比才

Georges Bizet (1838-1875) is a talented composer of france in 19th century.

乔治·比才，法国十九世纪杰出的作曲家，尽管他在36岁就英年早逝，但是他给后人留下的数部作品奠定了他在浪漫主义时期不可动摇的地位。

Pang/Tong delivered a flawless performance of their lyrical routine to "The Pearlfishers" by Georges Bizet.

庞清佟健今天的曲目是乔治比才的《采珠人》，整个抒情柔美成套的被表现得完美无瑕。

Then she performed Bizet's Ivan IV concert version, which had its recital debut at Salle Pleyel in Paris, and a live recording was released as CD.

那么，她的表现比才的伊凡四演唱会版本，它有它的首演盛会，在salle pleyel在巴黎，并现场录音被公布为

The routine is a departure from the typical figure-skating music --think Bizet's Carmen Suite and Beethoven's Moonlight Sonata.

中国选手的新节目作别了花样滑冰的传统音乐--例如比才的《卡门组曲》或是贝多芬的《月光奏鸣曲》。

As the most remarkable work by Bizet, the opera "Carmen" remains a reputed repertoire in the theatres across the world.

歌剧《卡门》是比才最具代表性的作品，也是世界舞台上久负盛名的保留剧目。

This thesis tries to analyze 'Carmen' by reviewing the characteristics of its musical score and the imagination of the character. The score in 'Carmen' applied the strong march and the local folk dance rhythm, sequence of beautiful melodies appeared time and again. Within the whole opera, Bizet illustrated the minute psychological changes of the character and the motifs by excellently using the elegant rhythmic expressions in a variety of styles; and he also used a different ploy to imply the development of tragedy.

本文试图通过对歌剧《卡门》中的音乐特征和人物想象进行分析，《卡门》里面运用了强烈的进行曲节奏和具有地方风格的舞曲节奏；优美的旋律层出不穷，比才很好的用优美的旋律体现把人物微小的心理变化；主导动机都以不同的形式贯穿全剧，对悲剧的发展作了不同手法的暗示。

In my thesis, it outlines the background and process of the story, the style and feature of Merimee and the the script which abridged and developed contents and characters. The second aims at the musical analysis of the opera "Carmen" by Bizet, mainly according to the order of the opera and attaching the important music scores. The third is the character analysis of Carmen, the heroine of the opera, and Escamillo, the toreador which has been enriched and magnified by the author of the script. And the focus is the analysis, understanding and figure of the toreador which I have performed. In the last part of the thesis, it tells the scene of the opera and the relationship with the figures of the roles in the opera. And it also compares a variety of famous singers who has performed the toreador and puts on some of my points of view.

文中概述了小说产生的历史背景及经过、梅里美的风格特色及脚本对原作情节上、人物设置上的增删及发展等；其次为对出诸比才天才手笔的歌剧《卡门》音乐的分析，基本上按幕顺序论述并附重要的谱例；第三个重点是对剧中女主人公卡门及由脚本作者丰富、放大了的斗牛士埃斯卡米欧的人物性格分析，而把重点放在作者学习过的斗牛士形象的剖析、理解和塑造上；最后简要地阐述了歌剧场景与人物形象塑造的关系，前者对后者所可能产生的帮助，并对不同歌唱家所演绎的斗牛士形象作了比较和评价，提出了自己的看法。

A fine example of the Mandarin-musical, and one of the best adaptations of Bizet's Carmen, with brilliant show-stopping numbers performed by Grace Chang (Hong Kong cinema's greatest singing star in my opinion).

国语音乐剧的经典范例，巧妙借鉴比才的音乐剧《卡门》，讲述一段曲折离奇的精彩故事，主演葛兰（我心目中香港电影史上最好的歌唱明星）。

Maestro, do me a favour, he said in Korean, backing off the stage to leave the orchestra to play Bizet's Farandole without him.

他用朝鲜语说："大师，帮忙指挥一下。"然后退下舞台，让乐队在没有他的情况下，独立演奏了比才的《法郎多尔舞曲》。

Bizet's "Carmen" abandoned the myth or the sentimental plot, towards the direction of realism; opera plot the ups, the characters distinctive, innovative music, drama authenticity and characters depicted inner closely.

比才的《卡门》抛弃了神话或感伤的情节，朝着现实主义的方向发展；该剧情节跌宕，人物个性鲜明，音乐上的创新、戏剧的真实性以及人物内心描绘紧密结合。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。