母狼

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Concrete cotent:In foreword,The author introuduces the conceptional fixing about " Mongolian clans original legend "; domestic and overseas study situation ; the meaning of the study ; research purpose .In chapter 1, Mongolian clans original legend's content summary , motif variation.In chapter 2, The author investigates some problems about the wolf、 the deer 、 the catele 、 the swan 、 the owl and the tree ,which is involved Mongolian clans original legend , whether have relation to clan totemism or not.In chapter 3, The author investigates the key element of invariant content about the ancestor stems from " human " and " heaven " in Mongolian clans original legend .

具体内容为：导论："蒙古族诸氏族起源传说"的概念界定、国内外研究状况、选题意义及研究目的；第一章：蒙古族诸氏族起源传说的内容概要、母题变异；第二章：蒙古族氏族起源传说中所涉及的狼、鹿、牛、天鹅、猫头鹰、树木与氏族图腾崇拜是否有关等诸问题探析；第三章：蒙古族氏族起源传说中祖先源于"人祖"、祖先源于"天"等变异内容要素探析。

This is a wolf as a totem of the nation, and grasslands on the ancient Huns, and Khitan, they are enthusiastic, unrestrained, to-day father, to serve the mother.

这是一个以狼为图腾的民族，和草原上历代的匈奴、契丹一样，他们热烈、奔放、以天为父，以地为母。

In the next few years, we have seen some "masters of merely" Ifcertain cow was found in cattle in tears, it was the first cow toprotect their offspring, studied in a certain shot at a deer, thedeer see tears, it was a deer in the protection of our own andfuture generations; Also killed in a certain wolf, wolf kneel downto him, and opened the wolf in wolf killed after abdominal onlybecame aware of the wolf to be its cub born ... countless exampleslike this.

在接下来的几年里，我们又纷纷看到这样一些"名家大作"如某某在杀牛时发现牛流泪了，原来是头母牛要保护自己的后代，某某在涉猎时在开枪打死一只鹿时看到鹿流泪了，原来是一头母鹿在保护自己的后代；又某某在打死一只狼时，狼向他下跪了，在杀死狼并剖开狼腹之后才知道原来这只狼是为了自己的幼崽能生下……像这样的例子数不胜数。

"This could reasonably be the place bearing witness to the myth of Rome, one of the most well-known cities in the world - the legendary cave where the she-wolf suckled Romulus and Remus, saving them from death," he said.

&这里相当可能是个足以证明罗马神话的地方，是几个世上最著名的城市之一–这个充满传奇的洞穴，母狼在这里哺育Romulus及Remus，使他们免於死亡。&他说。

Concrete cotent:In foreword,The author introuduces the conceptional fixing about " Mongolian clans original legend "; domestic and overseas study situation ; the meaning of the study ; research purpose .In chapter 1, Mongolian clans original legend's content summary , motif variation.In chapter 2, The author investigates some problems about the wolf、 the deer 、 the catele 、 the swan 、 the owl and the tree ,which is involved Mongolian clans original legend , whether have relation to clan totemism or not.In chapter 3, The author investigates the key element of invariant content about the ancestor stems from " human " and " heaven " in Mongolian clans original legend .

具体内容为：导论：&蒙古族诸氏族起源传说&的概念界定、国内外研究状况、选题意义及研究目的；第一章：蒙古族诸氏族起源传说的内容概要、母题变异；第二章：蒙古族氏族起源传说中所涉及的狼、鹿、牛、天鹅、猫头鹰、树木与氏族图腾崇拜是否有关等诸问题探析；第三章：蒙古族氏族起源传说中祖先源于&人祖&、祖先源于&天&等变异内容要素探析。

My breeds of interest are:- Basenjis; Terriers, Afghans, Irish Wolfhounds, Siberian Huskies; Alaskan Malamutes; French Bulldogs.

我的养殖兴趣是：贝生吉犬，阿富汗犬，爱尔兰猎狼犬，西伯利亚哈士奇；阿拉斯加马拉母迪；法国斗牛犬。

In such a short time he had learned a wholesome terror of landladies in that city. They were smiling foxes, slovenly house cats, mere tigers, hyenas, furies, harpies; and sometimes worst of all they were sodden melancholy human beings who carried the history of their disasters in their faces, who all but wept when they saw him escape, as if he carried their last hope with him.

她们是微笑的狐狸、饿慌了的狼、邋遢的家猫、地道的母老虎，阴险得像鬣狗、凶暴得像复仇女神、贪图得像鸟身女妖，最糟糕的是，有时候她们却是眼光呆滞、神情忧伤的人，脸上显出以前受苦受难的痕迹，她们看到他逃走，几乎要哭出来，好像他带走了她们最后的希望似的。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

Then I saw, hanging in a red cedar where I had placed it four years before, the now-rusted steel trap that had ensnared the mother wolf.

随后，我看到四年前我悬挂在一棵红雪松上的那只曾诱捕过那只母狼而现在已经生锈的钢夹。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。