殖民

It is divided into three parts. Part I focuses on the political fabrication of "the national dress" by taking the Indian khadi and the Chinese Chung-San suits as two major examples of sartorial decolonization in the process of nation-building. It will map out the ideological confrontation between the Western suits as "new clothes of Imperialism" and khadi and Chung-San suits as "new clothes of nationalism," highlighting the latter's powerful appeal from everyday local practice to international circulation of images.

全文将分成三个部份来进行，第一部份著重於近现代解殖民运动中「国族新衣」的出现，将分别以二十世纪初印度的「卡地土布」与中国的「中山装」为例，说明「西装」作为西方帝国主义新衣与「卡地土布」、「中山装」作为印、中国族新衣间的意识形态颉颃，以及彼时国族新衣从日常生活实践到国际形象的庞大民族主义动员力。

They spread throughout Africa over the following 50,000 years or so: around 100-80,000 years ago, three main lines of Homo sapiens diverged, bearers of mitochondrial haplogroup L1 / A colonizing Southern Africa (the ancestors of the Khoisan/Capoid peoples), bearers of haplogroup L2 / B settling Central and West Africa (the ancestors of Niger-Congo and Nilo-Saharan speaking peoples), while the bearers of haplogroup L3 remained in East Africa.

在随后的5万年里，他们遍布整个非洲。约100000-80000年前，三个主要的智人血统分开了，携带线粒体单倍群L1/A的在非洲南部殖民，携带线粒体单倍群L2/B的定居在中非和西非（讲尼日尔-刚果语和尼罗-撒哈拉语的人的祖先），携带线粒体单倍群L3的仍然留在东非。

There is no "post-colonial kickback".

没有"后殖民费用。"

Many of the early settlers in Australia received grant s of land from the Government.

许多早期殖民于澳大利亚的人，都得到了政府授予的土地。

It tell of story of Aeneas who,after the fall of Troy and long wanderings,founded a Trojan settlement in Latium and thus became the ancestor of the Romans.

它 Troy 战争中的勇士的故事说谁，在特洛伊的秋天之后而且渴望流浪，在 Latium 发现 Troy的殖民而且如此变成了罗马人的祖先。

In a word, the laudation of national cultures, the emergence of nationalism, the spread of Oriental human rights outlook and the feverish fad of Islamic fundamentalism are all reactions to cultural colonization .

总之，民族文化的弘扬，民族主义的崛起，东方人权观的传播和伊斯兰原教旨主义的狂热，都是对文化殖民化的反弹。

In view of Island capital / Taiwan modern urban writing, most of them were written with the left wing and the anti-colonialism conciousness. In the mid 30's, a kind of urban topographical writing appeared. Through the antecedents of colonial urban, authors tried to recapture the right of writing and interpretation of Taiwan history from the Japanese colonists, and the urban modernity experience of characters thus became a political metaphor. Thus, due to the expansion of urban modernization and the maturity of consumer society, authors were forced to change their ways of viewing, perceiving, and writing, some of the fictions displayed a marvelous integration of "leftism as well as modernism" like a Sphinx.

岛都╱台湾都市书写方面：多数仍在左翼、反殖民的思考脉络中进行；三○年代中期出现「地志化」的都市书写，透过「一座城市的身世」，作家试图在殖民者的「去历史」与「进步论述」中重新夺回台湾历史的书写权、诠释权，主人公的都市现代性经验於是成为一种「政治隐喻」；另外，三○年代中期台湾都市摩登的强势进驻与消费文化的成熟无可避免地迫使作家改变其观看、感知、书写都市的方式，部分作品已呈现出一种「左翼＋新感觉」的史芬克斯状态。

Two years later,they set up the first printing press in the colonies. In 1647,free pub－lic schools were established in Massachusetts.

两年以后，他们建立了殖民地区的第一家印刷厂。1647年，在马萨诸塞建立了免费的公共学校。

The definitive editions (specifically At the Mountains of Madness and Other Novels , Dagon and Other Macabre Tales , The Dunwich Horror and Others , and The Horror in the Museum and Other Revisions ) of his prose fiction are published by Arkham House , a publisher originally started with the intent of publishing the work of Lovecraft, but which has since published a lot of other fantastic literature as well.

洛夫克莱夫特是一位多产的信件作家有多页用小字体草书写下的通信者名单，他有时记下他的日期为当时的两百年前使写作回到美国殖民时代在美国革命侵入他的英国爱好前，他解释此为他认为十八世纪和二十世纪是最好的，前者有贵族的体面后者则为科学的世纪，以他的观点来看十九世纪特别是维多利亚时代是个错误。

It is the manifesto of black women's struggle in the highly complicated situation of the post-colonial world.

它是在后殖民世界这个极其复杂的社会形势下黑人女性奋斗的宣言。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。