歌唱

Boyindelger′s Singing Style embodies the root of Mongolian"Wurdindu"folk songs with a very natural combination of the singing mentality and the"bioplast"singing style.

宝音德力格尔的歌唱风格，体现着蒙古族乌日汀哆民歌之根本，即独具草原文化特色的歌唱心理与"原生态"歌唱风格的浑然天成。

If sing on stage to just unilaterally pursue the daintiness of phonation while sing, but neglect "word" of clear, will make the audience listen to not pure phrase righteousness, hinder the contents expression of song. Where as, if sing on stage while sing just persistently pursue enunciation and vomit a word, but dissimilarity notice give out sound of beautiful, flowing freely, equally will die down art atmosphere and expression for sing.

如果演唱者在歌唱时只是片面的追求发声的优美，而忽略"字"的清晰，就会使听众听不清词义，妨碍歌曲的内容表达；反之，如果演唱者在歌唱时只是一味的追求咬字、吐字，而不同时注意发声的优美、流畅，同样会减弱歌唱的艺术感染力和表达。

The article is through talking about to the breath singing, including the organ breathed, sing control of breath in , breathe method and is it train to breathe , draw a conclusion then --Breath is the foundation of singing.

文章通过对歌唱的呼吸进行论述，包括呼吸的器官，歌唱中的气息的控制，呼吸方法及呼吸训练，得出了一个结论那便是——呼吸是歌唱的基础。

These organs are the opposite entia in the singing exercises.

歌唱是靠呼吸器官、吐字器官、发声器官和共鸣器官的矛盾运动产生的，这些器官在歌唱运动中是对立的统一体，这种辩证关系构成了整体歌唱状态和发声过程。

This part is based on the concept of imaginativeness defined by the psychology. According to the definition of the imaginativeness, it describes the features in the singing activity, such as superficial imagination, the co-existence of feeling and situation, and the function of teachers in vocal music teaching, such as the training of vocal skill, the understanding of the content of songs, the appearance of the works, the nerve of students, and the cultivation of students imaginativeness, and finally makes amanifest with concrete examples.

本部分在心理学对想象性概念的界定的基础上，通过对歌唱思维的想象性下定义，详尽地描述了它在歌唱艺术活动中的表现特征，如显现形象、情景交融，以及在声乐教学中教师在发声技巧训练、歌曲内容理解、作品表现、缓解学生歌唱紧张情绪方面，应该如何启发学生个体的歌唱思维的想象性，并进而结合具体实例作一论证。

She holds a lesser place in the history of great singers because her vocal prime preceded the decline of Patti and it was past when Melba's ascendancy began.

但惋惜的是：她在世纪黄金歌唱大师的伟人行列中，并未占据着举足轻重的代表地位；原因也许是因为她的声音青春活力期及声音巅峰期，是处在另一位歌剧大师帕蒂和一位来自澳大利亚的超级黄金女高音歌唱艺术大师梅尔芭之间，她们"王权"般的优势，在当时是远远超过她的，我们的这位同样身为女高音歌唱艺术大师就显得可怜了，塞布里齐小姐似乎柔弱过时，无足轻重。

The raise sings the artistic expressive force needs to carry on artistic to the song processing, hits basic skills which sings; To song emotion processing, the emotion connotation which sings richly, and unifies the two utilizes in sings, sings in good voice and with feeling the performance, causes to sing to achieve the touching boundary, produces the artistic results which gladdens the heart.

培养歌唱的艺术表现力需要对歌曲进行艺术的处理，打好歌唱的基本功；对歌曲的情感的处理，丰富歌唱的情感内涵，并且把2者结合起来运用于演唱中，声情并茂的表演，使歌唱达到感人的境界，产生沁人肺腑的艺术效果。

The raise sings the artistic expressive force needs to carry on artistic to the song processing, hits basic skills which sings; To song emotion processing, the emotion connotation which sings richly, and unifies the two utilizes in sings, sings in good voice and with feeling the performance, causes to sing to achieve the touching boundary, produces the artistic results which gladdens the heart.

培养歌唱的艺术表现力需要对歌曲进行艺术的处理，打好歌唱的基本功；对歌曲的情感的处理，丰富歌唱的情感内涵，并且把二者结合起来运用于演唱中，声情并茂的表演，使歌唱达到感人的境界，产生沁人肺腑的艺术效果。

Polyphony is one main characteristic of Paiwan music. Most of the literatures only focus on the performing method, drone bass, in polyphonic songs. However, the similar method is also applied in the monophonic songs in Tavalan Village. At the end of the songs, the repeat of same pitch forms the sound effect of drone bass.

复音歌唱为排湾族的一大特点，然而以往的文献仅记载复音歌谣中的持续低音歌唱；但大社部落的传统单音歌谣，以相同的歌唱概念，将同音反覆的歌唱方式，应用於单音歌谣的句尾处，形成持续音的歌唱效果。

A singer should not only master singing skills and be artistically accomplished but also maintain a good singing psychology and own the ability in controlling the state of singing in performance in order to overcome stage frightand stage fear.

摘要歌唱者除了有较高的歌唱技巧、艺术修养外，还必须在歌唱过程中保持良好的歌唱心理，提高调控歌唱状态的能力，克服经常出现的&怯场&、&舞台恐惧&等现象。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失