欲望

Thus, in the American economic system it is the demand of individual consumers, coupled with the desire of businessmen to maximize profits and the desire of individuals to maximize theirs incomings, those togetIT determine what shall be produced and how resources are not employ to produce it.

因此，在美国United States的经济体系中，个体消费者的需求与商人试图最大化其利润的欲望和一自己想最大化其收入效用的欲望相结合，一起决定了什么因该被制造，以及资料咋样被用来制造它们。

Thus, in the American economic rule it is the demor of individual consumers, coupled dawn the desire of trademen to maximize profits or the desire of individuals to maximize theirs incomings, these togetIT determine what shwhichle be produced or how resweces are not employ to produce it.

因此，在美利坚合众国United States的经济体系中，个体消费者的需求与商人试图最大化其利润的欲望和一自己想最大化其获利效用的欲望相结合，一起决定了什么因该被制造，以及信息如何被用来制造它们。

With the passing of time, this adaptating capacity has made this dog very versatile as regards functions; it has proved to be a noble companion and a loyal and insurmountable protector of those it loves. Its strength, tenacity, sharp sense of smell and bravery make it the best dog among those used for hunting wild boars, peccaries, pumas and other country predators which can be found in the vast and heterogeneous areas of the Argentinean territory.

阿格斯丁在《杜高犬的历史》里面回忆里说：就好像昨天发生的事情一样，我仍然记得那天，我哥哥安东尼奥第一次告诉我他的想法：培育出一种新品种犬以进行大型狩猎，他打算利用有着非凡勇气的科多巴斗犬，再混以其他品种以给予身高、好的嗅觉、速度、狩猎本能、还有其他一些以除去跟其他狗搏斗的欲望，这种欲望会使他们在群猎时毫无用处。

Rolling hills, angular peaks, the sky-line cliffs ...... as long as it is on the hill, as long as it has a certain height, as long as it can climb, it will always arouse people want to go beyond it, conquer it desire, no matter from where the original desire.

连绵起伏的小山丘，棱角分明的山峰，直插云霄的悬崖峭壁……只要它是山，只要它有一定的高度，只要它能够攀爬，它总会勾起人们想要超越它、征服它的欲望，无论这欲望最初源自哪里。

Aggression toward people and aggression toward other dogs is not in keeping with sporting dog character and purpose and is not acceptable.

对人类有攻击欲望，或对其他狗有攻击欲望，不符合运动犬的特征，属于缺陷。

Tennessee Williams use his unique style the different kinds of desires in his famous play A STREETCAR NAMED DESIRE.

剧作者田纳西·威廉斯在他的著名戏剧《欲望号街车》中用独特的手法阐述了不同类型的人所拥有的不同欲望。

Until we have a comprehensive understanding of our life and love, of our political, religious and social desires, with their demands and hindrances, we shall have everincreasing problems in our relationships, leading us to misery and destruction.

除非我们对于自己的生活和爱，对于政治上、宗教上、社会上的欲望以及由这些欲望而来的渴求和障碍，有深入的了解，否则，在我们的种种关系中，问题将会逐日增多，导致我们的不幸与毁灭。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Luo Yinglong uses in his series Overflowing Desire different layers of monochromatic colours: red or yellow. In his paintings, he puts women's breasts next to each other symbolizing sexual desire, he directly and uninhibitedly paints the desirable reproductive organs of a woman or he depicts the negative innermost feelings of two persons entwined in an ambiguous kiss, exchanging obscenities or having a sexual relationship.

罗应龙的《连续的红》系列，采用不同层次的单色——红色或黄色，将象征欲望的女性乳房重复并置于画面，或者直接描绘女性充满欲望淋漓的生殖器，或者让两个人在暧昧的互相亲吻、调戏、交欢中呈现滥欲给现代人带来的否定性情愫。

In contrast to Freud's emphasis on the castration complex, Jones stressed those aspects of female sexuality that cannot be described as resulting from an awareness of the absence of the penis and pointed out that some men actually desire castration, suggesting that the fear of castration is actually a form of the more basic fear of the loss of desire.

另外，琼斯指出有些男人实际上有对阉割的&欲望&，这暗示着阉割恐惧实际上是恐惧丧失欲望的一种形式，它较之前者是更为基本的。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了