毫不介意

And overworked? I won't! Bambino.

我也毫不介意宝贝

I care nothing about the matter .

我对这事毫不介意。

I care nothing about the matter.

我对此事毫不介意。

I don't give a tinker's cuss for what he thinks.

我对于他的想法毫不介意。

I don't care a farthing .

我毫不介意；我毫不在。

Anna for the first time chemotherapy, vomiting, Taylor Enron beat her, to her chewing gum, silk do not mind his girlfriend has a lot of falling hair; their participation in organized ball for patients - even when Taylor with embarrassing talking about "It's like is the same as the school's dance ", the really hard to hold back the tears - Taylor, wearing a suit and waiting, like a nervous groom, a hair fall out because of chemotherapy, Anna, wearing a wig, gorgeous dress, slowly walking down the stairs; they run hand in hand, in the wards making love - no plot not but burst into tears.

安娜第一次化疗呕吐，泰勒安然的拍打她，给她口香糖，丝毫不介意女友已经大把掉落的头发；他们参加为病人举办的舞会——当泰勒甚至还带着难为情的说起"就像是学校里的舞会一样"时，真的很难忍住眼泪——泰勒穿着西装等待，紧张不安的像是新郎，因为化疗掉光了头发的安娜，戴着假发，华丽的礼服，缓缓从楼梯上走下来；他们手拉手奔跑，在病房里做爱——没有哪个情节不让人泪流满面。

It was nothing to the jurisconsult that his opinion was overruled for the moment by the magistrate who adjudicated on his client''s case, unless that magistrate happened to rank above him in legal knowledge or the esteem of his profession.

对于一个法学专家，如果他的意见为审判其当事人案件的官吏暂时废弃，他会毫不介意，除非这个官吏的法律知识或在专业上受到的尊敬都恰恰高过于他。

They do not mind in the slightest , for their only concern is your safety.

但他们丝毫不介意，一心只牵挂着你的安全。

I don't care a straw for you opinion.

我对你的意见毫不介意。

It seems to me that Sony is no longer afraid of bricking their customer's PSPs.

貌似SONY已经疯狂了，丝毫不介意把用户的PSP变成砖头。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。