殖民的

Fey'lya, of the Bothan Alya clan, was born on Kothlis, a Bothan colony world.

佛瑞亚属於波森族的Alya氏族，出生於波森殖民星球柯力亚斯。

Since the late 1980s, Playa Ancon has been developed for international tourism and now hosts several large hotels facing the warm Caribbean.

这个拥有豪华环境酒店，很难得地将3个旅游景点汇聚到一起：大海，山脉和殖民风格的历史名城——特立尼达。

He described the Ireland after independence, noting that after the Anglo-Irish Treaty, the Irish Free State entered a staunch post colonial phase.

他介绍了爱尔兰独立后，指出后，英爱条约，爱尔兰自由邦进入了一个坚定的后殖民阶段。

The relationship between ASEAN and China is not a colonial relationship.

东盟和中国的关系不是殖民关系。

IT IS a coincidence, but an appropriate one nonetheless, that Europe should try to relaunch its relations with Africa in Lisbon. It was from here, in 1415, that Portuguese ships first set out to begin the European exploration and conquest of the dark continent; and it will be here on December 8th that politicians from 53 African and 27 European countries will gather at a summit to bury the old colonial relationships in favour of something more modern and "equal", as the Europeans like to put it.

欧洲应该在里斯本重新规划他们与非洲的关系，这是一个巧合，然而却是一个适宜的巧合。1415年，第一艘葡萄牙货轮就是从欧洲出发开始了欧洲人的探险之旅并征服了黑暗大陆；而且，2007年的12月8日，来自非洲53个国家与欧洲27个国家的政治领导人也将在欧洲举行一次首脑峰会，以彻底掩埋欧非的殖民与被殖民关系，正如欧洲人喜欢说的那样——来有助于实现更加现代化与"平等"的事务。

Later in the third chapter, this theory is introduced in aspects of background, problems at issue, representative figures and their respective theory, etc. The most emphasis is put on Adward Said, the leading image in this realm, and his Orientalism, analyzing orientalist discourse and strategies of discursive revolution advanced by him.

本文第三章从产生的背景、关注的问题、代表人物及其理论要点等几个方面对后殖民理论进行论述，着重讨论了后殖民理论的领军人物爱德华·赛义德的东方学理论，并对其提出的东方学话语及话语革命的策略进行分析。

According to the comparison of the vassalage formed during the history between China and Vietnam , and the system of western colonial expansion as well as the research on the history that France invaded Vietnam , we can see that Vietnam issue and the Sino French War is the result of French land settlement policy in Far East , which aimed at occupying Vietnam and trying to invade China .

对中越历史形成的"宗藩关系"与西方殖民扩张体系的内容和实质性比较及对法国侵略越南的历史之考察说明，越南问题和中法战争的发生，是在国际资本主义开始向帝国主义阶段过渡，加紧分割世界领土，侵略中国近邻藩属并进而图谋瓜分中国的严重形势下，法国加紧推行以据越侵华为核心的远东殖民政策的结果。

This issue in order to focus on "post-colonial criticism"(Yi Xiao-bin ,2004:64-68) for perspective, from a historical and cultural background to be, as well as the characterization of discourse analysis,"Robinson Crusoe" set up by the The sovereign state / colony, his master / slave, white / color, cultural center / edge of culture, civilization / barbarity, Christian / tribal people, such as food dualistic system of colonial discourse deconstruction, revealing the implication of colonialism in the works Awareness and to explain how the guns Robinson backed in a planned way from the language of religious belief and two of the "Friday" naked colonial culture, it lost its original cultural identity, resulting in self-identity Loss of the dilemma.

本课题着重以"后殖民主义批评"（易小斌，2004：64-68）为视角，拟从历史文化背景、人物刻画以及话语分析入手，对《鲁滨逊漂流记》中所建立起的宗主国/殖民地，奴隶主/奴隶，白种人/有色人，中心文化/边缘文化，文明/野蛮，基督教/食人部族等二元对立的殖民话语体系进行解构，揭示蕴涵在作品中的殖民主义意识，并阐释鲁滨逊如何以枪炮为后盾，有计划地从语言和宗教信仰两方面对"星期五"进行赤裸裸的文化殖民，使其丧失了原有的民族文化身份，从而造成自我身份丧失的窘境。

An essentialized and remarkably delimited Indian theatre consisting of just one genre, namely, the ancient Sanskrit theatre, with no space for the Ram Lila or other flourishing vernacular genres;(2) Histories from the nationalist period portray Indian theatre as primarily, though not exclusively, madeup of India's Western-influenced "modern" theatre genre but relegate the Ram Lila to the realm of unsophisticated folk theatre; and (3) Postcolonial-era histories offer a broad-based and plural Indian theatre encompassing all major genres, including the Ram Lila, but valorize postcolonial theatre withuntenable and extravagant claims.

我会在结论论证这些研究的源起，并列举三个现代印度文化和历史的不同阶段作为例证：（1）东方主义时期的印度剧场史，呈现出一个本质主义、明显画地自限的印度剧场，当中只有一个剧种：古老的梵文剧场，毫无肚量容纳罗魔节戏或其他盛极一时的地方戏剧；（2）国家主义时期的剧场史，此时最主要由深受西方文化影响的印度「现代」剧场构成，罗魔节戏被贬抑为难登大雅的地方小戏；（3）后殖民时期的剧场史，提供了一个宽广、多元，兼容并蓄的印度剧场，罗魔节戏也在其中，但此时期过於夸大了后殖民剧场的资产。

With the influence of Industrial Revolution and evangelism, British government changed the bald-faced colonial plunder and oppressing policy, replacing it with establishing a seeming kindly colony government and tried to eliminate the tyranny, prevent the corruption and develop the education of India. All these policy promoted the development of economic and culture to some extent in the colony, sequentially acting as the unconscious tool of history.

受工业革命以及福音教派运动的影响，英国政府改变了过去那种赤裸裸的殖民掠夺、殖民压迫政策，而在表面上代之以为土著人殖民地建立良好的政府，消除暴政、杜绝腐败、发展教育，这在一定程度上促进了殖民地经济文化的发展，从而&充当了历史的不自觉的工具&。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。