歌剧

The mimic warfare of the opera stage- Archibald ''.

歌剧舞台上的模拟战争——阿奇博尔德·艾里森。

The mimic warfare of the opera stage-''.

歌剧舞台上的模拟战争——阿奇博尔德·艾里森。

The discussion of the theme offers materials to creation, performance and growth of Chinese opera, hoping the minnow can let us catch a whale.

本文的论述为中国歌剧创作、演出、发展的研究提供参考，希望能够起到一个抛砖引玉的作用。

Had it not been for the skills of his doctors in Barcelona and at the Fred Hutchinson Clinic in Seattle, Washington, the Missa Criolla would have been his last recording and his performance in I Pagliacci at the Vienna Staatsoper would have been the last time he sang on the operatic stage.

如果不是他在巴塞罗那的医生和华盛顿西雅图弗雷德·哈克森门诊的医生们的回春之手，歌剧中南美弥撒将是卡雷拉斯最后的专辑、而他在维也纳国立歌剧院的《丑角》演出也将成为他的绝唱。

Highlights from this year's festival included Tan Dun's boldly original new opera Marco Polo, two programmes by the Montreal Symphony Orchestra, a new dance piece by Pina Bausch inspired by Hong Kong, the acclaimed production of A Midsummer Night's Dream by the Royal Shakespeare Company, L'Allegro, Il Penseroso ed il Moderato by the Mark Morris Dance Group and Chess Man by Beijing's Central Experimental Theatre.

本年精彩节目包括谭盾的原创歌剧"马可波罗"、蒙特利尔交响乐团的两个演奏会、翩娜。包殊取材自香港的新编舞蹈作品、皇家莎士比亚剧团上演举世推崇的"仲夏夜之梦"、马克。莫里斯舞团的"欢笑、忧伤、悲喜之间"，以及中央实验话剧院的"棋人"。

His treatise Prima parte de' discorsi e regole sovra la musica (1649-1650) is an important source of information on contemporary composers and the rise of monody and opera .

他的论文普瑞玛单方面德梅discorsi位置regole索夫拉拉音乐（1649至1650年）是当代作曲家的重要信息来源和monody和歌剧上升。

Monteverdi was the first great operatic composer.

蒙蒂维迪是第一个伟大的歌剧作曲家。

His influence as a teacher has perhaps been underestimated, since he trained dozens of musicians to sing in the new style, including the castrato Giovanni Gualberto Magli , who sang in the first production of Monteverdi 's first opera Orfeo .

他作为教师的影响力可能被低估了，因为他培养了许多音乐家唱新的风格，包括阉人乔万尼瓜马利，谁在威尔第'第一部歌剧奥菲欧第一个生产生。

Claudio Monteverdi became the most visible of a generation of composers who felt that there was a secular means to this "modern" approach to harmony and text, and 1607 his opera L'Orfeo became the landmark which demonstrated the array of effects and techniques that were associated with this new school, called second pratica, to distinguish it from the older style or prima Pratica.

Claudio Monteverdi成为从同时代中最脱颖而出的音乐家，他认为对于和声和曲谱的阐释有一种通过新方式获得的世俗方法，接着他的歌剧L'Orfeo成为展示与被称为seconda pratica的新乐派相联系的一系列结果和技法里程碑，用以区别之前被称为第一种常规的旧风格。

Cavalli's operas provide the only example of a continuous musical development of a single composer in a single genre from the early to the late 17th century in Venice — only a few operas by others (eg Monteverdi and Antonio Cesti ) survive.

Cavalli的歌剧提供从早期到晚期在威尼斯17世纪-他人只有少数剧种一个持续的一个作曲家的音乐发展唯一的例子（如蒙台威尔第和安东尼切斯蒂）生存在一个流派。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。