正位的

The idea that each of us contains many possible selves, patiently waiting to be liberated by circumstance, has long been an attractive one for Proust's biographers, who have drawn attention to the large number of Prousts who seemed to live within the same skin: the reclusive socialite (Proust's most recent biographer in English, Edmund White, describes him as a 'playboy-monk'); the critic of habit who lived according to strict routines; the sensitive aesthete who became sexually excited by watching caged rats being stabbed with hatpins.

我们每个人可能都是多面的，正等待着去被发现，不同的情景有不同发现。那些普鲁斯特的传记作家长期以来都接受这个的观点，他们让人看到了许许多多不一样的普鲁斯特，他们笔下的普鲁斯特也就名字一样而已：隐居的社会名士（普鲁斯特最新的英文传记的作者爱德蒙·怀特就把他说成是一位花花公子式僧侣）；身穿教服的评论家，有着苛刻的生活准则；敏感的美学家，看到笼子里的老鼠被帽针刺到都会变得亢奋不已。

His knowledge of languages, the respect shown him by the French, the good-nature with which he gave away anything he was asked for (he received the allowance of three roubles a week, given to officers among the prisoners), the strength he showed in driving nails into the wall, the gentleness of his behaviour to his companions, and his capacity—which seemed to him mysterious—of sitting stockstill doing nothing and plunged in thought, all made him seem to the soldiers a rather mysterious creature of a higher order. The very peculiarities that in the society he had previously lived in had been a source of embarrassment, if not of annoyance—his strength, his disdain for the comforts of life, his absent-mindedness, his good-nature—here among these men gave him the prestige almost of a hero.

皮埃尔由于自己的语言知识，由于法国人对他表示的尊敬，由于他的耿直，由于他对别人向他提出的任何要求都是有求必应（他每星期可以领到三个卢布的军官津贴费）；由于他的力气（他表演给士兵们看他用手把一根铁针按进棚子里面的墙壁上），由于他对同伴们的态度是那样和蔼可亲，由于他那种看起来什么事情都不想和一动也不动的静坐的本领，他在士兵们的心目中是一个神秘莫测的、有高级本领的人物，——正是由于这样一些原故，正由于他的这些特性，他在以往他生活的那个上流社会中即使对他无害，也令他感到拘束，可是在这里，在这些人中间，他力大无比、他蔑视舒适安逸的生活、他对一切都漫不经心、他单纯——这一切使他获得了近乎是一位英雄的地位。

One transmission cell to another while maintaining the DVB-H service.· For a number of reception scenarios; indoor, outdoor, pedestrian and inside amoving vehicle, the transmission system shall offer sufficient flexibility and scalability to allow the reception of DVB-H services at various speeds, whilstoptimizing transmitter coverage.· As services are expected to be delivered in environments that suffer high levels of man-made noise, the transmission system shall offer the means to mitigate their effects on the performance of the receiving terminal.· As DVB-H aims to provide a generic way to serve handheld terminals in various part of the world, the transmission system shall offer the flexibility to be used in various transmission bands and channel bandwidths.

因此DVB-H采用分时方式的资料传送形式，把原本通道频宽是由其它节目共同分配享有的，现在只可以让某一个节目使用全部的频宽所以让节目传送的位元率提高了，相对的减少传送的时间，但跟DVB-T一样在单位时间内所传送的资料是一样多的，由於DVB-H采用分时多工的方式传送资料所以接收器只在该节目传送的时间内接收该笔资料，而其它时间则不接收然后在等一个单位时间内，该节目的资料再传送时在接收，如此开关开关达到收到整部节目的资料，并大量的减少持续接收节目所消耗的功率，接下来由於DVB-H采用4K正交分频多工编码的方式，虽然涵盖的范围没有DVB-T大但对高速移动的时候接收信号时的效果会比较好。

Kim will sit for the portrait master summer "spent Guiqu horseshoe-riding" for the painting: the early rainy weather was fine, Lin Jianxiao Road, from near and far, Xi Xi and scattered Mati Yin and his party in recent Mati Yin bees have three, two in Tiyin circled on the preparations for Caimi, and another along the "road-" has been exiting…... forward in the "mountains of temple," he will be painted screen: the flying rock cliffs, winding the breakwater Two small over the faltering of the old monk, is struggling to carrying a bucket of water going to the mountains, the clouds wind around the side of the Linhai…... In the "green leaves that red" is the screen: an oasis in a Green rice fields and jungles, a hands Ziyi girls were carrying their loved ones to send the rice basket lunch and Tao Waguan; Fumian from the face of the Shanfeng, a Ziyi Chuidong the shadow show girls Ena, blowing open the girls UFA reveal the beautiful face - Emeifengyan, Fensaizhuchun, disclosed the spring atmosphere…….

u2 M- w7 O5 a% k 应考画师夏珪将&踏花归去马蹄香&画为：初雨天晴，林间小道上，由远及近、稀稀地零落一行马蹄印；在最近的马蹄印上有三只蜜蜂，两只在蹄印上盘旋准备采蜜，而另一只沿着&香路&一直向前飞去……；在&深山藏古寺&中，他将画面画成：在飞岩绝壁、蜿蜒的石矶小道上两名步履蹒跚的老和尚，正吃力地抬着一桶水向山上走去，一旁是云雾缭绕的林海……；而在&万绿丛中一点红&的画面是：在一望无垠的绿色丛林与稻田间，一位紫衣少女双手分别拎着给亲人送午餐的饭篮与陶瓦罐；那迎面拂面而来的山风，吹动着紫衣显现少女婀娜的身影，吹开少女的乌发露出美丽的脸庞——蛾眉凤眼、粉腮朱唇，透出春的气息……。

Kim will sit for the portrait master summer "spent Guiqu horseshoe-riding" for the painting: the early rainy weather was fine, Lin Jianxiao Road, from near and far, Xi Xi and scattered Mati Yin and his party in recent Mati Yin bees have three, two in Tiyin circled on the preparations for Caimi, and another along the "road-" ha**een exiting…... forward in the "mountains of temple," he will be painted screen: the flying rock cliffs, winding the breakwater Two small over the faltering of the old monk, is struggling to carrying a bucket of water going to the mountains, the clouds wind around the side of the Linhai…... In the "green leaves that red" is the screen: an oasis in a Green rice fields and jungles, a hands Ziyi girls were carrying their loved ones to send the rice basket lunch and Tao Waguan; Fumian from the face of the Shanfeng, a Ziyi Chuidong the shadow show girls Ena, blowing open the girls UFA reveal the beautiful face - Emeifengyan, Fensaizhuchun, disclosed the spring atmosphere…….

应考画师夏珪将&踏花归去马蹄香&画为：初雨天晴，林间小道上，由远及近、稀稀地零落一行马蹄印；在最近的马蹄印上有三只蜜蜂，两只在蹄印上盘旋准备采蜜，而另一只沿着&香路&一直向前飞去……；在&深山藏古寺&中，他将画面画成：在飞岩绝壁、蜿蜒的石矶小道上两名步履蹒跚的老和尚，正吃力地抬着一桶水向山上走去，一旁是云雾缭绕的林海……；而在&万绿丛中一点红&的画面是：在一望无垠的绿色丛林与稻田间，一位紫衣少女双手分别拎着给亲人送午餐的饭篮与陶瓦罐；那迎面拂面而来的山风，吹动着紫衣显现少女婀娜的身影，吹开少女的乌发露出美丽的脸庞——蛾眉凤眼、粉腮朱唇，透出春的气息……。

Kim will sit for the portrait master summer "spent Guiquhorseshoe-riding" for the painting: the early rainy weather was fine,Lin Jianxiao Road, from near and far, Xi Xi and scattered Mati Yin andhis party in recent Mati Yin bees have three, two in Tiyin circled onthe preparations for Caimi, and another along the "road-" has beenexiting…... forward in the "mountains of temple," he will be paintedscreen: the flying rock cliffs, winding the breakwater Two small overthe faltering of the old monk, is struggling to carrying a bucket ofwater going to the mountains, the clouds wind around the side of theLinhai…... In the "green leaves that red" is the screen: an oasis ina Green rice fields and jungles, a hands Ziyi girls were carrying theirloved ones to send the rice basket lunch and Tao Waguan; Fumian fromthe face of the Shanfeng, a Ziyi Chuidong the shadow show girls Ena,blowing open the girls UFA reveal the beautiful face - Emeifengyan,Fensaizhuchun, disclosed the spring atmosphere…….

应考画师夏珪将&踏花归去马蹄香&画为：初雨天晴，林间小道上，由远及近、稀稀地零落一行马蹄印；在最近的马蹄印上有三只蜜蜂，两只在蹄印上盘旋准备采蜜，而另一只沿着&香路&一直向前飞去……；在&深山藏古寺&中，他将画面画成：在飞岩绝壁、蜿蜒的石矶小道上两名步履蹒跚的老和尚，正吃力地抬着一桶水向山上走去，一旁是云雾缭绕的林海……；而在&万绿丛中一点红&的画面是：在一望无垠的绿色丛林与稻田间，一位紫衣少女双手分别拎着给亲人送午餐的饭篮与陶瓦罐；那迎面拂面而来的山风，吹动着紫衣显现少女婀娜的身影，吹开少女的乌发露出美丽的脸庞——蛾眉凤眼、粉腮朱唇，透出春的气息……。

As to the first research topic, we present a 'Noble Brand Positioning Four Master Phases Theory': Brand Space Theory, Brand Capital Theory, Brand Value Theory and Brand Circle Theory in advance. Following based on the Principal Component Analysis of statistical theory, we implemented the quantitative research in the 'Noble Brand Positioning Four Master Phases Theory'. We used the most famous fast food brand 'McDonald' s' as the sample space. The simulation test result shows that the Overall Index Explanatory Power is 83% under the Cronbath' s a is 0.88 through the quantitative verification. This result gives a strong support in defining the Noble Four Niche Phases Theory as the important strategic factor in establishing brand positioning index. After completing the quantitative research, the Principal Weight of each Sub-Niche is positive. This also implies that the Noble Brand Positioning Four master Phases Theory represents positive affection to brand positioning index. We also created the following Sub-Niches those are rarely mentioned in the past literatures. The Sub-Niches are:'Endless Running Strategy, Business Environment Strategy, Physical Capital Strategy, Brand Logo, Brand Music, Business Life Strategy, Personnel Capital Strategy, Life Cycle Strategy, Trust Mask Strategy, Re-Positioning Strategy, Word-Power Strategy, Globalization Strategy, Network Revolution Strategy and Green Brand Strategy'. The quantitative verification model can classify the responses of the sampling space into groups. After that, we used the quantitative verification process to classify the Target Consumer. And through the Principal Component Analysis, the group that owns the biggest average value consists of the Master Target Consumers for the business. This result would become the best suggestion for the business to adjust its strategies and to upgrade the productivity efficiency and create higher profit. As to the second research topic, we focused on finding the best corresponding characteristics attributes of the Brand Music for the Brand Log.

针对第一个研究主题，本文首先提出了一种创新性的品牌定位利基理论（A New Brand Positioning Niche Phase Theory）；品牌空间论，品牌资本论，品牌价值论与品牌循环论，接着本文以统计理论的主成份分析方法针对本文所提的创新性的品牌定位利基理论进行量化研究，本文以快餐业中知名品牌麦当劳作为样本空间，由量化验证的结果显示在信度分析Cronbatch's α为0.88之下其总指标解释力（Overall Index Explanatory Power）为83％，验证本文所提的创新性的品牌定位利基理论是构建品牌定位的重要策略因素，同时经由量化分析结果每项主成分权重值皆为正值更验证了本文所提的企业创新性的品牌定位利基理论与品牌定位指标呈现正相关：同时本文所提出次利基：'永续经营策略、企业环境策略、实体资本策略、企业生命策略、品牌标志策略、品牌音乐策略、人际资本策略、生命周期策略、信任标志策略、重新定位策略、文字威力策略、放眼全球策略、网络革命策略与绿色品牌策略'更是其它文献所未提及的：本文量化验证模式更可将样本空间中的responses分类群组，然后量化验证以界定目标市场，经由分析结果显示，其中具最大主成份百分位序均值者所属群组，即为企业中的主力消费群，提供企业决策者参考，进而调整其企业策略，而为企业提升生产效率创造更大的利润。

In the 1990s Bill Geerhart was an unemployed, not-so aspiring screenwriter in his 30s. To pass the time, he channeled his inner child, 10-year-old Billy, and started writing letters to famous and infamous people and institutions. These letters, written in pencil on elementary school ruled paper, asked funny but relevant questions to politicians, serial killers, movie stars, lobbyists, CEOs, and celebrity lawyers.

恶作剧做大了也会有意想不到的收获，有位Bill Geerhart先生就是恶作剧创作人员中的典范。1994年一心想搞写作的他正无业在家，无聊的人总会有多一点无聊的想法（其实他也可以尝试玩些无聊的人在无聊时玩的无聊游戏），于是他开始召唤内心的童真，虚构了一个小盆友，名字叫Billy，并用一些练习本内页+手写六一体写各种信件寄给有名的、没名的各种各样的人，问一些奇怪的问题请求帮助或者建议。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。