比喻的

One Flew Over the Cuckoo's Nest, in its antiauthority stance, resonated strongly with these and other events of the 1970 s. Pauline Kael, movie critic for The New Yorker , said that the film came along when the right metaphor for the human condition was a loony bin.

飞越布谷鸟的巢，在其antiauthority的立场，强烈的共鸣这些和其他活动的1970年第波利娜Kael ，影评人的纽约客，他说，电影是沿着正确的比喻时，为人类的状况是一个疯人斌。

It is wrong, therefore, to liken the function of conscience to that of speculative reason, to apply to the solution of moral and religious questions the methods of the exact sciences, to give to the latter the monopoly of all certitude, and to declare the region beyond scientific knowledge a region of nescience and blind belief.

这是错误的，因此，比喻功能的良心，认为投机的原因，适用于解决道德和宗教问题的方法，准确科学，给后者的垄断所有certitude ，并宣布地区以外的科学知识，一个地区的nescience和盲目信仰。

On the contrary view, while the normal state of man is admittedly a union of soul and body, the possibility of disembodied conscious existence is firmly held, both on the analogy of God's existence as pure spirit and on the basis of such passages as Heb.

与此相反的观点，而正常状态的人，是无可否认的联盟的灵魂与身体，有可能disembodied有意识的存在是牢牢举行，双方就比喻上帝的存在，作为纯粹的精神，以及关於根据这些通道作为希伯来书。12：23 and Rev。

The creative approach begins with the proposition that nothing is as it appears. Innovators will not accept that there is only one way to do anything. Faced with getting from A to B, the average person will automatically set out on the best-known and apparently simplest route. The innovator will search for alternate courses, which may prove easier in the long run and are bound to be more interesting and challenging even if they lead to dead ends.

创造性方法始于这样一个主张：一切事行文思路：结论最后用一个比喻生动的总结了全文旨在说明的观点：有创造力的人与常人的主要区别在于他们对待事物的方法上，在这篇文章中，这两句准确的传达了作者的观点——文章的主旨，彼此遥相呼应。

If we judge Hong JI-yoon's work by this sense, it's unresisting tiny emotion that exists deeply in people's life. She repeats flowers in her works to analogy the lost happiness and sadness in life, and to show the pain of life.

艺术家洪志伦的作品从这样的意义上看，是不可抗拒的人类生活深处存在着细微的感情，用人生中失去的喜怒哀乐通过花的图像的反复来做比喻，表现出人生的痛苦。

That golden sea with dazzling waves,mountain-high-an immensity of wheat field for t hree days fly,where my fat her stands sho ulder high,my elder brot herexpo sing only his head,my granny falling into t he sea up2o n her t read,above me golden billows surging like a crestof a hundred feet and I hold my breat h,jumping twotimes and t hree,which ends in a failure to reach t he earsof wheat.

这是一段关于麦田的生动描写。作者使用夸张的修辞手法把人在麦浪中的情景描绘得出神入化。在此段的一开始，作者就用&golden sea&描绘出麦田的色彩，用&mountain high&比喻麦子的高度，紧接着又用了&for three days&的数字夸张手法描绘出麦田的浩瀚无垠。

To go, to go west, to go to heaven, to depart, to depart from the world for ever, to be gone, to go to a better world, to be with God, to be in Heaven, to breathe one's last, to go the way of all flesh, to pay one's debt to nature, to leave us, to be no more, to take off fade, to join one's ancestors, to join the silent majority, to go to the other world, to yield up the ghost, to be gathered, to be one's fathers, troubles be over now, fall asleep, pass away, one ' s heart has stopped

等等。人们讳言死亡，亲人的离去带给人们的是悲伤和哀痛。但英语中，由于委婉语的使用，人们常常把死亡比喻成到极乐世界去了，上天堂了等，表达了西方人一种美好的愿望。这种美好的向往使活着的人也摆脱了亲人死亡的痛苦，鼓舞了人们活下去的勇气。

Some compare it to a globe severed at the Equator. To others it resembles a phosphorescent egg floating in a crystal sea. One prominent Beijing architect said that when the desert dust kicks up around Beijing, lathering the expansive glass dome in a pall of gray grime, it resembles nothing so much as dried dung. But the most apt analogy for the $300 million National Theater of China, now nearing completion in the political heart of Beijing, near Tiananmen Square, may be a hot potato....

有人把它比作在赤道被切开的地球，有人把它比作浮在水面上磷光闪闪的蛋，一位北京著名的建筑历史学家则说当沙尘暴来袭时会在这个昂贵的球体表面形成一层厚厚的灰尘，那时它不过是一堆臭狗屎；当然有关这个耗资近30亿元在北京的政治心脏天安门广场边即将竣工的的中国国家大剧院最客观的比喻无疑是一个烫手的山芋。。。。。

You'll catch your first glimpse of this in the game's intense and much-improved art design, but that dance of light and shadows is also an apt metaphor for bleak undercurrents in the story, as well as the moral quandaries and past indiscretions that haunt the main characters.

你能吸引您的这一比赛的激烈以及更完善的艺术设计的第一瞥，但光舞蹈和阴影也是故事中的黯淡潜流恰当的比喻，以及道德困惑和困扰过去失言的主角。

One person made a vivified remark which I think can be used to illustrate the hideous reality of the so called Chinese capitalism: Capitalism without law is like Christianity without the notion of hell, at end everyone will perish.

我想，有人曾经做过的一个精彩的比喻可以用来解释这种奇怪的被称为中国模式的资本主义的现实，即没有法律约束的资本主义就像不存有地狱这一概念的基督教，最终每个人都堕落，无一幸免。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。