. In this theory, they are of equal value. Tuboi Hirofumi revised the monism theory of rice-growing of Yanagita Kunio, developed Japanese study from monism to pluralism, and provided a new methodology to Japanese folklore study.

坪井的研究修正了柳田的稻作文化一元说,把对日本文化的研究由一元论发展为多元论,为日本民俗学提示了新的方法论体系。70年代末80年代初坪井的一系列研究著述,对日本民俗学界产生了深远的影响,带动了之后旱作研究的高涨、以及从地域类型论展开的日本东西/南北的多元文化论研究,推动了日本民族基础文化的研究。

Applying the principles of folklore and garment,this article makes a preliminary research on the style s and origins of women's hair style ,meile,kerchief and hairpin in the south of the lower reaches of the Yangtze River.

运用了民俗学和服装学的原理,对江南水乡妇女的发型、眉勒、包头巾、簪花的形制与渊源作了初步研究。

False evidence intended to corroborate an existing legend is known to folklorists as "ostension."

假造证据以意图证实一个现存的传说,这就是民俗学研究者所熟知的&明示&。

Dealing with the theory of value of Chinese fo lk lore held by various Chinese schools,we must comb it out from the Chinese schola rs'"value exploration" of folklore and folk literature.

中国民俗学学派价值论,需要从中国学者对民俗与民间文学的&价值探索&中梳理。

Elegies, passed down from generation to generation, are full of cultural features of the region, having a distinct value in folk literature and folklore.

葬礼上演唱的的丧堂歌具有浓郁的地方文化特色,在民间文艺学,民俗学方面有着独特的价值。

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歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车,和一双合并为一移交&整个lotta爱&。

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