歌的

What We're All About : Nevertheless I'm not dressed for the occasion It's number 32 now here's the situation If the beat moves your feet then don't change the station Pack your bags cause we're leaving on a permanent vacation Well, I'm a disaster A microphone master Put on your tape and rock your ghetto blaster It's not about the money, cars, hotels, or resorts About sweating all the bitches in the biker shorts I'm Dave Brown Sound and you see me running late Cause I'm always making time to make your girlie feel great And I'm Bizzy D from way down town I'm known to rock a mic like a king was a crown When I'm on top I'm gonna borrow that bootie Hustling deals like Mickey Macooty When I wake up I like a pound of bacon Start off the day with my arteries shaking Rock!

够长的。。脑力活都变成体力活了，记得以前看过无数次这首歌的LIVE 我仍然穿得不合场合这里是32号如果你的双脚没有随着节拍跳跃那么请你换个地方打好你的背包因为我们正起程去度过一个永恒的假日好的我是一个灾难是麦克风的主人带上你的磁带摇滚你的犹太人区的爆破工这无关金钱汽车旅馆或者胜地而是关于让所有婊子在摩托车手的短裤里流汗我是Dave Brown Sound 你看我急匆匆的来迟了因为我总是把时间花在让你的妞享受快乐上面我是Bizzy D来自市区我被通知去当主唱就像国王是皇冠一样当我站在最上面我就要把女人的短靴借过来强取这待遇就像Mickey Macooty 当我醒来时我想吃一磅熏肉以动脉的震动来开始这一天摇滚吧！

Based on a song dating back to the days of the brigands who preyed on Silk Road travellers, now its message is more benign; its melodies are played by Toir Kuziyev on various string instruments -Turkish saz and Arabic oud, as well as doutar.

这首歌的原型可以追溯到那些在丝绸之路上劫掠商旅的流寇横行的年代，时至今日它所传达的信息要较为正面良善；它的旋律是由Toir Kuziyev用土尔其的萨斯、阿拉伯的乌得琴以及doutar等不同的弦乐演奏出来的。

To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves,"Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,--few felicities equal this.

在你的身旁，经常有个和你相依为命的妇人、姑娘、姊妹、可爱的人儿，知道自己对她是决不可少的，而她对自己也是非有不可的，能经常在她和你相处时间的长短上去推测她的感情，并且能向自己说：&她既然把她的全部时间用在我身上，就足以说明我占有了她整个的心&；不能看见她的面目，但能了解她的思想；在与世隔绝的生活中，体会到一个人儿的忠实；感到衣裙的摇曳，如同小鸟振翅的声音；听她来往、进出、说话、歌唱，并且想到自己是这种足音、这些话、这支歌的中心；不时表示自己的愉快，觉得自己越残缺，便越强大；在那种黑暗中，并正因为那种黑暗，自己成了这安琪儿归宿的星球；人生的乐事很少能与此相比。

It is wrong to suppose that the perfection of form of this prophecy indicates that it was not written in the first period of prophetical composition, because, in the face of the song of Deborah and of the elegies on Saul and Jonathan, the possibility of perfection of form in the period in which Joel wrote can not be denied; just as in other literatures also the first poetical writings have always been preceded by a longer stage of poetic development.

这是错误的假设完善的形式，这个预言指出，这是不写在第一期prophetical组成的，因为在面对这首歌的德博拉和该elegies对娑罗双树和乔纳森，完善的可能性形式在这段期间，其中的Joel写道不能否认的；正如在其他的文献，也是第一诗学著作一直之前有一个较长的阶段，诗的发展。

It is wrong to suppose that the perfection of form of this prophecy indicates that it was not written in the first period of prophetical composition, because, in the face of the song of Deborah and of the elegies on Saul and Jonathan, the possibility of perfection of form in the period in which Joel wrote can not be denied; just as in other literatures also the first poetical writings have always been preceded by a longer stage of poetic development.

此外，演说的态度，有力的语言，有独创性的表达和插图，这些图片的传播，这样早上的山区被发现仅在乔尔（白介素2），所代表的旧的日期组成的第一部分。这是错误的假设完善这一预言的形式表明，它不是写在第一期预言成分，因为，面对这首歌的德博拉和哀歌对扫罗和乔纳森的可能性，形成完善的时期，乔尔写道不能否认，就像在其他文献也是第一诗著作一直之前再发展阶段的诗意。

To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, to say to ourselves,"Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come go, retire, speak, return, sing, to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, through one's obscurity, the star around which this angel gravitates,--few felicities equal this.

在你的身旁，经常有个和你相依为命的妇人、姑娘、姊妹、可爱的人儿，知道自己对她是决不可少的，而她对自己也是8tt t 8。 com 非有不可的，能经常在她和你相处时间的长短上去推测她的感情，并且能向自己说：&她既然把她的全部8ttT8时间用在我身上，就足以说明我占有了她整个的心&；不能看见她的面目，但能了解她的思想；在与世隔绝的生活中，体会到一个人儿的忠实；感到衣裙的摇曳，如同小鸟振翅的声音；听她来往、进出、说话、歌唱，并且想到自己是这种足音、这些话、这支歌的中心；不时表示自己的愉快，觉得自己越残缺，便越强大；在那种黑暗中，并正因为8 Tt t 8。

Yes, the story of the girl is me: a cool color like a painting, like the collection of golden-yellow leaves, like the girls to listen to foreign songs, sometimes like to tame a rebellious and sometimes cats, like the mysterious girl of the Black Rose, a like sitting in a window which looked up the sky of heaven meters, savor like a happy girl.

没错，故事中的女孩就是我：一个喜欢用冷色着画，喜欢收集金黄色的落叶，喜欢听外文歌的女孩，一个喜欢时而温顺时而叛逆的猫，喜欢神秘的黑玫瑰的女孩，一个喜欢趴在窗口，抬头仰望天空中那一米远的天堂，喜欢细细品味快乐的女孩。

Yes, the story of the girl is me: a cool color like a painting, like the collection of golden-yellow leaves, like the girls to listen to foreign songs, sometimes like to tame a rebellious and sometimes cats, like the mysterious girl of the Black Rose, a like leaning over the window, which looked up the sky of heaven meters, savor like a happy girl.

没错，故事中的女孩就是我：一个喜欢用冷色着画，喜欢收集金黄色的落叶，喜欢听外文歌的女孩，一个喜欢时而温顺时而叛逆的猫，喜欢神秘的黑玫瑰的女孩，一个喜欢趴在窗口，抬头仰望天空中那一米远的天堂，喜欢细细品味快乐的女孩。

Yes, the story of the girl is me: a cool color like a painting, like the collection of golden-yellow leaves, like the girls to listen to foreign songs, sometimes like to tame a rebellious and sometimes cats, like the mysterious girl of the Black Rose, a like leaning over the window, which looked up the sky of heaven meters, savor like a happy girl.

没错，故事中的女孩就是我：一个喜欢用冷色着画，喜欢收集金黄色的落叶，喜欢听外文歌的女孩，一个喜欢时而温顺时而叛逆的猫，喜欢神秘的黑玫瑰的女孩，一个喜欢趴在窗口，抬头仰望天空中那一米远的天堂，喜欢细细品味快乐的女孩。拜托，帮帮忙

Waters's "Stormy Weather" became her theme, but when she sang it—especially in the film of 1943, against rain-soaked city streets—she looked, and sounded, somewhere over the rainbow, and closer to Kansas.

Waters的&Stormy Weather&成了她的主题曲，但她演绎这首歌的时候，尤其是在1943年的电影里，站在大雨滂沱的街头，她的样子，她的声音，都神似那个唱&over the rainbow&的女子。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。