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F! N, m0 {. V The Operatic Bow Same as above, only with a giant hankie in your right hand to wipe the sweat off your forehead after the exertion of returning to the vertical.

歌剧式鞠躬:同上,只不过右手拿一个大手帕,努力站直的时候好擦前额的汗。(译注:演完歌剧后要长时间谢幕。

The genuine support of Arnes father became more apparent when he provided Arne with the financial backing to form a theatre company in 1732 for the purpose of staging English operas at the Little Theatre in the Haymarket .

在阿恩的父亲真正的支持变得更加明显,他提供了财政支持阿恩在1732年形成的举办在小剧场中的干草英语歌剧的目的,一个剧院。

In the end, I would like to sing the Offenbach's opera "Le Belle Helene" that first gay carnival music, thanks to the blessings of Thanksgiving from everywhere.

在这一天即将结束的时候,我想高唱奥芬巴赫歌剧《美丽的海伦》结尾的那首欢快的狂欢曲,以此感谢所有来自感恩节的祝福。

The operatic climax finds Lady Henrietta doing the "right thing" at the cost of her own happiness.

歌剧高潮认定亨丽埃塔夫人做"正确的事情",但代价是她自己的幸福。

They went to see "The Mikado" one evening, an opera which was hilariously popular at that time.

" 一天傍晚,他们一起去看"日本天皇,这是一出当时很流行的歌剧

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置,八个区段从哪里内森猛拉被运行,来自欧内斯特海明威打击在鼻子上的最大依斯曼,四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论,当她来了纽约有关内布拉斯加写书的时候,来自街道 Willa Cather 的三十四个区段住在,旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline,来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机,十三个区段从哪里哈利融解射击史丹福白色的,来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段;(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在,他们其中的一些在热又喘不过气来的午后,孤单而私人而充满的他们自己散发感从没有。

On base of expatiating the different singing features of art songs and opera's aria respectively, this text put forward that both two of them should form the style of"take in everything ,complement each other"related to"histrionic"and"artistry".

本文在分别梳理艺术歌曲和歌剧咏叹调不同的演唱特征的基础上,提出两者在"戏剧性"和"艺术性"上应当形成"兼收并蓄、相得益彰"的风格。

The opera's aria is with intense histrionic, while art songs give prominence to artistry, which causes the different features on their singing style.

由于歌剧咏叹调具有强烈的戏剧性,艺术歌曲则突出艺术性,从而形成了它们在演唱风格上的不同特色。

This paper is focused on analyzing the histrionic of Opera Aida, as well as the application of music in the opera, which serves as a channel to explore the opinion of Verdi s opera.

威尔第灵活运用人声的各种演唱形式塑造人物形象并揭示矛盾冲突,对当代中国歌剧创作具有现实的借鉴意义。

Several of Hoffmann's stories provided the basis for operas and ballets.

霍夫曼的几部小说都被用作了歌剧和芭蕾舞剧的蓝本。

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